{"id":2116,"date":"2019-09-30T22:22:57","date_gmt":"2019-09-30T22:22:57","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2116"},"modified":"2024-04-18T09:54:29","modified_gmt":"2024-04-18T08:54:29","slug":"edward-john-poynter-izraeli-ne-egjipt-1867","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2116","title":{"rendered":"Edward John Poynter – Izraeli n\u00eb Egjipt, 1867"},"content":{"rendered":"

Ngjeshje, Dyzim i Arkeologjis\u00eb, i Artit, i Historis\u00eb!<\/strong>
\n(Senad Guraziu – Ars Poetica, Sh 2019<\/em>)<\/p>\n

[ ngjitur: Edward John Poynter (1836-1919) – Izraeli n\u00eb Egjipt<\/strong>, 1867 ]<\/p>\n

\"\"<\/a><\/p>\n

Tablloja konsiderohet si nj\u00eb nga kryeveprat e Poynter, mund t\u00eb thuhet se \u00ebsht\u00eb nj\u00eb “p\u00ebrshkrim” grafik i Eksodit (I : 7-11), sipas Poynter duhet t’i shohim me dhjetra skllev\u00ebr izraelit\u00eb duke e t\u00ebrhequr karroc\u00ebn e r\u00ebnd\u00eb, ngarkuar me skulptur\u00ebn gjigante, nj\u00eb luan i madh punuar prej graniti t\u00eb kuq, derisa mbikqyr\u00ebsit apo rojet egjiptase i fshikullojn\u00eb.<\/p>\n

Piktura duket mjaft e ngjeshur, ka panum\u00ebr figurash e detajesh, skllav\u00ebria ashtu-k\u00ebshtu ishte tmerr\u00ebsisht e r\u00ebnd\u00eb, n\u00eb plan t\u00eb par\u00eb e shohim nj\u00eb skllav t\u00eb molisur, dikush duke i ofruar uj\u00eb e ndihm\u00eb, fare majtas (ose n\u00eb fund, prapa karroc\u00ebs) e shohim dhe “ombrell\u00ebn e hijes”, n\u00ebn t\u00eb figura e ndonj\u00eb kleriku t\u00eb lart\u00eb, ose ndonj\u00eb administrator i faraonit, si dhe sh\u00ebrb\u00ebtor\u00ebt duke e freskuar.
\nM\u00eb thell\u00eb n\u00eb perspektiven pikturale shohim nj\u00eb sfond t\u00eb “larmish\u00ebm”, lloj-lloj tempujsh grumbulluar nga gjithandej, tempuj t\u00eb ndrysh\u00ebm n\u00eb nj\u00eb piktur\u00eb t\u00eb vetme. Bie fjala, e shohim piramiden nga pllaja e Gizas\u00eb, pallatet e lloj-llojshme t\u00eb elitar\u00ebve apo pallatesh mbret\u00ebrore mbushur me figura a vizatime, por shohim dhe Tempullin e Horusit n\u00eb Edfu…<\/p>\n

“…Piktori i ri Poynter ofron “\u00e7do d\u00ebshmi t\u00eb p\u00ebrfitimit t\u00eb plot\u00eb nga studimi i koh\u00ebve t\u00eb fundit t\u00eb Egjiptit… nj\u00eb shembull tipik i aplikimit t\u00eb suksessh\u00ebm t\u00eb parimit modern, i dyzimit t\u00eb arkeologjis\u00eb dhe artit”, Poynter i ka b\u00ebr\u00eb s\u00eb bashku figurat e tempujve t\u00eb Tebes, t\u00eb atyre n\u00eb Edfu e t\u00eb Filas\u00eb, mb\u00ebshtetur nga Piramida e Madhe n\u00eb Giza, si dhe shk\u00ebmbinjt\u00eb g\u00eblqeror\u00eb t\u00eb Tebes, p\u00ebr t\u00eb sh\u00ebrbyer si sfond, ngjash\u00ebm me sfondin kinemaskopik – “The Illustrated London News”, 1867<\/p>\n

Anise qe pritur mir\u00eb n\u00eb ekspozit\u00ebn e v. 1867, n\u00eb fakt ishte nj\u00eb sukses p\u00ebr artistin, dhe derisa nga “Illustrated…” fjal\u00ebt jan\u00eb vet\u00ebm lavd\u00ebruese, tablloja pati hasur edhe n\u00eb kritikat e koh\u00ebs. Disa kritik\u00eb nuk pajtoheshin me shp\u00ebrfilljen e dukshme t\u00eb Poynter sa i p\u00ebrket sakt\u00ebsis\u00eb arkeologjike. Sfondi prej tempujsh grumbull (ngjash\u00ebm si “p\u00ebrzierje moderne fotoshopike”), ndokujt mbase i dukej si “sfond kinemaskopik” mir\u00ebpo dikujt tjet\u00ebr josakt\u00ebsia arkeologjike dhe “p\u00ebrzierja” s’i p\u00eblqenin fare.
\nNd\u00ebrkaq, p\u00ebr ndonj\u00eb kritik tjet\u00ebr thjesht tema n\u00eb p\u00ebrgjith\u00ebsi nuk ishte “rrahur” n\u00eb m\u00ebnyr\u00eb t\u00eb p\u00ebrshtatshme e t\u00eb p\u00eblqyeshme.<\/p>\n

Tempulli i Horusit n\u00eb Edfu (i theksuar n\u00eb piktur\u00ebn) u ka b\u00ebr\u00eb ball\u00eb mij\u00ebvje\u00e7ar\u00ebve, thuhet se \u00ebsht\u00eb nga tempujt e ruajtur m\u00eb s\u00eb miri n\u00eb Egjipt, nd\u00ebrtimi i t\u00eb cilit zgjati pothuaj 200 vjet. Tempulli u nd\u00ebrtua n\u00ebn sundimin Ptolemaik, mes viteve 237 – 57 p.e.s., punimet qen\u00eb nisur nga Ptolemeu III (n\u00eb v. 237 p.e.s.) dhe puna u vazhdua tutje nga pasardh\u00ebsit e tij, p\u00ebrfundimisht tempulli qe kompletuar n\u00ebn Ptolemeun XII, n\u00eb v. 57 p.e.s.<\/p>\n

Sipas “interpretatio graeca” Horusi identifikohej si Apolloni, nd\u00ebrsa dihet, Apolloni ishte hyjnia kryesore i grek\u00ebve, nj\u00ebri nga hyjnit\u00eb m\u00eb t\u00eb r\u00ebnd\u00ebsishme olimpike, nj\u00ebri nga hyjnit\u00eb mjaft komplekse greke e romake. Apolloni ishte zot dhe mbrojt\u00ebs i muzik\u00ebs, i vall\u00ebzimit, i poezis\u00eb etj etj. N\u00ebse Horusi ishte “Apolloni”, dhe n\u00ebse qytet\u00ebrimi greko-romak jan\u00eb djepi i qytet\u00ebrimit per\u00ebndimor t\u00eb s\u00eb sotmes, at\u00ebher\u00eb…<\/p>\n

…duke i l\u00ebn\u00eb m\u00ebnjan\u00eb t\u00eb gjitha t\u00eb tjerat (e duhet l\u00ebn\u00eb anash aq shum\u00eb), dhe vet\u00ebm si udh\u00ebheq\u00ebs i Muzave, si frym\u00ebzues i gjenialitetit t\u00eb tyre, pa Apollonin njer\u00ebzimi s’do kishte mb\u00ebrritur askund. Madje thuhet se ai ishte shpik\u00ebsi i muzikave me “tela”. Dmth. nuk i pati shpikur komplet t\u00eb gjitha, pianon duhet ta ket\u00eb shpikur ndokush tjet\u00ebr, instrumentet e frym\u00ebs po ashtu, por mitologjia na thot\u00eb se kitara e lira i takojn\u00eb atij si shpikje.<\/p>\n

Pra as Rolling-Stonsat as Beatles-at e s\u00eb sotmes s’do ia b\u00ebnin “g\u00ebk” pa meritat e Apollonit. Gjithkujt duhet njohur meritat e shpikjeve, s’duhet hyr\u00eb n\u00eb hak, sikur q\u00eb Njutnit i takojn\u00eb ato meritat e veta, Njutni s’do thot\u00eb kurr\u00eb “e zbulova Amerik\u00ebn”, as Tesla s’do k\u00ebrkoj\u00eb \u00e7far\u00eb s’i takon, as Ajnshtajni, as Da Vin\u00e7i, askush… Andaj meritat apollonike ngelen p\u00ebrjetsh\u00ebm meritore t\u00eb meritave. Imagjino \u00e7far\u00eb “monotonie” do ishte pa muzikat, do kishim vdekur nga m\u00ebrzia. Ose bie fjala pa frym\u00ebzimin e muzave s’do i kishim as artet, as let\u00ebrsin\u00eb, as shkencat… asgje.<\/p>\n

* “interpretatio graeca<\/strong>” – si term i p\u00ebrshkruan p\u00ebrpjekjet greke p\u00ebr t’i shpjeguar besimet dhe mitet e t\u00eb tjer\u00ebve, t\u00eb kulturave tjera, dmth. si diskurs n\u00eb kuad\u00ebr t\u00eb t\u00eb cilit konceptet fetare, praktikat e lashta greke, hyjnit\u00eb dhe mitet p\u00ebrdoren (ose merren si p\u00ebrpjekje) p\u00ebr t’i interpretuar e p\u00ebr t’i kuptuar mitologjit\u00eb dhe fet\u00eb e kulturave t\u00eb tjera (pakashum\u00eb si metodologji krahasimtare, duke k\u00ebrkuar ekuivalenca e karakteristika t\u00eb nj\u00ebllojta).<\/p>\n","protected":false},"excerpt":{"rendered":"

Ngjeshje, Dyzim i Arkeologjis\u00eb, i Artit, i Historis\u00eb! (Senad Guraziu – Ars Poetica, Sh 2019) [ ngjitur: Edward John Poynter (1836-1919) – Izraeli n\u00eb Egjipt, 1867 ] Tablloja konsiderohet si nj\u00eb nga kryeveprat e Poynter, mund t\u00eb thuhet se \u00ebsht\u00eb… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2116","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2116","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2116"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2116\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2116"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2116"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2116"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}