{"id":13817,"date":"2023-12-24T22:41:47","date_gmt":"2023-12-24T21:41:47","guid":{"rendered":"https:\/\/letrat.eu\/?p=13817"},"modified":"2024-09-30T03:45:48","modified_gmt":"2024-09-30T02:45:48","slug":"bustet-e-gureta-te-lashtesise-dhe-arti-digjital-i-se-tashmes","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=13817","title":{"rendered":"Bustet e gur\u00ebta t\u00eb lasht\u00ebsis\u00eb, dhe arti digjital i s\u00eb tashmes"},"content":{"rendered":"<p><em>(s. guraziu &#8211; ars poetica, dhjetor 23 &#8211; koment)<\/em><\/p>\n<p>Dihet se p\u00ebr panum\u00ebr figura t\u00eb lasht\u00ebsis\u00eb s&#8217;e kemi iden\u00eb si dukeshin realisht, n\u00eb rastin m\u00eb t\u00eb mir\u00eb e gjitha \u00e7far\u00eb kemi do jet\u00eb ndonj\u00eb bust. Madje dhe busti shpesh i thyer, o i mungon hunda, gjysma e kok\u00ebs etj. Anise historia e vizatimeve shkon mbrapa n\u00eb koh\u00eb deri n\u00eb para-histori (vizatimet m\u00eb t\u00eb vjetra t\u00eb njohura thuhet se jan\u00eb p\u00ebraf\u00ebrsisht 40.000 vje\u00e7are, dmth. ato vizatimet e st\u00ebrlashta t\u00eb shpellave), se romak\u00ebt dinin t\u00eb vizatonin&#8230; patjet\u00ebr se dinin, 38.000 vjet para tyre dinin, pse t&#8217;mos dinin dhe ata. Romak\u00ebt mund t&#8217;ken\u00eb qen\u00eb vizatues m\u00eb t\u00eb zot\u00ebt se Da Vin\u00e7i, mir\u00ebpo p\u00ebr fat t\u00eb keq portretet e njer\u00ebzve si vizatime (qofshin dhe vizatime-gdhendurina) s&#8217;kan\u00eb mbijetuar, jo psh. si\u00e7 kan\u00eb mbijetuar bustet e gur\u00ebta.<\/p>\n<p>Po ashtu, meq\u00eb ra fjala, mund t&#8217;flitet p\u00ebr rreth 1 mij\u00ebvje\u00e7ar t\u00eb &#8220;piktur\u00ebs&#8221; si histori, s&#8217;mund t\u00eb flasim p\u00ebr 2000 vite, as p\u00ebr 3000 t\u00eb historis\u00eb s\u00eb pikturave. Dmth. s&#8217;jemi duke u ankuar por thjesht duke e cekur faktin q\u00eb n\u00eb koh\u00ebn e romak\u00ebve ende s&#8217;dinin p\u00ebr portrete n\u00eb stilin &#8220;Mona Liza&#8221;. Ende s&#8217;dinin p\u00ebr &#8220;portretet pikturale&#8221;, ata dinin p\u00ebr vizatime dhe p\u00ebr gdhendurinat, qofshin t\u00eb gur\u00ebve, t\u00eb fildishit, t\u00eb drunj\u00ebve etj. Dmth. dinin p\u00ebr skupturat, p\u00ebr bustet e mermerta e k\u00ebso, n\u00eb koh\u00ebn e tyre ishin m\u00eb t\u00eb popullarizuarat. Padyshim do ken\u00eb qen\u00eb dhe t\u00eb shtrenj\u00ebta, gur\u00ebt si medium sikur i b\u00ebnin &#8220;ball\u00eb&#8221; dhe vet\u00eb p\u00ebrjet\u00ebsis\u00eb.<\/p>\n<p>Tani pata p\u00ebrshtypjen arti digjital sadopak na e &#8220;zgjidh\u00eb&#8221; problemin e munges\u00ebs s\u00eb portreteve t\u00eb lasht\u00ebsis\u00eb. psh. n\u00ebse gjoja p\u00ebr artikullin ton\u00eb t&#8217;na duheshin ilustrimet e disa emrave t\u00eb njohur t\u00eb lasht\u00ebsis\u00eb romake. Le t&#8217;themi n\u00eb shkrimin ton\u00eb hipotetik fjal\u00ebn e kishim p\u00ebr ca zonja t\u00eb famshme t\u00eb perandoris\u00eb romake (jo patjet\u00ebr t\u00eb &#8220;famshme&#8221; n\u00eb kuptimin strikt t\u00eb termit, por t\u00eb &#8220;popullarizuara&#8221;)&#8230; Valeria Mesalina, Kornelia, Klaudia Kuinta, Julia Avita Mamea, Lukretia, Agripina, Klaudia Metrodora. etj etj. thjesht s&#8217;do kishim si t&#8217;i ilustrojm\u00eb, q\u00ebkur ndoshta s&#8217;ka as foto t\u00eb busteve, apo s&#8217;dim\u00eb t&#8217;i gjejm\u00eb, s&#8217;ka as vizatime, as gravura as gj\u00eb : )<\/p>\n<p>Natyrisht, nuk b\u00ebhet fjal\u00eb se portretet imagjinare do na jen\u00eb portrete t\u00eb v\u00ebrteta, se do p\u00ebrputheshin me pamjen e tyre realiste t\u00eb s\u00eb dikurshmes. Sakt\u00ebsia s&#8217;do jet\u00eb ashtu si\u00e7 thot\u00eb imagjinata e s\u00eb tashmes. Mir\u00ebpo as busti (n\u00ebse ekzistent) s&#8217;na &#8220;zbulon&#8221; di\u00e7 m\u00eb shum\u00eb rreth pamjes reale t\u00eb dikujt. Ne prap\u00eb duhet t\u00eb bazohemi n\u00eb tiparet imagjinare (brenda kafk\u00ebs son\u00eb).<\/p>\n<p>Pothuaj p\u00ebr t\u00eb gjith\u00eb perandor\u00ebt e Rom\u00ebs kan\u00eb mbijetuar bustet (aty-k\u00ebtu mbase do ket\u00eb dhe p\u00ebrjashtime, ndonj\u00ebrit dhe do i ken\u00eb humbur). E prap\u00eb vet\u00ebm me bustet s&#8217;e kemi iden\u00eb si dukeshin ata realisht. E gjitha \u00e7far\u00eb bustet e mermerta zbulojn\u00eb (relativisht me &#8220;sakt\u00ebsi&#8221;) do jen\u00eb detajet si vijon, psh. n\u00ebse perandori eventualisht na ishte pa flok\u00eb, n\u00ebse moll\u00ebza adamike na ishte mjaft e dalluar, apo n\u00ebse ta ket\u00eb patur hund\u00ebn si krrab\u00eb&#8230; k\u00ebso detajesh : )<\/p>\n<p>[ <span style=\"color: #999999;\">ngjitur: disa portrete imagjinare, si &#8220;shembull&#8221; rreth ides\u00eb n\u00eb fjal\u00eb &#8211; art digjital<\/span> ]<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13818\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt.jpg\" alt=\"\" width=\"1280\" height=\"1000\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt.jpg 1280w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt-300x234.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt-1024x800.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_00_opt-768x600.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13819\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt.jpg\" alt=\"\" width=\"1280\" height=\"1000\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt.jpg 1280w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt-300x234.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt-1024x800.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_drusilla_messalina_01_opt-768x600.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13820\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt.jpg\" alt=\"\" width=\"1280\" height=\"1000\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt.jpg 1280w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt-300x234.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt-1024x800.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_metrodora_julia_avita_02_opt-768x600.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-13821\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt.jpg\" alt=\"\" width=\"1280\" height=\"1000\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt.jpg 1280w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt-300x234.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt-1024x800.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2023\/12\/arspo_art_digjital_portrete_quinta_agrippina_03_opt-768x600.jpg 768w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Sipas &#8220;inteligjenc\u00ebs artificiale&#8221; edhe grat\u00eb e lasht\u00ebsis\u00eb ishin t\u00eb bukura, elegante dhe &#8220;super cool&#8221; (p\u00ebr koh\u00ebn e tyre). Sidomos femrat fisnike, grat\u00eb e pasura dhe q\u00eb kishin rang t\u00eb lart\u00eb shoq\u00ebror, patjet\u00ebr se ishin &#8220;akullsisht&#8230; cool&#8221;. Sa i p\u00ebrket bukuris\u00eb kuptohet asgj\u00eb s&#8217;ka ndryshuar, mir\u00ebpo dhe at\u00ebher\u00eb kishin &#8220;stil&#8221;, edhe at\u00ebher\u00eb u referoheshin koncepteve t\u00eb ndryshme stilistike. Kujdeseshin p\u00ebr pamjen, n\u00eb \u00e7do koh\u00eb figura e tyre sikur e rrezatonte eleganc\u00ebn dhe fisnik\u00ebrin\u00eb.<\/p>\n<p>Bazuar n\u00eb imazhet e &#8220;inteligjenc\u00ebs artificiale&#8221; femrat fisnike t\u00eb Rom\u00ebs s\u00eb lasht\u00eb padyshim do ken\u00eb qen\u00eb elegante si vet\u00eb Elisabeta e Bavaris\u00eb. N\u00eb histori Elisabeta pothuaj &#8220;konsiderohet&#8221; perandoresh\u00eb e rinis\u00eb dhe e bukuris\u00eb s\u00eb p\u00ebrjetshme. P\u00ebr disa dekada qe konsideruar mbret\u00ebresha m\u00eb e bukur e Evrop\u00ebs, sepse Elisabeta v\u00ebrtet ishte e bukur. Mir\u00ebpo s&#8217;ishte vet\u00ebm bukuria, ajo dhe kujdesej jasht\u00ebzakonisht shum\u00eb p\u00ebr &#8220;ekstravaganc\u00ebn&#8221;, p\u00ebr ruajtjen e freskis\u00eb dhe t\u00eb shk\u00eblqimit.<\/p>\n<p>Elisabet\u00ebs thjesht i p\u00eblqenin jasht\u00eb mase veshjet e rregullimet, teleisjet e zbukurimet. I p\u00eblqente t\u00eb dukej &#8220;cool&#8221;, e kishte obsesion ruajtjen e figur\u00ebs rinore dhe t\u00eb bukuris\u00eb. Nj\u00ebher\u00eb pat\u00ebm spekuluar (ishte di\u00e7 si spekulim i guximsh\u00ebm i yni) se padyshim tualetet e gjata dhe monotone t\u00eb m\u00ebngjesit nuk i p\u00eblqenin Elisabet\u00ebs. P\u00ebrkund\u00ebr sh\u00ebrb\u00ebtoreve t\u00eb panum\u00ebrta q\u00eb i kishte, e ngrata padyshim do jet\u00eb m\u00ebrzitur &#8211; pat\u00ebm shkruar. Guximi i spekulimit ton\u00eb bazohej n\u00eb faktin se tualetet e saj mund t&#8217;ken\u00eb zgjatur t\u00ebr\u00eb paraditen, e ndonj\u00ebher\u00eb inkluzivisht gjith\u00eb mesdit\u00ebn : )<\/p>\n<p>Kur \u00ebsht\u00eb fjala p\u00ebr 2000-3000 vite mbrapa n\u00eb lasht\u00ebsi, ka plot detaje q\u00eb u shmangen dhe vet\u00eb historian\u00ebve, thjesht kan\u00eb ngelur pa mbules\u00eb, t\u00eb paqarta, kronist\u00ebt e lasht\u00ebsis\u00eb s&#8217;i kan\u00eb p\u00ebrmendur. Bie fjala, dihet se brushat efektive p\u00ebr pastrimin e dh\u00ebmb\u00ebve von\u00eb qen\u00eb shpikur, s&#8217;kishin at\u00ebbot\u00eb as brusha elektrike, as fluorin\u00eb dhe dmth. s&#8217;i kishin as pastat e s\u00eb sotmes. Pandehma se bardh\u00ebsia e dh\u00ebmb\u00ebve t\u00eb bukurosheve romake ishte e &#8220;nj\u00ebjta&#8221; bardh\u00ebsi sikur dhe sot, do ishte di\u00e7 si fiksionalitet i kulluar. Askush s&#8217;e ka iden\u00eb, ndoshta jo bardh\u00ebsia&#8230; po pik\u00ebrisht &#8220;verdh\u00ebsia&#8221; e dh\u00ebmb\u00ebve ishte n\u00eb mod\u00eb : )<\/p>\n<p>Sidoqoft\u00eb, gj\u00ebrat q\u00eb nuk i dim\u00eb s&#8217;kemi si t&#8217;i dim\u00eb, s&#8217;i dinin as vet\u00eb historian\u00ebt e perandoris\u00eb, andaj dhe vet\u00eb kronikat e historis\u00eb n\u00eb k\u00ebt\u00eb drejtim kan\u00eb ngelur t\u00eb cek\u00ebta. Mir\u00ebpo askush s&#8217;mund ta kontestoj\u00eb eleganc\u00ebn e bukurosheve romake. I rregullonin flok\u00ebt bukur, kishin lloj-lloj lulesh e tr\u00ebndafilash, lulishtet plot, i ekstraktonin lloj-lloj parfumesh, p\u00ebrdornin stoli t\u00eb shtrenjta, rroba t\u00eb shtrenjta, visheshin sipas trendeve t\u00eb mod\u00ebs s\u00eb at\u00ebhershme.<\/p>\n<p>Psh. me &#8220;stolat&#8221; e bardha (si\u00e7 i shohim n\u00eb imazhet ngjitur), her\u00eb t\u00eb kuqe, her\u00eb t\u00eb gjelb\u00ebrta e her\u00eb ndryshe, ndonj\u00ebher\u00eb po ashtu mb\u00ebshtjellur me &#8220;palla-pelerinat&#8221;. Stola ishte veshje tradicionale e grave romake, ishte pakashum\u00eb veshje ekuivalente me nj\u00eb &#8220;toga&#8221; q\u00eb vishej nga burrat. P\u00ebr fat t\u00eb keq s&#8217;ka mbijetuar asnj\u00eb ekzemplar fizik i ndonj\u00eb &#8220;stole&#8221; (tekefundit asnj\u00eb muzeum i bot\u00ebs s&#8217;ka pohuar ta ken\u00eb gjetur nj\u00eb ekzemplar origjinal).<\/p>\n<p>Stola ishte di\u00e7 si p\u00eblhur\u00eb e gjat\u00eb dhe pa m\u00ebng\u00eb (meq\u00eb e gjat\u00eb quhej dhe &#8220;vestis longa&#8221;), n\u00eb koh\u00ebn augustiane veshja e nj\u00eb stole ishte simbol q\u00eb e p\u00ebrfaq\u00ebsonte statusin martesor t\u00eb nj\u00eb gruaje (matronae). Mir\u00ebpo vishej dhe nga prift\u00ebreshat vestaliane, nga sh\u00ebrb\u00ebtoret e virgj\u00ebra t\u00eb per\u00ebndesh\u00ebs Vesta. Derisa stola matronale nuk kishte ngjyr\u00eb strikt t\u00eb caktuar (mund t&#8217;ishte me ngjyra t\u00eb ndryshme, skaji ose kufiri i p\u00eblhur\u00ebs &#8220;instita&#8221; mbase ishte ngjyr\u00eb vjollc\u00eb, ngjash\u00ebm me kufirin e purpurt q\u00eb e kishte toga e shtrenjt\u00eb e burrave t\u00eb elit\u00ebs sociale), me sa duket stola q\u00eb vishej nga virgj\u00ebreshat vestaliane duhej t&#8217;ishte strikt e bardh\u00eb.<\/p>\n<p>D\u00ebshmia e par\u00eb romake p\u00ebr stolat (vestis longa) na vjen q\u00eb nga shek. III pes, mir\u00ebpo meq\u00eb forma e veshjes ishte e zakonshme p\u00ebr gjith\u00eb sfer\u00ebn mesdhetare (dmth. versioni romak s&#8217;ishte ndonj\u00eb version unik, por di\u00e7 si alternacion i plot veshjeve t\u00eb ngjashme) shkollar\u00ebt thon\u00eb q\u00eb si form\u00eb e veshjes duhet t&#8217;jet\u00eb shum\u00eb m\u00eb e vjet\u00ebr. N\u00eb koh\u00ebn republikane (t\u00eb Rom\u00ebs) ishte thjesht pjes\u00eb e praktik\u00ebs romake t\u00eb veshjes s\u00eb femrave, nd\u00ebrsa n\u00eb koh\u00ebn augustiane qe shnd\u00ebrruar n\u00eb di\u00e7 si simbol kulturor, qe b\u00ebr\u00eb pjes\u00eb e veshjes s\u00eb grave t\u00eb martuara (matronae). Thuhet se nga fillim-shek. II i er\u00ebs son\u00eb, stola do dilte t\u00ebr\u00ebsisht nga p\u00ebrdorimi, dmth. p\u00ebrdorimi i k\u00ebsaj veshje pati zgjatur p\u00ebr nja 4-5 shekuj.<\/p>\n<p>Nd\u00ebrsa &#8220;palla&#8221; p\u00ebrdorej si pelerin\u00eb, si mantel elegant, si batanije q\u00eb mb\u00ebshtillej rreth trupit, lidhur ose siguruar me karfica, vishej jasht\u00eb sht\u00ebpis\u00eb nga grat\u00eb e pasura romake (ishte di\u00e7 si version luksoz i pallium-it). Derisa forma e nj\u00eb toge tradicionale ishte gjysm\u00ebrrethore, &#8220;palla&#8221; kishte form\u00eb drejtk\u00ebndore. Ngjash\u00ebm si &#8220;stola&#8221; edhe p\u00ebr palla-mantelin thuhet se daton q\u00eb nga shek. III pes., dhe nj\u00ebsoj edhe ky lloj i veshjes duhet t&#8217;jet\u00eb m\u00eb i vjet\u00ebr.<\/p>\n<p><span style=\"color: #808080;\"><em>(s. guraziu &#8211; ars poetica, dhjetor 23)<\/em><\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(s. guraziu &#8211; ars poetica, dhjetor 23 &#8211; koment) Dihet se p\u00ebr panum\u00ebr figura t\u00eb lasht\u00ebsis\u00eb s&#8217;e kemi iden\u00eb si dukeshin realisht, n\u00eb rastin m\u00eb t\u00eb mir\u00eb e gjitha \u00e7far\u00eb kemi do jet\u00eb ndonj\u00eb bust. Madje dhe busti shpesh i&hellip; <a href=\"https:\/\/letrat.eu\/?p=13817\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-13817","post","type-post","status-publish","format-standard","hentry","category-digital"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/13817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13817"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/13817\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}