{"id":16683,"date":"2024-10-10T10:20:55","date_gmt":"2024-10-10T09:20:55","guid":{"rendered":"https:\/\/letrat.eu\/?p=16683"},"modified":"2024-10-10T10:59:43","modified_gmt":"2024-10-10T09:59:43","slug":"paul-delaroche-murali-hemiciklik-paris-1841-figurat","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=16683","title":{"rendered":"Paul Delaroche &#8211; Murali hemiciklik, Paris, 1841 (Figurat)"},"content":{"rendered":"<p><strong>Paul Delaroche (1797-1856) &#8211; Murali hemiciklik (gjysm\u00ebrrethor) i Shkoll\u00ebs s\u00eb Arteve t\u00eb Bukura, Paris, 1841<\/strong><br \/>\n<em>(s. guraziu &#8211; ars poetica, tetor 2024 &#8211; figurat, dhe detaje)<\/em><\/p>\n<p><strong>27 m i gjat\u00eb<\/strong>, murali i ng\u00ebrthen <strong>75 figura<\/strong> me p\u00ebrmasa reale: n\u00eb qend\u00ebr jan\u00eb 3 artist\u00ebt e Greqis\u00eb antike, <strong>Iktinusi<\/strong> (arkitekti kryesor, p\u00ebrgjegj\u00ebs p\u00ebr Partenonin e Athin\u00ebs), <strong>Apellesi<\/strong> (piktori i famsh\u00ebm grek) dhe <strong>Fidia<\/strong> (skulptor, piktor).<\/p>\n<p><strong>4 Muza si p\u00ebrfaq\u00ebsuese t\u00eb periudhave artistike<\/strong> &#8211; P\u00ebr ta &#8220;balansuar&#8221; sadopak aspektin fem\u00ebror t\u00eb muralit jan\u00eb p\u00ebrdorur 4 figura fem\u00ebrore gjoja si muza (n\u00eb mesin e 70 burrave : ) ato i simbolizojn\u00eb periudhat e artit: <strong>artin grek<\/strong>, <strong>romak<\/strong>, <strong>gotik<\/strong>, dhe artin e <strong>Renesans\u00ebs<\/strong> (Rilindjes).<\/p>\n<p>67 artist\u00eb n\u00eb dukje tek bisedojn\u00eb me nj\u00ebri-tjetrin, sipas kund\u00ebrv\u00ebnies t\u00eb supozuar n\u00eb p\u00ebrputhje me doktrin\u00ebn akademike &#8211; mb\u00ebshtet\u00ebsit e &#8220;ngjyr\u00ebs&#8221; jan\u00eb plasuar n\u00eb t\u00eb majt\u00ebn e muralit, nd\u00ebrsa ata t\u00eb qasjes vizatimore n\u00eb t\u00eb djatht\u00ebn.<\/p>\n<p><strong>Delaroche &#8211; &#8220;Studim p\u00ebr figur\u00ebn e Fam\u00ebs&#8221;, c1837-41 <\/strong><br \/>\nAlegoria e Artit &#8211; Figura alegorike e &#8220;Gjeniut t\u00eb Arteve&#8221; &#8211; modeli i p\u00ebrdorur p\u00ebr &#8220;alegorin\u00eb&#8221; nga Delaroche ishte nj\u00eb fem\u00ebr e njohur e Parisit t\u00eb asaj kohe, Josephine Bloch, figur\u00eb mjaft frym\u00ebzuese, Bloch do i frym\u00ebzonte shum\u00eb artist\u00eb dhe poet\u00eb francez\u00eb &#8211; psh. ajo ishte nj\u00ebra nga figurat e v\u00ebllimit poetik &#8220;Lulet e s\u00eb Keqes&#8221; t\u00eb Charles Baudelaire.<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-scaled.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1455\" class=\"alignnone size-full wp-image-16684\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-scaled.jpg 2560w, https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-300x171.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-1024x582.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-768x437.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-1536x873.jpg 1536w, https:\/\/letrat.eu\/wp-content\/uploads\/2024\/10\/arspo_delaroche_murali_figurat_opt1-2048x1164.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paul Delaroche (1797-1856) &#8211; Murali hemiciklik (gjysm\u00ebrrethor) i Shkoll\u00ebs s\u00eb Arteve t\u00eb Bukura, Paris, 1841 (s. guraziu &#8211; ars poetica, tetor 2024 &#8211; figurat, dhe detaje) 27 m i gjat\u00eb, murali i ng\u00ebrthen 75 figura me p\u00ebrmasa reale: n\u00eb qend\u00ebr&hellip; <a href=\"https:\/\/letrat.eu\/?p=16683\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-16683","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/16683","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=16683"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/16683\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=16683"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=16683"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=16683"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}