{"id":10162,"date":"2022-03-09T14:20:56","date_gmt":"2022-03-09T13:20:56","guid":{"rendered":"https:\/\/letrat.eu\/?p=10162"},"modified":"2024-08-18T18:45:48","modified_gmt":"2024-08-18T17:45:48","slug":"dolce-far-niente-kenaqesia-e-asgjeberjes-italiane","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=10162","title":{"rendered":"Dolce far niente – K\u00ebnaq\u00ebsia e “asgj\u00ebb\u00ebrjes” italiane!"},"content":{"rendered":"

(s. guraziu – ars poetica, shk 22 – asgj\u00ebb\u00ebrja italiane ka dallim me at\u00eb t\u00eb “tradit\u00ebs \u00e7ajupiane” : )<\/em><\/p>\n

(…sipas italian\u00ebve duhet shijuar n\u00eb plot\u00ebsin\u00eb e vet secilin moment t\u00eb “asgj\u00ebb\u00ebrjes”, e gjitha q\u00eb ia vlen n’ato momente \u00ebsht\u00eb t\u00eb jetohet vet\u00eb momenti<\/strong>…)<\/p>\n

[ ngjitur: Lawrence Alma-Tadema (1836-1912) – Banjat e Perandorit Karakalla<\/strong>, 1899 ]<\/p>\n

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…n\u00eb piktur\u00ebn e Alma-Tadema shohim nj\u00eb sken\u00eb imagjinare nga interieri i “thermae” t\u00eb perandorit Karakalla, gjoja gjat\u00eb nj\u00eb dite teksa mbushur me romak\u00eb duke u lar\u00eb e freskuar, n\u00eb plan t\u00eb par\u00eb tri vajza n\u00eb stilin “dolce far niente” * padyshim duke biseduar rreth “dashuris\u00eb” (nj\u00ebra nga to n\u00eb duart mban nj\u00eb buqet\u00eb me lule), tutje pas tyre shihet di\u00e7 si pjes\u00eb e rezervuar p\u00ebr femrat (mbase p\u00ebr zonjat e zonjushat e rangut t\u00eb lart\u00eb) dhe tutje pak m\u00eb larg shihen figura meshkujsh n\u00eb k\u00ebmb\u00eb, thuase paksa t\u00eb hutuar a t\u00eb p\u00ebrhumbur, duke i shijuar idilikat e banjo-nudistikave : )<\/p>\n

(djathtas – ca foto t\u00eb g\u00ebrmadhave, banjat e perandorit Karakalla, Rom\u00eb<\/em>)
\n…nd\u00ebrtuar mes viteve 212 – 217, gjat\u00eb mbret\u00ebrimit t\u00eb perandorit Septimius Severus dhe perandorit Karakalla, p\u00ebr nga madh\u00ebsia n\u00eb metropolisin e Rom\u00ebs u takonte “vendi i dyt\u00eb”, thuhet se ishin funksionale p\u00ebr nja 3 shekuj, pat\u00ebn qen\u00eb n\u00eb p\u00ebrdorim deri n\u00eb vitet 530 – nga t\u00eb gjitha banjot publike (dmth. t\u00eb Rom\u00ebs romake) p\u00ebr nga madh\u00ebsia “vendi i par\u00eb” u takonte atyre t\u00eb Dioklecianit, nd\u00ebrtuar mes viteve 298 – 306, s’domend se interieret do ken\u00eb qen\u00eb madh\u00ebshtore p\u00ebr ta v\u00ebn\u00eb n\u00eb pun\u00eb imagjinat\u00ebn pikturale, mir\u00ebpo piktori Alma-Tadema n\u00eb piktur\u00ebn e vet ka “preferuar” t’jet\u00eb nj\u00eb sken\u00eb nga banjat e perandorit Karakalla…<\/p>\n

[ dolce far niente – k\u00ebnaq\u00ebsia e “asgj\u00ebb\u00ebrjes” italiane<\/strong> ]<\/p>\n

( ngjitur: John William Godward – “Dolce Far Niente<\/strong>“, 1897 )<\/p>\n

\"\"<\/a><\/p>\n

…dihet se dhe “asgj\u00ebb\u00ebrja” ka r\u00ebnd\u00ebsi, \u00ebsht\u00eb di\u00e7 si k\u00ebnaq\u00ebsi e vet\u00eb k\u00ebnaq\u00ebsis\u00eb s\u00eb gjallimit, psh. italian\u00ebt p\u00ebrve\u00e7 pun\u00ebs, gatimit, ver\u00ebs s\u00eb \u00ebmb\u00ebl, dijet\u00ebs s\u00eb sh\u00ebndetshme mediteraneske, qeshjes, dashuris\u00eb, muzik\u00ebs, vall\u00ebzimit, shetis\u00eb, aktivitetit shoq\u00ebror n\u00eb p\u00ebrgjith\u00ebsi etj. etj., “asgj\u00ebb\u00ebrjen” e konsiderojn\u00eb si di\u00e7 fort t\u00eb r\u00ebnd\u00ebsishme, sepse ndihmon q\u00eb njeriu t’jet\u00eb i lumtur, i buz\u00ebqeshur dhe i sh\u00ebndetsh\u00ebm\u2026<\/p>\n

\u2026gjithsesi, rishtas kuptohet q\u00eb s’duhet ngat\u00ebrruar gj\u00ebrat, bie fjala ka lloj-lloj m\u00ebnyrash t\u00eb “asgj\u00ebb\u00ebrjes” shqiptare (s’\u00ebsht\u00eb nevoja t\u00eb mohohet ky fakt, anise lexuesi ka t\u00eb drejt\u00ebn t’mos pajtohet – e kjo do n\u00ebnkuptonte q\u00eb lexuesi nuk u pajtuaka as me “verejtjen” e \u00c7ajupit), e sidomos “metodat tradicionale” t\u00eb dembelis\u00eb malazeze, padyshim bota i kategorizon t\u00eb gjitha si “dembelosje” \u2013 sepse shpesh ndodh\u00eb t’mos jen\u00eb di\u00e7 m\u00eb shum\u00eb se aq, di\u00e7 si dembeli e gjith\u00eb dit\u00ebs duke ndenjur n\u00ebn hije sipas tradit\u00ebs \u00e7ajupiane “\u2026bilbili ia thot\u00eb, grat\u00eb si sorkadhe, burrat n\u00ebn hije, lozin, kuvendojn\u00eb, pika q\u00eb s’u bie, se nga grat\u00eb rrojn\u00eb”\u2026<\/p>\n

\u2026jo pra, “dolce far niente”, asgj\u00ebb\u00ebrja italiane \u00ebsht\u00eb pak\u00ebz m\u00eb ndryshe, \u00ebsht\u00eb pothuaj di\u00e7 si akt-kult, di\u00e7 si ves kulturor, anise nuk \u00ebsht\u00eb “yoga” mir\u00ebpo thuase p\u00ebrmban nj\u00eb lloj urt\u00ebsie “orientale” brenda, thuase e ng\u00ebrthen dhe nj\u00eb lloj “budizmi” \u2013 esenca e “asgj\u00ebb\u00ebrjes” italiane nuk e manipulon obligimin p\u00ebr pun\u00ebn dhe angazhimin, por n\u00ebnkupton ta shijosh jet\u00ebn p\u00ebr nj\u00eb moment sa m\u00eb shlirsh\u00ebm t’jet\u00eb e mundur, thjesht \u00e7aste t\u00eb relaksimit total mendor, shpirt\u00ebror e fizik (ngjash\u00ebm si kur njeriu ik\u00ebn p\u00ebr ca dit\u00eb diku n\u00eb det, p\u00ebr ta harruar pun\u00ebn, stresin e gjith\u00e7ka)\u2026<\/p>\n

\u2026sipas italian\u00ebve duhet shijuar n\u00eb plot\u00ebsin\u00eb e vet secilin moment t\u00eb “asgj\u00ebb\u00ebrjes” (dmth. derisa duke mos b\u00ebr\u00eb gj\u00eb, u muar vesh jo t\u00ebr\u00eb dit\u00ebn) \u2013 me fjal\u00eb t\u00eb tjera “asgj\u00ebb\u00ebrja” italiane \u00ebsht\u00eb p\u00ebrvoja e k\u00ebndshme e t\u00eb shijuarit t\u00eb koh\u00ebs n\u00eb kalim e sip\u00ebr, duke i l\u00ebn\u00eb mendimet t\u00eb lira, fare pa frer, e gjitha q\u00eb ia vlen n’ato momente \u00ebsht\u00eb t\u00eb jetohet vet\u00eb momenti, pa stres, pa brenga, pa lodhamendje, pa presion, thjesht t\u00eb shijohet momenti si nj\u00eb k\u00ebnaq\u00ebsi e vet\u00eb k\u00ebnaq\u00ebsis\u00eb s\u00eb gjallimit, moment “duke mos b\u00ebr\u00eb gj\u00eb”\u2026<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

(s. guraziu – ars poetica, shk 22 – asgj\u00ebb\u00ebrja italiane ka dallim me at\u00eb t\u00eb “tradit\u00ebs \u00e7ajupiane” : ) (…sipas italian\u00ebve duhet shijuar n\u00eb plot\u00ebsin\u00eb e vet secilin moment t\u00eb “asgj\u00ebb\u00ebrjes”, e gjitha q\u00eb ia vlen n’ato momente \u00ebsht\u00eb t\u00eb… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-10162","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/10162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=10162"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/10162\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=10162"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=10162"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=10162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}