{"id":17097,"date":"2025-04-04T13:01:12","date_gmt":"2025-04-04T12:01:12","guid":{"rendered":"https:\/\/letrat.eu\/?p=17097"},"modified":"2026-01-15T02:33:48","modified_gmt":"2026-01-15T01:33:48","slug":"krijo-galatean-tende-por-mos-u-cmend-nda-dashuria","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=17097","title":{"rendered":"Krijo Galatean t\u00ebnde, por mos u &#8220;\u00e7mend&#8221; nga dashuria : )"},"content":{"rendered":"<div class=\"logios-quiz-random\" data-quiz-id=\"1635\" data-lang=\"all\"><span style=\"font-size:15px; text-transform:none;\">The &quot;Mask of Tutankhamun&quot; is made primarily of:<\/span><hr><form class=\"logios-quiz-form\"><input type=\"hidden\" name=\"correct_answer\" value=\"A\"><input type=\"hidden\" name=\"explanation\" value=\"This iconic funerary mask from 1323 BCE represents the pharaoh\u2019s idealized face, symbolizing divinity and eternity through gold\u2019s luminous, untarnishable nature.\"><span style=\"font-size:14px; text-transform:none;\"><label class=\"quiz-option\">A&nbsp; <input type=\"radio\" name=\"answer\" value=\"A\" required>&nbsp;<span class=\"option-text\">Gold inlaid with lapis lazuli and carnelian<\/span><\/label><\/span><span style=\"font-size:14px; text-transform:none;\"><label class=\"quiz-option\">B&nbsp; <input type=\"radio\" name=\"answer\" value=\"B\" required>&nbsp;<span class=\"option-text\">Solid gold with diamond eyes<\/span><\/label><\/span><span style=\"font-size:14px; text-transform:none;\"><label class=\"quiz-option\">C&nbsp; <input type=\"radio\" name=\"answer\" value=\"C\" required>&nbsp;<span class=\"option-text\">Gold-plated bronze<\/span><\/label><\/span><span style=\"font-size:14px; text-transform:none;\"><label class=\"quiz-option\">D&nbsp; <input type=\"radio\" name=\"answer\" value=\"D\" required>&nbsp;<span class=\"option-text\">Electrum (gold-silver alloy)<\/span><\/label><\/span><button type=\"button\" class=\"check-answer-btn\">Answer<\/button><\/form><div class=\"quiz-result\" style=\"display:none;\"><\/div><\/div><br><script>\r\n    jQuery(document).ready(function($) {\r\n        $(\".logios-quiz-random .check-answer-btn\").on(\"click\", function() {\r\n            var $form     = $(this).closest(\".logios-quiz-form\");\r\n            var $options  = $form.find(\".quiz-option\");\r\n            var $btn      = $(this);\r\n            var selected  = $form.find(\"input[name='answer']:checked\").val();\r\n            var correct   = $form.find(\"input[name='correct_answer']\").val();\r\n            var explanation = $form.find(\"input[name='explanation']\").val();\r\n            var $result   = $form.siblings(\".quiz-result\");\r\n            \r\n            if (!selected) {\r\n                $result.html(\"<span style='text-transform:none'>Select an option!<\/span>\").show();\r\n                return;\r\n            }\r\n            \r\n            \/\/ Lock interface\r\n            $options.addClass(\"disabled\").find(\"input\").prop(\"disabled\", true);\r\n            $btn.prop(\"disabled\", true).text(\"Answered\");\r\n            \r\n            \/\/ SHOW feedback\r\n            var isCorrect = selected === correct;\r\n            var icon      = isCorrect ? \"\u2713\" : \"\u2717\";\r\n            var color     = isCorrect ? \"green\" : \"red\";\r\n\r\nvar styledExplanation = (explanation.indexOf(\"<\") === -1) \r\n    ? \"<span style=\\\"text-transform:none\\\">\" + explanation + \"<\/span>\" \r\n    : explanation;\r\n\r\nvar message = isCorrect \r\n    ? \"<span style='color:\" + color + \";'>Correct!<\/span><br> \" + styledExplanation\r\n    : \"<span style='color:\" + color + \";'>Incorrect!<\/span><br> The right answer is <strong>\" + correct + \"<\/strong> - \" + styledExplanation;\r\n            \r\n            $result.html(message).show();\r\n        });\r\n        \r\n        \/\/ Add disabled-state CSS\r\n        if (!$(\"style:contains('.quiz-option.disabled')\").length) {\r\n            $(\"<style>.quiz-option.disabled { opacity: 0.6; cursor: not-allowed; }<\/style>\").appendTo(\"head\");\r\n        }\r\n    });\r\n    <\/script>\n<p><em>S. Guraziu &#8211; Ars Poetica, Prill 2025<\/em><\/p>\n<p>[ ngjitur: 2 piktura t\u00eb Jean-L\u00e9on G\u00e9r\u00f4me (1824-1904) &#8211; &#8220;<strong>Pigmalioni dhe Galatea<\/strong>&#8220;, 1890, + versioni frontal ]<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers.jpg\" alt=\"\" width=\"1600\" height=\"1000\" class=\"alignnone size-full wp-image-17098\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers.jpg 1600w, https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers-300x188.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers-1024x640.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers-768x480.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2025\/04\/arspo_artk_jean-leon_gerome_-_pigmalioni_galatea_1890_dy_vers-1536x960.jpg 1536w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/p>\n<p>Sipas &#8220;Metamorfozave&#8221; t\u00eb Ovidit, Pigmalioni, nj\u00eb skulptor i lasht\u00ebsis\u00eb, e krijoi nj\u00eb statuj\u00eb fildishi, nj\u00eb statuj\u00eb femre jasht\u00ebzakonisht t\u00eb bukur. Skulptur\u00ebn e bukur ai e quan Galatea. Dhe duke qen\u00eb se krijesa e tij artistike ishte &#8220;fatalisht&#8221; e bukur, Pigmalioni dashurohet n\u00eb krijimin e vet, n\u00eb krijes\u00ebn e fildisht\u00eb. <\/p>\n<p>Kalojn\u00eb dit\u00ebt dhe bukuria e skulptur\u00ebs p\u00ebr artistin b\u00ebhet v\u00ebrtet nj\u00eb &#8220;obsesion&#8221;, s&#8217;ia ndan\u00eb syt\u00eb me dit\u00eb e me jav\u00eb, i afrohet, e prek, e qafon, e puth ashtu n\u00eb buz\u00ebt e ftohta, dashurohet n\u00eb t\u00eb sikur t&#8217;na ishte e gjall\u00eb. Miti thot\u00eb se skulptori i lutet per\u00ebndesh\u00ebs Venera q\u00eb ta sillte statuj\u00ebn e tij n\u00eb jet\u00eb. Per\u00ebndesha i d\u00ebgjon lutjet, dhe ia plot\u00ebson d\u00ebshir\u00ebn.<\/p>\n<p>Le t&#8217;i qasemi sadopak m\u00eb gjer\u00ebsisht &#8211; p\u00ebrkushtimi i thell\u00eb i Pigmalionit ndaj artit sikur nuk i linte koh\u00eb ta admironte bukurin\u00eb e femrave reale, bukurin\u00eb e v\u00ebrtet\u00eb t\u00eb jet\u00ebs. Thuase skulpturat e tij ishin e vetmja bukuri q\u00eb ai njihte, gjat\u00eb procesit krijues ai shpesh sikur dhe p\u00ebrsiaste q\u00eb t&#8217;mos martohej kurr\u00eb. Pse ta humbte koh\u00ebn e \u00e7muar&#8230; pas femrave e dashuri\u00e7kave, kur kishte pun\u00eb m\u00eb t\u00eb men\u00e7ura, duke qen\u00eb arti nj\u00eb nga men\u00e7urirat, men\u00e7uria kryesore e jet\u00ebs.<\/p>\n<p>Artist i p\u00ebrkushtuar aq shum\u00eb ndaj artit, aq sa sikur e &#8220;neglizhonte&#8221; vet\u00eb jet\u00ebn, sikur e harronte t\u00eb jetuarit e mir\u00ebfillt\u00eb. Hutohesh pas artit sa e l\u00eb pas dore vet\u00eb t\u00eb jetuarit&#8230; ashtu n\u00eb thjesht\u00ebsin\u00eb e past\u00ebr, qoft\u00eb dhe jetes\u00eb varfanjake (s&#8217;ka varf\u00ebri t\u00eb p\u00ebrkryer, do ishte madje di\u00e7 si paradoks). Jeta dhe \u00ebsht\u00eb supozuar ta ket\u00eb thjesht\u00ebsin\u00eb, balansin, harmonin\u00eb&#8230; me gjith\u00e7ka t\u00eb s\u00eb jashtmes &#8211; jeta nuk \u00ebsht\u00eb supozuar t\u00eb &#8220;ngulfatet&#8221; nga gj\u00ebrat e st\u00ebr-r\u00ebnduara, nga artificialitetet, nga hejbet tona t\u00eb ego-tizmit, t\u00eb gryk\u00ebsis\u00eb, e nga \u00e7mos. <\/p>\n<p>N\u00ebse artist i p\u00ebrkushtuar, patjet\u00ebr se do ket\u00eb dhe rezultate artistike. Mir\u00ebpo \u00e7\u00ebshtja kryesore, problematika ky\u00e7 e artistit \u00ebsht\u00eb &#8220;vall\u00eb cili do jet\u00eb \u00e7mimi&#8221; i veprave t\u00eb mia? T&#8217;ia &#8220;fal\u00ebsh&#8221; jet\u00ebn artit padyshim do jet\u00eb ky &#8220;\u00e7mimi&#8221; m\u00eb i madh, gj\u00ebja m\u00eb e shtrenjt\u00eb e &#8220;paguar&#8221; me vet\u00eb jet\u00ebn t\u00ebnde. Pasi t\u00eb frymosh duke krijuar, t\u00eb gjallosh&#8230; jo patjet\u00ebr do t&#8217;thot\u00eb se jeton. T\u00eb burgosurit psh. mund t\u00eb gjallojn\u00eb me vite e dekada n\u00eb qelin\u00eb e tyre. Ruajtja e frym\u00ebs, t\u00eb mbajturit &#8220;gjall\u00eb&#8221; t\u00eb qenies \u00ebsht\u00eb vet\u00ebm kushti i par\u00eb&#8230; t\u00eb vazhdoj\u00eb me rrahjet zemra, ta ruaj\u00eb arsyen mendja, natyrisht se jan\u00eb par\u00ebsore, jan\u00eb kushte &#8220;vitale&#8221;, mir\u00ebpo s&#8217;mund t\u00eb thuhet se dhe ke jetuar. T\u00eb jetosh dhe t\u00eb gjallosh jan\u00eb pothuaj dy gj\u00ebra t\u00eb ndryshme.<\/p>\n<p>Nj\u00eb dit\u00eb prej dit\u00ebsh Pigmalioni ia doli dhe e gdhendi nj\u00eb statuj\u00eb t\u00eb pashoqe sa i p\u00ebrket bukuris\u00eb, statuja e tij ishte nj\u00eb fem\u00ebr jasht\u00ebzakonisht e bukur. Dukej aq e but\u00eb dhe pothuaj sikur kishte nj\u00eb joshje &#8220;hyjnore&#8221;, dal\u00ebngadal\u00eb do magjepsej dhe s&#8217;mund t&#8217;i largonte syt\u00eb nga ajo. Ashtu i magjepsur me krijimin e vet artistik, anise kishte abstenuar nga dashuria ndaj femrave p\u00ebr aq gjat\u00eb, tashm\u00eb Pigmalioni i ndjeu val\u00ebt e joshjes dhe t\u00eb d\u00ebshir\u00ebs. N\u00eb nj\u00eb moment, ashtu i &#8220;hutuar&#8221; nga frym\u00ebzimi, i kapluar totalisht nga bukuria artistike, i shkrepi ta quante statuj\u00ebn me emrin &#8220;Galatea&#8221;, kuptimi i emrit Galatea pakashum\u00eb do ishte &#8220;ajo q\u00eb \u00ebsht\u00eb e bardh\u00eb si qum\u00ebshti&#8221;.<\/p>\n<p>Pigmalioni vazhdoi me detajet e me p\u00ebrkryerjen e statuj\u00ebs, e veshi me rrobat m\u00eb t\u00eb bukura q\u00eb mund t&#8217;i ujdiste mendja e tij prej artisti, e zbukuroi me stolit\u00eb m\u00eb shk\u00eblqimtare, ia zbukuroi flok\u00ebt me lulet m\u00eb t\u00eb bukura, ia fali dhuratat m\u00eb t\u00eb mira artistike. Her\u00eb pas here s&#8217;i dhimbseshin as puthjet, n\u00eb shenj\u00eb adhurimi ndaj bukuris\u00eb s\u00eb vepr\u00ebs s\u00eb vet. Pigmalioni do ishte i fiksuar jasht\u00eb mase, dhe qe dashuruar marr\u00ebzisht n\u00eb krijes\u00eb-skulptur\u00ebn e tij. Thuase statuja e pajet\u00eb, ashtu me form\u00ebn artistike t\u00eb nj\u00eb gruaje t\u00eb bukur i kishte b\u00ebr\u00eb magji, \u00e7do dit\u00eb e m\u00eb tep\u00ebr do ishte e pamundur t&#8217;i rezistonte. <\/p>\n<p>Dhe n\u00eb fund thjesht e pati humbur sa mendjen sa zemr\u00ebn pas saj, d\u00ebshironte q\u00eb Galatea t&#8217;b\u00ebhej gruaja e tij. D\u00ebshira e tij ishte aq e fuqishme, fantazia e tij ishte aq e besueshme, dashurin\u00eb ndaj saj e p\u00ebrjetonte me gjith\u00eb qenien e vet, sipas tij i mungonte vet\u00ebm frym\u00ebmarrja dhe e gjall\u00eb do ishte. Dhe k\u00ebshtu, do ishin t\u00eb panum\u00ebrta net\u00ebt e dit\u00ebt q\u00eb artisti i kaloi duke menduar, duke e v\u00ebshtruar, duke e adhuruar t\u00eb &#8220;dashur\u00ebn&#8221; e vet.<\/p>\n<p>S\u00ebshpejti do i shkonte mendja p\u00ebr lutje e oferta, Pigmalioni filloi t&#8217;i lutej per\u00ebndesh\u00ebs (s\u00eb Dashuris\u00eb dhe Bukuris\u00eb) Venera, i lutej me gjith\u00eb zemr\u00ebn e past\u00ebr dhe me shpirtin, q\u00eb per\u00ebndesha ta kthente statuj\u00ebn e tij prej fildishi n\u00eb nj\u00eb grua t\u00eb v\u00ebrtet\u00eb, ta sillte n\u00eb jet\u00eb. E prekur nga nderimi i thell\u00eb i Pigmalionit ndaj krijes\u00ebs artistike, Venera u mall\u00ebngjye dhe shkoi n\u00eb ateljen\u00eb e tij q\u00eb ta shihte p\u00ebr s\u00eb af\u00ebrmi statuj\u00ebn e famshme. Vet\u00eb Venera desh shtangi nga mahnitja e nga surpriza, u mahnit sa s&#8217;ka m\u00eb nga bukuria dhe gjall\u00ebria e skulptur\u00ebs Galatea. <\/p>\n<p>Venera e kuptoi se Galatea pothuaj i ngjante vet\u00eb asaj p\u00ebr bukurin\u00eb dhe p\u00ebrsosm\u00ebrin\u00eb, thuase ajo vet\u00eb pati ndenjur aty n\u00eb studio si &#8220;model&#8221;, nga ku t\u00eb frym\u00ebzohej artisti. K\u00ebshtu q\u00eb u bind p\u00ebr fuqin\u00eb e krijimit artistik t\u00eb Pigmalionit dhe pa hezituar ia plot\u00ebsoi d\u00ebshir\u00ebn &#8211; Galatea mori frym\u00eb dhe u ngjall.<\/p>\n<p>Ajo statuj\u00eb fildishi e ftoht\u00eb, t\u00eb cil\u00ebn e pati adhuruar p\u00ebr aq gjat\u00eb, sakaq u b\u00eb nj\u00eb krijes\u00eb e but\u00eb dhe e ngroht\u00eb. Pigmalionit desh i qe ndalur zemra teksa shihte si statuja e tij vinte n\u00eb jet\u00eb. Galatea u ngjall duke i buz\u00ebqeshur dhe duke p\u00ebrshp\u00ebritur fjal\u00eb admirimi, fjal\u00eb p\u00ebr krijuesin e asaj vet\u00eb, e q\u00eb ishte skulptori i befasuar. Ngjallja pati qen\u00eb dhurat\u00eb nga Venera, por frym\u00ebzimi i Vener\u00ebs (p\u00ebr dhurat\u00ebn e jet\u00ebs) ishte krijimi artistik aq bind\u00ebs dhe i p\u00ebrkryer. Galatea i ishte mir\u00ebnjoh\u00ebse sa Pigmalionit p\u00ebr bukurin\u00eb dhe eleganc\u00ebn artistike, sa Vener\u00ebs p\u00ebr frym\u00ebn e falur, p\u00ebr dhurat\u00ebn e shtrenjt\u00eb, jet\u00ebn. <\/p>\n<p>Dhe k\u00ebshtu, do dashurohej dhe ajo n\u00eb artistin&#8230; i cili, si\u00e7 u muar vesh, ashtu-k\u00ebshtu i dashuruar, i kishte humbur me mendje e me arsye, kishte koh\u00eb tashm\u00eb q\u00eb Pigmalioni ishte i \u00e7mendur pas saj. Dashuria e tyre do lul\u00ebzonte, per\u00ebndesha Venera i bekoi ata me lumturi, me mir\u00ebqenie dhe prosperitet, \u00e7ifti do jetonin tutje t\u00eb lumtur e t\u00eb dashuruar p\u00ebrgjithmon\u00eb.<\/p>\n<p>Historia e skulptorit Pigmalion dhe krijes\u00ebs s\u00eb tij skulpturale, \u00ebsht\u00eb portretizuar nga shum\u00eb piktor\u00eb t\u00eb famsh\u00ebm. Dihet po ashtu p\u00ebr ngjashm\u00ebrin\u00eb mes historis\u00eb s\u00eb Galateas dhe fabul\u00ebs s\u00eb Pinokios, \u00e7unit t\u00eb gdhendur nga druri&#8230; q\u00eb do ngjallej, q\u00eb u soll n\u00eb jet\u00eb nga nj\u00eb zan\u00eb, si shp\u00ebrblim, si plot\u00ebsim i d\u00ebshir\u00ebs s\u00eb madhe t\u00eb nj\u00eb burri (krijuesit t\u00eb Pinokios) p\u00ebr t&#8217;patur f\u00ebmij\u00eb. <\/p>\n<p>Historia e dashuris\u00eb s\u00eb Galateas dhe Pigmalionit na \u00ebsht\u00eb e njohur nga Ovidi, e hasim n\u00eb &#8220;Metamorfozat&#8221; e tij, Ovidi pati jetuar rreth 2000 vjet m\u00eb p\u00ebrpara (mes v. 43, pes. dhe v. 17 t\u00eb er\u00ebs son\u00eb), mitet e &#8220;metamorfozave&#8221; t\u00eb tij jan\u00eb po ashtu frym\u00ebzime pararend\u00ebse, shum\u00eb m\u00eb t\u00eb vjetra nga koha e tij, sidoqoft\u00eb, nga njoh\u00ebsit e artit dhe t\u00eb mitologjis\u00eb thuhet se emri &#8220;Galatea&#8221;a u p\u00ebrdor vet\u00ebm n\u00eb shek. XVIII, rr\u00ebfimi rreth Galateas dhe Pigmalionit qe popullarizuar pas publikimit t\u00eb vepr\u00ebs s\u00eb Jean-Jacque Rousseau, t\u00eb titulluar &#8220;Pigmalioni&#8221;, vep\u00ebr e v. 1762.<\/p>\n<p>*<br \/>\n<em>(shtojc\u00eb&#8230; dy fjal\u00eb rreth pikturave, ngjitur)<\/em><br \/>\n&#8230;fakt se t\u00eb dyja pikturat e G\u00e9r\u00f4me e shfaqin nudizmin, jan\u00eb piktura bazuar n\u00eb mitologjin\u00eb, n\u00ebse ju pengon vizualiteti piktural at\u00ebher\u00eb m\u00eb vjen keq, vet\u00eb s&#8217;kam pse t&#8217;ndjehem &#8220;keq&#8221;, s&#8217;kam pse t&#8217;ju k\u00ebrkoj\u00eb ndjes\u00eb a falje p\u00ebr atashimin e tyre me shkrimin, ku di un\u00eb&#8230; thjesht mos i &#8220;shihni&#8221; (mbyllni syt\u00eb : ) por mos u jepni shans paragjykimeve, mos u &#8220;prekni&#8221; nga nudistika artistike, pasi do ishte m\u00ebkat, madje i pafalsh\u00ebm, q\u00ebkur arti \u00ebsht\u00eb absolutisht 100% i past\u00ebr, arti e tejkalon ak\u00ebcilin &#8220;kompleks&#8221;, ak\u00ebcilin paragjykim t\u00eb mendjes son\u00eb&#8230;<br \/>\n&nbsp;<br \/>\n***<br \/>\nSky Division &#8211; <strong>&#8220;Make Your Own Galatea&#8221; (Krijo Galatean t\u00ebnde)<\/strong>, 2025<\/p>\n<p>(video-parodizim i shkurt\u00ebr, gjoja duke i lavd\u00ebruar veglat e IA &#8211; tashm\u00eb dhe ju mund ta krijoni nj\u00eb Galatea, 100% e juaja, mund ta b\u00ebni t\u00eb dashurohet n\u00eb ju, sipas videos IA nuk \u00ebsht\u00eb per\u00ebndesha Venera por mund t&#8217;i realizoj\u00eb d\u00ebshirat tuaja : )<\/p>\n<p><a href=\"https:\/\/youtu.be\/qwBXMFTyDog\" data-rel=\"lightbox-video-0\">https:\/\/youtu.be\/qwBXMFTyDog<\/a><\/p>\n<p>Sipas Ovidit, Pigmalioni, nj\u00eb skulptor i lasht\u00ebsis\u00eb, e krijon nj\u00eb statuj\u00eb fildishi t\u00eb nj\u00eb gruaje jasht\u00ebzakonisht t\u00eb bukur, dhe artisti vet\u00eb bie n\u00eb dashuri me krijimin e vet. Skulptori i lutet per\u00ebndesh\u00ebs Venera q\u00eb ta sjell\u00eb statuj\u00ebn e tij n\u00eb jet\u00eb. Per\u00ebndesha i d\u00ebgjon lutjet e tij, ia plot\u00ebson d\u00ebshir\u00ebn.<\/p>\n<p>Imagjino tani n\u00ebse dhe Godward, apo Rodin, apo Rossetti, apo Alma-Tadema, apo Cabanel, apo Bouguereau, apo Canova t&#8217;kishin mundur t\u00eb t\u00eb nj\u00ebjt\u00ebn gj\u00eb, t&#8217;i ngjallnin dmth. krijimet e tyre. Kuptohet, ata s&#8217;pat\u00ebn mundur, mir\u00ebpo ju mundeni, tani \u00e7do artist mund t&#8217;jet\u00eb nj\u00eb Pigmalion &#8211; me veglat e IA-s krijimet tuaja mund t\u00eb buz\u00ebqeshin, t\u00eb l\u00ebvizin, t\u00eb flasin, t\u00eb k\u00ebndojn\u00eb, t\u00eb qajn\u00eb, t\u00eb ndjehen t\u00eb gjalla.<\/p>\n<p>Tashm\u00eb dhe ju mund ta krijoni Galatean tuaj, ta b\u00ebni t\u00eb dashurohet n\u00eb ju, ose thjesht t\u00eb pulitet, t&#8217;i mbyll syt\u00eb, t&#8217;ju buz\u00ebqesh, ose t&#8217;jua kthej\u00eb shpin\u00ebn, madje mund ta b\u00ebni dhe t\u00eb largohet, t&#8217;mos ju dashuroj\u00eb fare &#8211; gjith\u00e7ka q\u00eb d\u00ebshironi, IA nuk \u00ebsht\u00eb per\u00ebndesha Venera por mund t&#8217;i realizoj\u00eb d\u00ebshirat tuaja : )<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>S. Guraziu &#8211; Ars Poetica, Prill 2025 [ ngjitur: 2 piktura t\u00eb Jean-L\u00e9on G\u00e9r\u00f4me (1824-1904) &#8211; &#8220;Pigmalioni dhe Galatea&#8220;, 1890, + versioni frontal ] Sipas &#8220;Metamorfozave&#8221; t\u00eb Ovidit, Pigmalioni, nj\u00eb skulptor i lasht\u00ebsis\u00eb, e krijoi nj\u00eb statuj\u00eb fildishi, nj\u00eb statuj\u00eb&hellip; <a href=\"https:\/\/letrat.eu\/?p=17097\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-17097","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/17097","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=17097"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/17097\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=17097"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=17097"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=17097"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}