{"id":2085,"date":"2019-09-30T21:48:23","date_gmt":"2019-09-30T21:48:23","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2085"},"modified":"2024-04-18T11:23:28","modified_gmt":"2024-04-18T10:23:28","slug":"gustav-klimt-pikturat-ne-burgtheater-vjene-1886","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2085","title":{"rendered":"Gustav Klimt – Pikturat n\u00eb Burgtheater, Vjen\u00eb, 1886"},"content":{"rendered":"

(sguraziu – ars poetica, shkurt 2019<\/em>)<\/p>\n

Gustav Klimt (1862-1918) – Teatri Antik n\u00eb Taormina, 1886<\/strong> (Burgtheater, Vjen\u00eb)<\/p>\n

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Klimt na i paraqet ca aktore-bukuroshe t\u00eb koh\u00ebs romake gjat\u00eb nj\u00eb skene imagjinare n\u00eb teatrin e “Taormina” .
\nTaormina \u00ebsht\u00eb nj\u00eb qytet n\u00eb bregun lindor t\u00eb Sicilis\u00eb (af\u00ebr vullkanit Etna), qyteti \u00ebsht\u00eb i njohur p\u00ebr “Teatro Antico di Taormina”, nj\u00eb teat\u00ebr i lasht\u00eb greko-romak i cili p\u00ebrdoret dhe sot e k\u00ebsaj dite.<\/p>\n

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\n…Klimt ende s’ishte aq i njohur e i famsh\u00ebm… at\u00ebbot\u00eb si bojaxhi i panjohur njer\u00ebzia dhe s’ta varnin aq. Nj\u00eb zonj\u00eb e r\u00ebnd\u00eb madje dhe qe ankuar pran\u00eb administrat\u00ebs s\u00eb teatrit kur ky e pati p\u00ebrfunduar piktur\u00ebn e titulluar “Teatri Antik n\u00eb Taormina”. Fati i Klimt q\u00eb ajo nuk e pati paditur. Zonja vjeneze pati ngelur nga habia, s’mund t\u00eb ngopej frym\u00eb… me syt\u00eb drejtuar tavanit, kur ashtu papritmas e pati hetuar veten “lakuriq”, fare nudo, n\u00eb piktur\u00ebn e Klimt.
\nE ky i ngrati s’\u00ebsht\u00eb se kishte ndonj\u00eb faj, pafajsia e tij ishte e kulluar sa dhe vet\u00eb past\u00ebrtia e artit. Dalngadal\u00eb e pati kthyer n\u00eb zakon (vesi i tij pothuaj qe zhvilluar dhe si tendenc\u00eb) p\u00ebr t’i pikturuar femrat nga mbamendja. Sipas tij s’do ishte aq “problematike” t\u00eb frym\u00ebzohesh nga imagjinata e trupave “lakuriq” t\u00eb grave t\u00eb huaja. N\u00eb rastin e piktur\u00ebs n\u00eb fjal\u00eb, nudistika si dhe vet\u00eb skena pikturale ishin totalisht imagjinare. I kishte pikturuar tri gra t\u00eb zhveshura, tri bukuroshe si vet\u00eb muzat e Delfit, dhe \u00e7far\u00eb pastaj, s’do shembej bota. S’ishte as i pari as i fundit t\u00eb eksperimentonte me nudistikat (imagjinare).<\/p>\n

T\u00eb gjitha pikturat tjera t\u00eb tavanit kishin t\u00eb b\u00ebnin me “historin\u00eb e teatrit”, pothuaj i qen\u00eb m\u00ebrzitur me at\u00eb tem\u00ebn e nj\u00ebjt\u00eb, bajate. I ishin b\u00ebr\u00eb aq monotone, ndoshta as vet\u00eb Mikelanxhelo i Madh dikur n\u00eb Mesjet\u00eb s’pati qen\u00eb i m\u00ebrzitur m\u00eb shum\u00eb, edhe ai i ngrati pati vuajtur me tavanin e “Sistina” . Historia e artit tavanistik s’ka “harruar” \u00e7’pati hequr dikur i gjori Mikolango! Klimt e dinte mir\u00eb sa e v\u00ebshtir\u00eb \u00ebsht\u00eb t’i pikturosh tavanet, qafa e gjymtyr\u00ebt thjesht mpihen nga dhimbja. E vetmja “…Taormina” ia falte at\u00eb lirin\u00eb imagjinare, nuk duhej t\u00eb paraqiste ndonje “sken\u00eb teatrore”, thjesht mund t’i zhyste brushat n\u00eb ngjyrat e imagjinates. Pati qen\u00eb pothuaj si nj\u00eb lloj “ngush\u00ebllimi”, si vet\u00ebk\u00ebnaqje me lirin\u00eb artistike.<\/p>\n

Sidoqoft\u00eb, zonja vjeneze vet\u00ebm qe ankuar, s’e pati paditur, s’pati k\u00ebrkuar ndonj\u00eb lloj d\u00ebmshp\u00ebrblimi, Klimt s’duhej t\u00eb paguante asnj\u00eb gjob\u00eb, gruaja nudo e piktur\u00ebs thjesht qe “veshur” pastaj me rroba t\u00eb kuqe.
\n| – – –
\n[ shkeputur nga: Teatri “shekspirian” i Gustav Klimt, dhe Nudistika Imagjinare! – S. Guraziu – Ars Poetica, 2018<\/strong> ]<\/p>\n

Gustav Klimt (1862-1918) – Altari i Dionisit<\/strong>, 1886 (Burgtheater, Vjen\u00eb)<\/p>\n

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Gustav Klimt (1862-1918) – Teatri mobil i Thespisit<\/strong>, 1886 (“Thespiskarren<\/strong>” – Burgtheater, Vjen\u00eb)<\/p>\n

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Vepra ndodhet n\u00eb Burgtheater, Vjen\u00eb – “Thespiskarren” (Karroca e Thespisit) \u00ebsht\u00eb emri p\u00ebr “teatrin mobil-istik” dhe p\u00ebr karvanin e aktor\u00ebve para fillimit t\u00eb shaqjes (n\u00eb Greqin\u00eb e lasht\u00eb). N\u00eb sfond shihet nj\u00eb dem duke pushuar dhe tutje karroca, si dhe po ashtu aktor\u00ebt me maska (mbase duke ushtruar, duke u p\u00ebrgatitur). Emri vjen nga poeti i par\u00eb grek i tragjedis\u00eb, Thespisi, i cili sipas Horacit, i jepte shfaqjet teatrale n\u00eb nj\u00eb karroc\u00eb-teat\u00ebr. <\/p>\n

Kuptohet se kushtet shoq\u00ebrore t\u00eb lasht\u00ebsis\u00eb ishin jasht\u00ebzakonisht t\u00eb r\u00ebnda, as reputacioni i aktor\u00ebve s’ishte aq p\u00ebr lakmi, ve\u00e7an\u00ebrisht dimrave dashamir\u00ebt e shfaqjeve ndesheshin me v\u00ebshtir\u00ebsi t\u00eb m\u00ebdha, pasi n\u00eb koh\u00ebn e tyre s’kishte mund\u00ebsi q\u00eb shfaqjet t\u00eb luheshin n\u00eb teat\u00ebr, n\u00eb nd\u00ebrtesat e ve\u00e7anta teatrale. Improvizohej me karrocat, montohej di\u00e7 si sken\u00eb teatrale, udh\u00ebtohej nga qyteti n\u00eb qytet n\u00eb k\u00ebrkim t\u00eb audienc\u00ebs, dhe t\u00eb gjitha pla\u00e7kat teatrale barteshin me vete, pakashum\u00eb ngjash\u00ebm si\u00e7, madje dhe sot e k\u00ebsaj dite, zhvendosen kompanit\u00eb e mini-cirkuseve, nga nj\u00eb vend n\u00eb tjetrin.
\n(sguraziu – ars poetica, shkurt 2019<\/em>)<\/p>\n

[ \u00a9 Fotot: Georg Soulek – Pressefotos, Burgtheater<\/em> ]<\/p>\n","protected":false},"excerpt":{"rendered":"

(sguraziu – ars poetica, shkurt 2019) Gustav Klimt (1862-1918) – Teatri Antik n\u00eb Taormina, 1886 (Burgtheater, Vjen\u00eb) Klimt na i paraqet ca aktore-bukuroshe t\u00eb koh\u00ebs romake gjat\u00eb nj\u00eb skene imagjinare n\u00eb teatrin e “Taormina” . Taormina \u00ebsht\u00eb nj\u00eb qytet n\u00eb… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2085","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2085","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2085"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2085\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2085"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2085"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2085"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}