{"id":1514,"date":"2019-09-26T11:52:19","date_gmt":"2019-09-26T11:52:19","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=1514"},"modified":"2024-04-24T20:09:48","modified_gmt":"2024-04-24T19:09:48","slug":"ndoshta-delacroix-e-gerome-do-ndjeheshin-xheloze","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=1514","title":{"rendered":"Delacroix e Gerome do ndjeheshin “xheloz\u00eb”!"},"content":{"rendered":"

Senad Guraziu – Ars Poetica, G 2018 (Art Digjital – (V\u00ebshtrim eseistik, rreth artit digjital – p\u00ebrmir\u00ebsuar pak, Prill 2024 – e rregullova pak, e p\u00ebrmir\u00ebsova, nuk them se tani na qenka “p\u00ebrkryer”… por sadopak m\u00eb mir\u00eb, sepse her\u00ebdokur vet\u00eb Louvre, Metropolitan etj. do e “ruajn\u00eb” k\u00ebt\u00eb ese (jo vet\u00ebm sepse i kam p\u00ebrmendur), apo n\u00ebse megjithat\u00eb jo nga muzeumet… at\u00ebher\u00eb s\u00ebpaku me siguri do ruhet nga “wayback machine” : )<\/p>\n

[ \u2026dihet se Salon-et franceze t\u00eb artit ishin di\u00e7 si pararendje e muzeumeve moderne, si\u00e7 jan\u00eb Louvre, del Prado, Metropolitan, rrjeti britanik i muzeumeve Tate etj. Tani, n\u00eb koh\u00ebn ton\u00eb, video-loj\u00ebrat e ekspozojn\u00eb artin digjital globalisht. Artist\u00ebt digjital\u00eb i ekspozojn\u00eb veprat dhe talentin e tyre p\u00ebr audiencat rinore t\u00eb mbar\u00eb bot\u00ebs. (Teknikisht) ndryshe, por ndoshta dhe \u201cnj\u00ebsoj\u201d\u2026 si\u00e7 e b\u00ebnin dikur vit p\u00ebr vit artist\u00ebt n\u00eb Salon-in klasik t\u00eb Parisit, at\u00ebbot\u00eb kur muzeumet ende ishin n\u00eb \u201cpelena\u201d t\u00eb organizimeve\u2026 ]<\/p>\n

***
\nSi em\u00ebr, video-loj\u00eb \u00ebsht\u00eb thjesht nj\u00eb term i ashtuquajtur \u201cporte-manteau\u201d, term i krijuar duke i \u201cngjitur\u201d 2 fjal\u00eb, 2 terma. Gjuha e ftoht\u00eb teknike s\u2019na thot\u00eb di\u00e7 m\u00eb \u201ctep\u00ebr\u201d se \u00e7\u2019 \u00ebsht\u00eb nj\u00eb video-loj\u00eb (pasi realisht vet\u00ebm loj\u00eb \u00ebsht\u00eb, me imazhe q\u00eb l\u00ebvizin shpejt\u00eb si vizualizim \u2013 video, asgj\u00eb m\u00eb shum\u00eb). N\u00eb vetvete, video-loja mund t\u2019jet\u00eb nj\u00eb projekt i madh, jasht\u00ebzakonisht kompleks, t\u00eb p\u00ebrfshij\u00eb ekipe t\u00eb t\u00ebra artist\u00ebsh p\u00ebr ta p\u00ebrfunduar. Video-loja mund t\u2019ket\u00eb buxhet \u201castronomik\u201d, nj\u00ebsoj si cilido film \u201cblockbuster\u201d i Hollivudit modern. N\u00eb koh\u00ebn ton\u00eb, cilido film mund t\u00eb filmohet si film, n\u00eb t\u00eb nj\u00ebjt\u00ebn koh\u00eb t\u00eb zhvillohet dhe si video-loj\u00eb.<\/p>\n

Fjal\u00ebn si \u201cshembull\u201d e kam p\u00ebr 2 video-loj\u00ebra. N\u00eb rastin e \u201cAC – Origins\u201d dhe t\u00eb \u201cAC – Odyssey\u201d, teknikisht fjala \u00ebsht\u00eb dmth. p\u00ebr ca loj\u00ebra \u201cm\u00eb tep\u00ebr\u201d n\u00eb treg \u2013 asgj\u00eb e jasht\u00ebzakonshme, loj\u00ebrat dalin \u00e7do dit\u00eb, ndoshta ka me mij\u00ebra sosh. Cilado prej tyre mund t\u2019jet\u00eb nj\u00eb episod\u00eb e re, nj\u00eb vazhdim i nj\u00eb \u201caventure\u201d t\u00eb m\u00ebhershme, nj\u00eb edicion i ri, nj\u00eb version i ri, mund t\u00eb ofroj\u00eb g\u00ebzim, k\u00ebnaq\u00ebsi, p\u00ebr ata q\u00eb i p\u00eblqejn\u00eb video-loj\u00ebrat\u2026 etj.<\/p>\n

Dhe tutje, komercialisht do t\u2019thot\u00eb se mund t\u00eb shiten me miliona kopje, t\u00eb arrijn\u00eb n\u00eb cilindo skaj t\u00eb bot\u00ebs, t\u2019ua kalojn\u00eb dhe vet\u00eb titujve t\u00eb romaneve nga penat e shkrimtar\u00ebve t\u00eb famsh\u00ebm. Ndoshta sot m\u00eb shum\u00eb \u201clexohet\u201d nj\u00eb video-loj\u00eb se ak\u00ebcili lib\u00ebr. Kjo do t\u2019thot\u00eb se mund t\u00eb v\u00ebrtiten qindra miliona prej verdhushkash, e edhe miliarda. Sa i p\u00ebrket shitjeve ndoshta nj\u00eb video-loj\u00eb sot mund t\u00eb shtyhet me cilindo projekt grandioz t\u00eb Hollivudit.<\/p>\n

S\u2019ka madje as r\u00ebnd\u00ebsi, s\u2019na duheshin k\u00ebto. Ndoshta \u00e7far\u00eb do ia vlente p\u00ebr t\u2019p\u00ebrmendur do ishin: audienca globale, rrezja ekspozuese, \u201cekstensivja\u201d ose shtrirja e audienc\u00ebs, qasja, dep\u00ebrtimi, aksesi.<\/p>\n

Sa u p\u00ebrket video-loj\u00ebrave, Ubisoft \u00ebsht\u00eb kompania e 3-t\u00eb apo 4-t\u00eb e bot\u00ebs p\u00ebr nga madh\u00ebsia, kompani franceze q\u00eb operon me disa studio zhvilluese gjithandej n\u00ebp\u00ebr bot\u00eb (47 studio aneskaj rruzullit \u2013 16.000 t\u00eb pun\u00ebsuar). Ekipeve t\u00eb Ubisoft u qen\u00eb nevojitur 3 vite t\u00eb t\u00ebra p\u00ebr realizimin e projektit \u201cAssassins Creed \u2013 Odyssey\u201d. B\u00ebhet fjal\u00eb p\u00ebr qindra miliona investime.<\/p>\n

Si p\u00ebrmbyllje e \u201cintros\u201d (rreth dy loj\u00ebrave n\u00eb fjal\u00eb), \u201cngjarja\u201d shtjellohet n\u00eb Egjiptin e lasht\u00eb, diku rreth fundit t\u00eb periudh\u00ebs Ptolemaike (49-47 pes.) dhe se merren me historit\u00eb sekrete-imagjinare t\u00eb bot\u00ebs s\u00eb lasht\u00eb reale. Tek \u201cOdyssey\u201d ngjarja shtjellohet n\u00eb Greqin\u00eb e lasht\u00eb \u2013 mir\u00ebpo e dim\u00eb q\u00eb Egjipti qe b\u00ebr\u00eb i \u201cGreqis\u00eb\u201d me pushtimet e Aleksandrit t\u00eb Madh, ishin grek\u00ebt ata q\u00eb e sundonin Egjiptin.<\/p>\n

Ok, edhe kjo \u201ccool\u201d, por nga ana tjet\u00ebr kujt i b\u00ebhet von\u00eb n\u00ebse ngjarja na qenka n\u00eb Egjipt, n\u00eb Antares a n\u00eb Atlantis, ashtu-k\u00ebshtu t\u00eb gjitha rreth tematikave jan\u00eb \u201cthurje\u201d e shtjellime imagjinare. Detyra e video-loj\u00ebrave s\u2019\u00ebsht\u00eb t\u00eb merren me v\u00ebrtet\u00ebsin\u00eb e historis\u00eb, por me arg\u00ebtimin, me zbavitjen\u2026 qoft\u00eb nevoja dhe duke e \u201cshtremb\u00ebruar\u201d historin\u00eb, p\u00ebr ta b\u00ebr\u00eb m\u00eb t\u00eb bujshme, m\u00eb interesante.<\/p>\n

***
\nSidoqoft\u00eb, duke marr\u00eb parasysh dimensionin artistik, ndoshta video-loj\u00ebrat sot jan\u00eb dhe nj\u00eb lloj ekspozimi i artit digjital. Dihet se Salon-et franceze t\u00eb artit ishin di\u00e7 si pararendje e muzeumeve moderne, si\u00e7 jan\u00eb Louvre, del Prado, Metropolitan, rrjeti britanik i muzeumeve Tate etj. Tani, n\u00eb koh\u00ebn ton\u00eb, video-loj\u00ebrat e ekspozojn\u00eb artin digjital globalisht. Artist\u00ebt digjital\u00eb i ekspozojn\u00eb veprat dhe talentin e tyre p\u00ebr audiencat rinore t\u00eb mbar\u00eb bot\u00ebs. (Teknikisht) ndryshe, por ndoshta dhe \u201cnj\u00ebsoj\u201d\u2026 si\u00e7 e b\u00ebnin dikur vit p\u00ebr vit artist\u00ebt n\u00eb Salon-in klasik t\u00eb Parisit, at\u00ebbot\u00eb kur muzeumet ende ishin n\u00eb \u201cpelena\u201d t\u00eb organizimeve.<\/p>\n

Duke filluar nga v. 1667 e deri n\u00eb fillim t\u00eb shek. XX, prodhimi artistik n\u00eb Franc\u00eb kontrollohej nga \u201cakademit\u00eb\u201d, t\u00eb cilat organizonin ekspozita zyrtare t\u00eb quajtura \u201cSalon\u201d. N\u00eb bot\u00ebn per\u00ebndimore, p\u00ebr rreth 150 vjet, nga rreth 1750 e deri n\u00eb v. 1900, Salon-i ishte ndoshta eventi m\u00eb i madh vjetor rreth artit, eventi m\u00eb madh\u00ebshtor artistik i mbar\u00eb bot\u00ebs<\/p>\n

P\u00ebr cil\u00ebndo video-loj\u00eb dhe p\u00ebr ak\u00ebcilin projekt filmik t\u00eb jet\u00eb fjala, ardhja n\u00eb jet\u00eb mund\u00ebsohet nga strukturat e organizuara hierarkike t\u00eb mij\u00ebra artist\u00ebve digjital\u00eb. Video-loj\u00ebrat dhe filmat me buxhetin qindra-milion\u00ebsh vijn\u00eb n\u00eb jet\u00eb me strukturimin e dhjetra \/ qindra studiove. Ja pse, cilido produkt i till\u00eb, p\u00ebrve\u00e7 tjerash ndoshta \u00ebsht\u00eb dhe nj\u00eb lloj \u201cekspozimi\u201d (i artist\u00ebve). Tekefundit audiencat jan\u00eb masive, t\u00eb shtrira globalisht, dhe gjuha artistike (e artist\u00ebve), n\u00eb nj\u00eb m\u00ebnyr\u00eb a tjet\u00ebr e arrin disi \u201cvet\u00ebshpalosjen\u201d, i kap\u00eb \u201cantenat\u201d e audiencave.<\/p>\n

Sot kualiteti artistik i video-loj\u00ebrave \u00ebsht\u00eb mahnit\u00ebs, aq shum\u00eb tabllo dhe portrete karakteresh (personazhesh) vijn\u00eb n\u00eb jet\u00eb n\u00ebp\u00ebrmjet mediumit digjital (nj\u00ebsoj si\u00e7 vinin dhe me mediumet klasike, p\u00ebr shekuj me radh\u00eb). Nj\u00eb video-loj\u00eb do t\u2019thot\u00eb me qindra konceptesh nga artist\u00eb t\u00eb ndrysh\u00ebm t\u00eb mbidhen n\u00eb nj\u00eb vend. Si produkt \u201ckompakt\u201d video-loja e p\u00ebrfaq\u00ebson koleksionin p\u00ebrfundimtar t\u00eb koncepteve segmentare artistike.<\/p>\n

Dhe si \u201ckoleksion\u201d i artit, video-loja gjithashtu mund t\u00eb ofroj\u00eb nj\u00eb pasqyr\u00eb rreth filozofis\u00eb krijuese, si dhe t\u00eb zhvillimit prapa \u201ckulisave\u201d (t\u00eb produktit n\u00eb fjal\u00eb). Nj\u00ebsoj si\u00e7 ndodh\u00eb, bie fjala dhe me \u201ckulisat\u201d e ak\u00ebcil\u00ebs ekspozit\u00eb, t\u00eb cilitdo artist a grup artist\u00ebsh, n\u00eb nj\u00eb galeri a muzeum. Pra, n\u00eb fund i kemi t\u00eb gjitha imazhet si interpretime p\u00ebrfundimtare t\u00eb koncepteve dhe t\u00eb gjitha tabllot finale \u201ct\u00eb qepura\u201d s\u00eb bashku n\u00eb nj\u00eb vend.<\/p>\n

\u00cbsht\u00eb interesante t\u00eb shoh\u00ebsh nj\u00eb cil\u00ebsi t\u00eb artit t\u00eb mir\u00ebfillt\u00eb n\u00eb video-loj\u00ebrat e sotme, s\u2019ka si i shmangen njeriut portretet e personazheve, bot\u00ebt e konceptuara t\u00eb Egjiptit, t\u00eb Greqis\u00eb s\u00eb lasht\u00eb, imazhet ose grafikat aq cil\u00ebsore. Ndoshta as portretet e Luigj-ave t\u00eb Franc\u00ebs s\u2019jan\u00eb punuar m\u00eb bukur (nga ata piktor\u00ebt e klasikave).<\/p>\n

Andaj desha ta \u201cprek\u201d sadopak faktin q\u00eb (si shembull \u201cOrigins\u201d, \u201cOdyssey\u201d e t\u00eb tjera po ashtu) ndoshta nuk jan\u00eb vet\u00ebm video-loj\u00ebra, p\u00ebrve\u00e7 se jan\u00eb loj\u00ebra, p\u00ebrve\u00e7 se frekuentojn\u00eb me audiencat aneskaj bot\u00ebs, ndoshta secila prej tyre \u00ebsht\u00eb gjithashtu nj\u00eb koleksion i artit digjital, nj\u00eb \u201cekspozim\u201d i artit digjital!
\nMund ta shtrojm\u00eb pyetjen fare leht\u00eb \u2013 \u00e7far\u00eb ka di\u00e7 m\u00eb tep\u00ebr n\u00eb tabllot e piktorit t\u00eb madh t\u00eb akademizmit francez, bie fjala t\u00eb Bouguereau, apo t\u00eb \u201corientalistit\u201d t\u00eb famsh\u00ebm Gerome?<\/p>\n

Ndoshta kualiteti i \u201ctabllove digjitale\u201d t\u00eb sotme nuk ngelet me asgj\u00eb mbrapa, krahasuar bie fjala, me tabllot e krye-orientalistit Gerome, dhe me pikturat e t\u00eb gjith\u00eb klasik\u00ebve. Tekefundit, tani meq\u00eb e th\u00ebn\u00eb nga un\u00eb vet\u00eb, s\u2019e shoh asfare si th\u00ebnie t\u00eb \u201cfryer\u201d, por reale. Artist\u00ebt kan\u00eb nevoj\u00eb t\u00eb \u201cekspozohen\u201d, jo vet\u00ebm Delacroix e Gerome, por dhe qindra artist\u00eb klasik\u00eb \u201cduhej\u201d t\u00eb defilonin salon-eve t\u00eb Parisit p\u00ebr t\u2019i ekspozuar veprat e veta.<\/p>\n

Sepse e till\u00eb ishte koha, sot s\u2019ka \u201cSalone\u201d t\u00eb bujshme p\u00ebr ta zgjuar bot\u00ebn nga gjumi sa u p\u00ebrket trendeve dhe prurjeve artistike, mir\u00ebpo sot nj\u00ebsoj (dhe \u201cndryshe\u201d nj\u00ebkoh\u00ebsisht)\u2026 video-loj\u00ebrat, dhe projektet qindramilion\u00ebshe t\u00eb Hollivudit e \u201cprekin\u201d qetas audienc\u00ebn e mbar\u00eb bot\u00ebs. Dhe thuase as q\u00eb e kemi \u201ciden\u00eb\u201d, sikur s\u2019ia dalim ta \u201ckonceptojm\u00eb\u201d dot ndryshimin e bot\u00ebs : )<\/p>\n

***
\n\u201cAssassins Creed \u2013 Origins\u201d dhe \u201cAC \u2013 Odyssey\u201d jan\u00eb video-loj\u00ebra t\u00eb zhanrit aventuresk, zhvilluar nga Ubisoft (Montreal, Kanada), \u201cOrigins\u201d qe publikuar n\u00eb mbar\u00eb bot\u00ebn, n\u00eb v. 2017. Sipas Ubisoft, \u201cOdyssey\u201d do t\u00eb publikohet n\u00eb Tetor t\u00eb 2018. Drejtor\u00eb Artistik\u00eb : Raphael Lacoste, Hugo Deschamps \/ Konceptualizimi : Martin Deschambault, Eve Berthelette \/ Modelimi : Nicolas Gaffiero, Marcus Leal, Stephane Barbin, Luc Veillette, Benjamin Basso-Bert.<\/p>\n

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Senad Guraziu – Ars Poetica, G 2018 (Art Digjital – (V\u00ebshtrim eseistik, rreth artit digjital – p\u00ebrmir\u00ebsuar pak, Prill 2024 – e rregullova pak, e p\u00ebrmir\u00ebsova, nuk them se tani na qenka “p\u00ebrkryer”… por sadopak m\u00eb mir\u00eb, sepse her\u00ebdokur vet\u00eb… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,8],"tags":[],"class_list":["post-1514","post","type-post","status-publish","format-standard","hentry","category-digital","category-ese"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1514","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1514"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1514\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1514"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1514"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1514"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}