{"id":14547,"date":"2024-03-06T23:18:27","date_gmt":"2024-03-06T22:18:27","guid":{"rendered":"https:\/\/letrat.eu\/?p=14547"},"modified":"2024-04-07T20:48:24","modified_gmt":"2024-04-07T19:48:24","slug":"artistet-te-ndjeshem-ndaj-inteligjences-artificiale-ia","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=14547","title":{"rendered":"Artist\u00ebt t\u00eb ndjesh\u00ebm ndaj Inteligjenc\u00ebs Artificiale (IA)"},"content":{"rendered":"

(S. Guraziu – Ars Poetica, Mars 2024 – art klasik, dhe art digjital, koment)<\/em><\/p>\n

Ngjitur: majtas, origjinali, piktur\u00eb e vjet\u00ebr, disashekullore, piktur\u00eb e periudh\u00ebs artistike t\u00eb “Barokut”, vep\u00ebr e artistit holandez t\u00eb “Gouden Eeuw” (Epoka e Art\u00eb Holandeze), Johannes Vermeer (1632-1675) – “Vajz\u00eb me vathin prej perle<\/strong>“, ~1665 – dhe djathtas art digjital, me ndihm\u00ebn e IA dhe t\u00eb Photoshop, nga Julian van Dieken – “Vajz\u00eb me vath\u00ebt ndri\u00e7ues<\/strong>“, 2023.<\/p>\n

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\nMe aq sa kam v\u00ebrejtur vet\u00eb (personalisht, s’\u00ebsht\u00eb se jam patjet\u00ebr ndonj\u00eb ekspert por si nj\u00eb “v\u00ebzhgues” neutral, arti p\u00ebr mua \u00ebsht\u00eb dashuri, si nj\u00eb “outsider” i artistikave : ) bie fjala si\u00e7 mund t\u00eb v\u00ebrehet n\u00eb Art Station (ku kryesisht gravitojn\u00eb artist\u00eb t\u00eb digjitalizmit), por dhe anemban\u00eb qarqeve artistike dhe platformave t\u00eb ndryshme, jo vet\u00ebm artist\u00ebt e tradicionalizmit por dhe vet\u00eb artist\u00ebt digjital\u00eb jan\u00eb tep\u00ebr t\u00eb ndjesh\u00ebm ndaj ardhjes s\u00eb Inteligjenc\u00ebs Artificiale (IA).<\/p>\n

Ata e theksojn\u00eb se IA \u00ebsht\u00eb duke i \u00e7oroditur proceset e “natyrshme” t\u00eb tradizionalizmit artistik, se IA \u00ebsht\u00eb duke e nxitur nj\u00eb ndryshim paradigmatik, duke shtruar “pik\u00ebpyetje” t\u00eb v\u00ebshtira rreth veprimtaris\u00eb s\u00eb artist\u00ebve tradicional, rreth t\u00eb drejt\u00ebs autoriale-artistike, rreth vlerave komerciale, rreth autenticitetit ideatik, rreth konditave t\u00eb tregtis\u00eb me veprat e artit, dhe rreth shum\u00e7kaje tjet\u00ebr.<\/p>\n

Si shembull, punimi i artistit holandez Julian van Dieken (q\u00eb jeton e punon n\u00eb Berlin), “Vajz\u00eb me vath\u00ebt ndri\u00e7ues” do ishte “piktura” e par\u00eb si art digjital t\u00eb ekspozohej n\u00eb nj\u00eb muzeum, vep\u00ebr e krijuar me ndihm\u00ebn e Inteligjenc\u00ebs Artificiale (IA) dhe me ndihm\u00ebn e Photoshop (si veg\u00ebl). Kjo pati ndodhur vitin e kaluar, n\u00eb Mars 2023. Sipas artistit van Dieken ky ekspozim pati qen\u00eb madje di\u00e7 si “veprim historik, n\u00eb fush\u00ebn e artit”… meq\u00eb dmth. p\u00ebr her\u00eb t\u00eb par\u00eb nj\u00eb muzeum tradicional e njeh nj\u00eb imazh si punim artistik me ndihm\u00ebn e IA.<\/p>\n

Sidoqoft\u00eb, muzeu Mauritshuis (n\u00eb Hag\u00eb t\u00eb Holand\u00ebs) qe p\u00ebrballur me kritika p\u00ebr ekspozimin apo p\u00ebr shfaqjen e imazhit t\u00eb punuar me ndihm\u00ebn e Inteligjenc\u00ebs Artificiale (IA), e q\u00eb ishte punim i frym\u00ebzuar nga “vajza e famshme me vathin-perl\u00eb” e Johannes Vermeer. Punimi i Julian van Dieken ishte nj\u00ebri nga 5 imazhet e zgjedhur (nga gjithsej 3.480 punimeve t\u00eb paraqitura p\u00ebr konkursin “My Girl with a Pearl”, ku adhuruesit e piktur\u00ebs s\u00eb famshme t\u00eb Vermeer qen\u00eb ftuar t’i d\u00ebrgonin versionet e tyre).<\/p>\n

Thuhet se qen\u00eb nxitur polemika rreth veprimit t\u00eb muzeumit Mauritshuis, dhe debati rreth “vlefshm\u00ebris\u00eb” s\u00eb imazheve t\u00eb krijuara me mjetet e Inteligjenc\u00ebs Artificiale do ishte i pashmangsh\u00ebm.<\/p>\n

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(S. Guraziu – Ars Poetica, Mars 2024 – art klasik, dhe art digjital, koment) Ngjitur: majtas, origjinali, piktur\u00eb e vjet\u00ebr, disashekullore, piktur\u00eb e periudh\u00ebs artistike t\u00eb “Barokut”, vep\u00ebr e artistit holandez t\u00eb “Gouden Eeuw” (Epoka e Art\u00eb Holandeze), Johannes Vermeer… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-14547","post","type-post","status-publish","format-standard","hentry","category-digital"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/14547","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=14547"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/14547\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=14547"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=14547"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=14547"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}