{"id":1264,"date":"2019-09-24T21:16:44","date_gmt":"2019-09-24T21:16:44","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=1264"},"modified":"2024-09-01T08:21:13","modified_gmt":"2024-09-01T07:21:13","slug":"dadaistet-thyenin-veze-per-omeleta-surrealiste","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=1264","title":{"rendered":"Dadaist\u00ebt thyenin vez\u00eb p\u00ebr om\u00ebleta surrealiste!"},"content":{"rendered":"<p>(nj\u00ebra nga th\u00ebniet m\u00eb simpatike q\u00eb kam hasur ndonj\u00ebher\u00eb rreth Dada-s\u00eb, s&#8217;do isha kujtuar kurr\u00eb p\u00ebr vez\u00eb as p\u00ebr om\u00ebleta : )<\/p>\n<p>&#8220;<strong>Dadaist\u00ebt ishin t\u00eb interesuar p\u00ebr thyerje vez\u00ebsh, surrealist\u00ebt erdh\u00ebn dhe filluan t\u00eb b\u00ebjn\u00eb omeleta<\/strong>.&#8221; &#8211; Daniel C. Ridge<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-1265 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste.jpg\" alt=\"\" width=\"1036\" height=\"720\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste.jpg 1036w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste-300x208.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste-768x534.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/09\/Dadaist\u00ebt-thyenin-vez\u00eb-p\u00ebr-om\u00ebleta-surrealiste-1024x712.jpg 1024w\" sizes=\"auto, (max-width: 1036px) 100vw, 1036px\" \/><\/a><\/p>\n<p>&#8211; &#8211; &#8211;<\/p>\n<p>(S. Guraziu &#8211; <strong>Ex Machina, Pollock dhe &#8220;Automatizmi&#8221; Artistik<\/strong>, 2015)<\/p>\n<p>&#8220;Tmerri dhe pasojat e L. s\u00eb Par\u00eb Bot\u00ebrore e pat\u00ebn l\u00ebkundur fuqish\u00ebm besimin n\u00eb moralin borgjez, jo vet\u00ebm n\u00eb aspektin &#8220;politik&#8221;. N\u00eb aren\u00ebn evropiane t\u00eb artit depresioni dhe kriza &#8220;morale&#8221; sikur pashmangsh\u00ebm do t\u00eb \u00e7onin n\u00eb shfaqjen e rrym\u00ebs anti-art, t\u00eb njohur si Dada. Dhe tutje dadaist\u00ebt do b\u00ebheshin vet\u00eb &#8220;varrmih\u00ebsit&#8221; e k\u00ebsaj di\u00e7kaje t\u00eb re. Kund\u00ebrvlera dhe anti-arti sikur soll\u00ebn p\u00ebrfundimisht d\u00ebshtimin e vet\u00eb struktur\u00ebs ideatike dadaiste. Athua vall\u00eb arti i mir\u00ebfillt\u00eb e njeh d\u00ebshtimin &#8211; n\u00eb fund t\u00eb fundit di\u00e7 s&#8217;mund t\u00eb jet\u00eb e &#8220;vdekshme&#8221; n\u00ebse kurr\u00eb as nuk ka lindur! Por a ishte di\u00e7 e re, a ishte &#8220;d\u00ebshtim&#8221;, a ishte &#8220;l\u00ebvizje e re&#8221;, a ishte gjall\u00eb di\u00e7 e palindur? Ndoshta ky &#8220;d\u00ebshtim&#8221; ishte thjesht v\u00ebshtir\u00ebsia e &#8220;nevojshme&#8221; e procesit p\u00ebr nj\u00eb lindje (rilindje). N\u00eb shikim t\u00eb par\u00eb, sikur historia e artit na paratakon me nj\u00eb paradoks logjik, por jo, sepse tutje jan\u00eb vet\u00eb dadaist\u00ebt ata q\u00eb luajt\u00ebn rolin e tyre n\u00eb sjelljen e risive artistike. N\u00eb fakt, sipas meje dadaizmi nuk ishte as lindje as rilindje, nuk p\u00ebrfaq\u00ebsonte asgj\u00eb&#8230; as kitsch as art, as avancim as avangardiz\u00ebm, as stagnim as p\u00ebrparim, as kthim mbrapa as shkuarje para&#8230; Sepse si negacion ndeshej me vet\u00eb fondamentin e pozitivizmit artistik. Dadaizmi m\u00eb par\u00eb ishte si &#8220;refuzim&#8221; p\u00ebr t\u00eb lindur, q\u00ebkur anti-arti s&#8217;ka t\u00eb b\u00ebj\u00eb me artin (duke qen\u00eb si kund\u00ebrshti themelore e vet\u00eb artit). Dadaizmi ishte nj\u00eb dehje e &#8220;p\u00ebrkohshme&#8221; depresive e koh\u00eblinj\u00ebs artistike.&#8221;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(nj\u00ebra nga th\u00ebniet m\u00eb simpatike q\u00eb kam hasur ndonj\u00ebher\u00eb rreth Dada-s\u00eb, s&#8217;do isha kujtuar kurr\u00eb p\u00ebr vez\u00eb as p\u00ebr om\u00ebleta : ) &#8220;Dadaist\u00ebt ishin t\u00eb interesuar p\u00ebr thyerje vez\u00ebsh, surrealist\u00ebt erdh\u00ebn dhe filluan t\u00eb b\u00ebjn\u00eb omeleta.&#8221; &#8211; Daniel C. Ridge&hellip; <a href=\"https:\/\/letrat.eu\/?p=1264\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14,10],"tags":[],"class_list":["post-1264","post","type-post","status-publish","format-standard","hentry","category-modern","category-komente"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1264","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1264"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1264\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1264"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1264"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1264"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}