{"id":1539,"date":"2019-09-26T14:41:16","date_gmt":"2019-09-26T14:41:16","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=1539"},"modified":"2024-04-24T08:59:12","modified_gmt":"2024-04-24T07:59:12","slug":"w-a-bouguereau-agimi-dita-mbremja-nata-1881-83","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=1539","title":{"rendered":"WA Bouguereau – Agimi, Dita, Mbr\u00ebmja, Nata, 1881-83"},"content":{"rendered":"

(s. guraziu – ars poetica, sht 2018<\/em>)<\/p>\n

Sipas artistit Bouguereau, m\u00ebngjesi, dita, mbr\u00ebmja, nata k\u00ebshtu jan\u00eb, secila m\u00eb \u00e7ubardhake se tjetra, sipas tij p\u00ebr alegorin\u00eb “24 or\u00ebshe” t\u00eb dit\u00eb-nat\u00ebs (ose t\u00eb ciklit ditor) duheshin 4 piktura dhe 2-3 vite p\u00ebr t’i p\u00ebrfunduar : )
\n“Apogjeu” i klasicizmit akademik pati ardhur n\u00eb jet\u00eb n\u00ebn brushat e kryemjeshtrit William Adolphe Bouguereau, kuptohet, sipas meje : ) N\u00ebse flasim p\u00ebr artin piktural, mendoj se Bouguereau ishte \u00ebndrra dhe “vula” e pakontestueshme e standardit t\u00eb Akademis\u00eb franceze.<\/p>\n

Sukseset e hershme t\u00eb Bouguereau \u00e7uan drejt komisioneve t\u00eb r\u00ebnd\u00ebsishme dhe ofertave-angazhimeve t\u00eb shumta nga shteti francez e nga patron\u00eb privat\u00eb t\u00eb pasur, q\u00eb ndihmuan n\u00eb rritjen e reputacionit t\u00eb artistit. Stabiliteti financiar q\u00eb Bouguereau do ta fitonte, i lejoi atij t\u00eb ndiqte lirin\u00eb e pikturimit sipas shijeve e interesave t\u00eb veta.<\/p>\n

Klasicizmi akademik ose akademizmi (p\u00ebrmendet dhe si “eklekticizmi”, “art pompier” – e fundit si em\u00ebr p\u00ebr\u00e7mues, p\u00ebrbuz\u00ebs) ishte nj\u00eb stil i arteve t\u00eb bukura n\u00ebn ndikimin e akademive evropiane t\u00eb artit, ve\u00e7an\u00ebrisht ndikuar nga standardet e akademis\u00eb franceze (Acad\u00e9mie des Beaux-Arts), qe praktikuar n\u00ebn l\u00ebvizjet ose shkollat artistike t\u00eb Neoklasicizmit dhe t\u00eb Romanticizmit, ishte si p\u00ebrpjekje p\u00ebr t’i sintetizuar t\u00eb dy stilet ose rrymat.<\/p>\n

Bouguereau (student i F. Picot, n\u00eb Acad\u00e9mie des Beaux-Arts t\u00eb Parisit) ishte vet\u00ebm 24 vje\u00e7 kur p\u00ebr her\u00eb t\u00eb par\u00eb, n\u00eb v. 1849 ekspozoi n\u00eb Sallonin e Parisit. Vitin e ardhsh\u00ebm, 1850, do ta fitonte \u00e7mimin prestigjioz “Grand Prix de Rome”, e q\u00eb ishte nj\u00eb burs\u00eb franceze p\u00ebr student\u00ebt e artit (fillimisht p\u00ebr piktor\u00ebt e skulptor\u00ebt, qe themeluar n\u00eb v. 1663 gjat\u00eb sundimit t\u00eb Luigjit XIV, m\u00eb von\u00eb qe zgjeruar dhe p\u00ebr arkitektur\u00ebn e gravur\u00ebn), fituesve u ndahej nj\u00eb burs\u00eb q\u00ebndrimi n\u00eb Rom\u00eb p\u00ebr studime t\u00eb artit prej 3 deri 5 vjet, dmth. me pages\u00eb nga shteti.<\/p>\n

Fred Ross pati shkruar se “Bouguereau ia doli t’i kapte shpirtin dhe ndjenjat e subjekteve, ngjash\u00ebm si Rembrandti, thuhet se Rembrandti e pati ‘kapur’ shpirtin e pjekuris\u00eb a t\u00eb mosh\u00ebs, Bouguereau shpirtin e rinis\u00eb<\/strong>“.<\/p>\n

\"\"<\/a>
\nWilliam A. Bouguereau (1825-1905) – Agimi, Dita, Mbr\u00ebmja, Nata, 1881-83<\/p>\n","protected":false},"excerpt":{"rendered":"

(s. guraziu – ars poetica, sht 2018) Sipas artistit Bouguereau, m\u00ebngjesi, dita, mbr\u00ebmja, nata k\u00ebshtu jan\u00eb, secila m\u00eb \u00e7ubardhake se tjetra, sipas tij p\u00ebr alegorin\u00eb “24 or\u00ebshe” t\u00eb dit\u00eb-nat\u00ebs (ose t\u00eb ciklit ditor) duheshin 4 piktura dhe 2-3 vite p\u00ebr… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-1539","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1539"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/1539\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1539"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1539"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}