{"id":14177,"date":"2024-01-29T15:12:50","date_gmt":"2024-01-29T14:12:50","guid":{"rendered":"https:\/\/letrat.eu\/?p=14177"},"modified":"2024-04-08T21:15:42","modified_gmt":"2024-04-08T20:15:42","slug":"shfajesimi-arsyetimi-frojdian-si-psiko-truk-narrativ","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=14177","title":{"rendered":"Shfaj\u00ebsimi, “arsyetimi frojdian” si psiko-truk narrativ"},"content":{"rendered":"

S. Guraziu – Ars Poetica, J 2024<\/em><\/p>\n

Ana m\u00eb e ngrysur (dmth. nga nuancat e gris\u00eb)\u2026 n\u00ebse flitet “poetikisht”, situata t\u00eb tilla mbase mund t\u00eb p\u00ebrshkruhen si ana m\u00eb e err\u00ebt e “50 nuancave t\u00eb gris\u00eb”<\/strong> (the shadiest side\u2026 “poetically” speaking, such situations perhaps could be described as the shadiest side of “50 shades of grey” – s. guraziu – ap, sht 2020<\/em>).<\/p>\n

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Pata b\u00ebr\u00eb shaka (ashtu n\u00eb anglisht, ishte postim n\u00eb Fb), duke e postuar grafik\u00ebn e dhom\u00ebs s\u00eb ndar\u00eb, dhe duke aluduar at\u00ebbot\u00eb n\u00eb filmin e Hollivudit “50 Shades of Grey”, n\u00eb t\u00eb cilin film madje dhe Rita Ora e luan nj\u00eb rol t\u00eb “vog\u00ebl” (si motra e kryeprotagonistit Christian Grey – Rita \u00ebsht\u00eb gjoja Mia Grey). Kuptohet se “Grey” (grija e titullit filmik) \u00ebsht\u00eb thjesht mbiem\u00ebr, por q\u00eb figurativisht \u00ebsht\u00eb lozur pak\u00ebz me termin “grey”, duke i p\u00ebrdorur “shades” si figuracion rreth psiko-karakterit t\u00eb kryepersonazhit.<\/p>\n

Shpesh fjala mund t’jet\u00eb p\u00ebr psersonazhet kryesore t\u00eb nj\u00eb filmi, po kur, apo n\u00ebse n\u00eb ndonj\u00eb film duhet inkuadruar nj\u00eb karakter (personazh) p\u00ebrjashta “normales” s\u00eb zakonshme, psh. nj\u00eb kriminel (qoft\u00eb dhe sociopat, por q\u00eb \u00ebsht\u00eb “simpatik”, \u00ebsht\u00eb i hijsh\u00ebm), apo nj\u00eb bisnismen i pasur, nj\u00eb miliarder, mir\u00ebpo i cili personazh ka probleme psikike, \u00ebsht\u00eb i “s\u00ebmur\u00eb” psiko-mend\u00ebrisht, sepse ka patur t\u00eb kaluar abuzive (dmth. ka “mbrapa” detaje t\u00eb skenografis\u00eb q\u00eb audienca filmike ende nuk i di) at\u00ebher\u00eb skenarist\u00ebt thjesht e p\u00ebrdorin trukun e “arsyetimit, ose t\u00eb justifikimit frojdian”.<\/p>\n

Ky truk narrativ i shkrimtar\u00ebve (i skenarist\u00ebve t\u00eb Hollivudit sidomos), i ashtuquajturi “arsyetim frojdian” ndihmon q\u00eb nj\u00eb personazh me probleme t\u00eb psiko-natyr\u00ebs t\u00eb “akseptohet” nga audienca pakashum\u00eb si person normal (i sh\u00ebndetsh\u00ebm, pa psiko-probleme). Bie fjala n\u00eb filmin “50 Shades…” (anise i kishte 3-4 vazhdime, ne s’e dim\u00eb por n\u00eb fund personazhi dhe mund t’jet\u00eb “sh\u00ebruar” : ) kryeprotagonisti Christian Grey \u00ebsht\u00eb thjesht nj\u00eb abuzues, nj\u00eb mazohist-narcisist seksual. Por ai nuk \u00ebsht\u00eb psikopat, duhet qart\u00ebsuar dhe kjo.<\/p>\n

Dihet se karakteri i personazhit filmik “Christian Grey” kishte devijim serioz sadistik-seksualistik (si \u00e7rregullim). Natyrisht, devijimi ishte i lidhur me gj\u00ebra sadistike nga p\u00ebrvoja e tij traumatike e s\u00eb dikurshmes. Ai gjithashtu kishte psiko-probleme shtes\u00eb, tashm\u00eb si ndikim i vet\u00eb devijimit t\u00eb tij seksualistik. N\u00eb p\u00ebrgjith\u00ebsi, ashtu “mbyllur brenda g\u00ebzhoj\u00ebs s\u00eb vet” ai funksiononte normalisht dhe ishte nj\u00eb biznismen i zoti. Por realisht vuante nga tre \u00e7rregullime t\u00eb personalitetit, nga \u00e7rregullimi histrionik, nga \u00e7rregullimi obsesiv-kompulsiv dhe nga \u00e7rregullimi narcisist i personalitetit.<\/p>\n

Mir\u00ebpo s’ka gj\u00eb, le t’jet\u00eb sepse audienca do t’i “kuptoj\u00eb” tashm\u00eb v\u00ebshtir\u00ebsit\u00eb psikologjike t\u00eb tij. Personazhi bukurosh ishte nj\u00eb f\u00ebmij\u00eb i adoptuar, i abuzuar seksualisht n\u00eb f\u00ebmij\u00ebrin\u00eb e edhe gjat\u00eb adoleshenc\u00ebs s\u00eb tij – nuk e dinim por ja q\u00eb tani e dim\u00eb (her\u00ebdokur gjat\u00eb minutazhit filmik do “shpaloset” e v\u00ebrteta). K\u00ebshtu q\u00eb “no problemos”, p\u00ebr sa koh\u00eb t’jet\u00eb i hijsh\u00ebm, i edukuar, super i pasur, i sjellsh\u00ebm… t\u00eb gjitha vajzat e planetit do ta “falin”. Do u dhimbset madje p\u00ebr t\u00eb kaluar\u00ebn, tani do solidarizohen me vuajtjen e tij t\u00eb dikurshme (pasojat e t\u00eb cilit abuzim nga aspekti psikologjik reflektohen tashm\u00eb ndaj t\u00eb dashur\u00ebs Anastasia).<\/p>\n

Vajzat e audienc\u00ebs (si grupnaj\u00eb kryesore, q\u00eb u dedikohet filmi) bukuroshin miliarder madje dhe do ta adhurojn\u00eb. Kushedi sa miliona fansa do i ken\u00eb krye-protagonist\u00ebt, kuptohet Anastasia do i ket\u00eb ata q\u00eb i takojn\u00eb asaj (supozuar q\u00eb pjesa d\u00ebrrmuese do jen\u00eb nga audienca mashkullore, anise jo vet\u00ebm, meq\u00eb bota moderne tashm\u00eb e ngopur dhe me tjera opsione, kuptohet dhe kjo).<\/p>\n

E till\u00eb \u00ebsht\u00eb psikologjia, tekefundit ashtu b\u00ebhen filmat, duke thurur e nd\u00ebrthurur emocione, ndodhi, spektakolaritete, skena, prapaskena, duke thurur \u00ebndrra dhe lloj-lloj \u00e7orapesh t\u00eb ngrohta vizuale. Kuptohet, gjith\u00e7ka duhet “maskuar” dhe gj\u00ebrat duhet t’i tendosesh sadoapak, p\u00ebrndryshe s’do besonte kush. E sidomos filmat do ishin t\u00eb “pabesuesh\u00ebm”, s’do kishin as audienc\u00eb, 3-4 vazhdime s’do kishin fare kuptim. Sikur dhe, nj\u00ebsoj edhe ato telenovelat sht\u00ebpiake duhet t’jen\u00eb sadopak t\u00eb “besueshme”, gjith\u00e7ka : )<\/p>\n

Detaji i abuzimit, e v\u00ebrteta e hidhur (e dikurshmja si fatkeq\u00ebsi e personazhit) e ngjesh\u00eb storien filmike me ngarkes\u00ebn emocionale t\u00eb nevoshjme. Pastaj si truk psiko-shfaj\u00ebsues (meq\u00eb audienca ende nuk e dinin) “arsyetimi frojdian” audienc\u00ebs ia qart\u00ebson se personazhi n\u00eb fjal\u00eb e kishte p\u00ebrjetuar dikur nj\u00eb histori abuzive dhe ve\u00e7an\u00ebrisht t\u00eb dhunshme.<\/p>\n

Psh. mund t’ket\u00eb patur prind\u00ebr alkoholist\u00eb, narko-maniak\u00eb, prind\u00ebr toksik\u00eb, abuzues, apo mund t’ket\u00eb qen\u00eb i ngacmuar, i p\u00ebrbuzur nga shok\u00ebt e klas\u00ebs n\u00eb shkoll\u00eb. Ose mund t’ket\u00eb qen\u00eb i p\u00ebrdhunuar psiko-fizikisht nga ndokush i panjohur n\u00eb t\u00eb kaluar\u00ebn etj. Trajtimi i till\u00eb, vrazhd\u00ebsia e bot\u00ebs ndaj personazhit mund ta ket\u00eb shtremb\u00ebruar perceptimin e tij p\u00ebr bot\u00ebn, ose ta ket\u00eb \u00e7oroditur sadopak – k\u00ebshtu q\u00eb tani bukuroshi yn\u00eb \u00ebsht\u00eb si\u00e7 \u00ebsht\u00eb, v\u00ebrtet ka probleme psikike, por dhe i \u00ebmb\u00ebl n\u00eb pafaj\u00ebsin\u00eb e vet.<\/p>\n

Arsyetimi, ose “shfaj\u00ebsimi frojdian” nuk e p\u00ebrfshin zhvillimin dhe as ndryshimin e karakterit gjat\u00eb rrjedh\u00ebs filmike (apo dhe romaneske, kudo q\u00eb t’jet\u00eb fjala si p\u00ebrdorim i trukut, meq\u00eb dhe n\u00eb romanet vlen absolutisht e nj\u00ebjta). Truku narrativ sh\u00ebrben vet\u00ebm si mekaniz\u00ebm psikologjik p\u00ebr ta arsyetuar psiko-gjendjen aktuale t\u00eb personazhit. N\u00eb vart\u00ebsi t\u00eb momentit kur gj\u00ebrat shpalosen, dhe tutje dmth. audienca e ka mund\u00ebsin\u00eb ta sheh personazhin n\u00ebn drit\u00ebn e re, dhe ta “gjykoj\u00eb” eventualisht lidhur me mang\u00ebsit\u00eb e karakterit. Qofshin gj\u00ebra m\u00eb t\u00eb vogla… jo aq serioze, a qofshin tejet serioze.<\/p>\n

Ndonj\u00ebher\u00eb, anise prap\u00eb var\u00ebsisht nga tekat e skenarist\u00ebve, por pas 3-4 vazhdimeve filmike, n\u00eb at\u00eb t\u00eb fundit ndodh\u00eb personazhi dhe mund t\u00eb “sh\u00ebrohet”, her\u00eb plot\u00ebsisht e her\u00eb pothuaj plot\u00ebsisht, sh\u00ebrim i mjaftuesh\u00ebm. P\u00ebrralla filmografike mbyllet sipas idealizmave t\u00eb d\u00ebshiruesh\u00ebm, princesha e lumtur me princin e vet, dhe tutje s\u00eb bashku t\u00eb lumtur p\u00ebrgjithmon\u00eb…<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

S. Guraziu – Ars Poetica, J 2024 Ana m\u00eb e ngrysur (dmth. nga nuancat e gris\u00eb)\u2026 n\u00ebse flitet “poetikisht”, situata t\u00eb tilla mbase mund t\u00eb p\u00ebrshkruhen si ana m\u00eb e err\u00ebt e “50 nuancave t\u00eb gris\u00eb” (the shadiest side\u2026 “poetically”… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-14177","post","type-post","status-publish","format-standard","hentry","category-komente"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/14177","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14177"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/14177\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14177"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14177"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14177"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}