{"id":2247,"date":"2019-10-01T12:20:24","date_gmt":"2019-10-01T12:20:24","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2247"},"modified":"2024-04-17T17:37:04","modified_gmt":"2024-04-17T16:37:04","slug":"dhomat-e-rafaelit-stanze-di-raffaello-1508-24-vatikan","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2247","title":{"rendered":"Dhomat e Rafaelit (Stanze di Raffaello), 1508-24 &#8211; Vatikan"},"content":{"rendered":"<p><em>S. Guraziu &#8211; Ars Poetica, 2013 (Arti n\u00eb Pallatin Apostolik n\u00eb Vatikan &#8211; Rafaeli)<\/em><\/p>\n<p>Rafaeli vdiq i ri, ishte vet\u00ebm 37 vje\u00e7, mir\u00ebpo pavar\u00ebsisht ikjes n\u00eb mosh\u00eb t\u00eb re, si artist konsiderohet se ka l\u00ebn\u00eb mbrapa nj\u00eb pun\u00eb t\u00eb madhe. Afresket n\u00eb &#8220;Dhomat e Rafaelit&#8221; (Stanze di Raffaello) jan\u00eb veprat qendrore, puna m\u00eb e madhe e karrier\u00ebs s\u00eb tij. Afresket m\u00eb t\u00eb njohura (them un\u00eb ndonj\u00ebher\u00eb) padyshim duhet t&#8217;jen\u00eb ato n\u00eb &#8220;Stanza della Segnatura&#8221;, e nd\u00ebr to m\u00eb t\u00eb famshmet &#8220;Shkolla e Athin\u00ebs&#8221; dhe &#8220;Parnasi&#8221; (Anise t\u00eb gjitha jan\u00eb t\u00eb &#8220;famshme e te njohura&#8221;, kuptohet : )<\/p>\n<p>N\u00eb Pallatin Apostolik, &#8220;Stanze di Raffaello&#8221; ishin pjes\u00eb rezidenciale n\u00eb katin e dyt\u00eb, zgjedhur nga Papa Julius II si rezidenc\u00eb personale (Giulio II della Rovere, Pap\u00eb nga v. 1503-1513). Si rezidenc\u00eb qene p\u00ebrdorur edhe nga pasardh\u00ebsit e tij. Afresket dekoruese jan\u00eb punuar nga Rafaeli dhe nx\u00ebn\u00ebsit (ndihm\u00ebsit), mes viteve 1508 dhe 1524.<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2248 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan.jpg\" alt=\"\" width=\"1527\" height=\"1260\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan.jpg 1527w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan-300x248.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan-768x634.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Dhomat-e-Rafaelit-Stanze-di-Raffaello-1508-24-Vatikan-1024x845.jpg 1024w\" sizes=\"auto, (max-width: 1527px) 100vw, 1527px\" \/><\/a><\/p>\n<p>Raffaello Sanzio da Urbino (1483-1520) &#8211; Dhomat e Rafaelit (Stanze di Raffaello) p\u00ebrfshijn\u00eb kat\u00ebr &#8220;dhoma&#8221;:<br \/>\n1 &#8211; Salla e Konstandinit (Sala di Costantino)<br \/>\n2 &#8211; Stanza della Segnatura, Scuola di Atene (Shkolla e Athin\u00ebs), 1509-1511<br \/>\n3 &#8211; Dhoma e Zjarrit n\u00eb Borgo (Stanza dell&#8217;Incendio di Borgo) &#8211; Zjarri n\u00eb Borgo, 1514<br \/>\n4 &#8211; Dhoma e Eliodorus (Stanza di Eliodoro &#8211; Cacciata di Eliodoro) &#8211; D\u00ebbimi i Eliodorus<\/p>\n<p><strong>Rafaeli &#8211; Afresket n\u00eb &#8220;Segnatura&#8221;, 1509-1511<\/strong> (Pallati Apostolik, Vatikan)<br \/>\n<em>S. Guraziu &#8211; Ars Poetica, 2013<\/em><\/p>\n<p>Dhoma &#8220;Segnatura&#8221; p\u00ebrfshin afresket m\u00eb t\u00eb famshme nga Rafaeli, t\u00eb cilat afreske p\u00ebrb\u00ebjn\u00eb debutimin e tij si artist n\u00eb Vatikan, dhe n\u00eb art sh\u00ebnojn\u00eb fillimin e Renesans\u00ebs s\u00eb Lart\u00eb.<br \/>\nAfresket n\u00eb &#8220;Stanza della Segnatura&#8221; p\u00ebrshfaqin kat\u00ebr fusha t\u00eb dijes njer\u00ebzore: 1 &#8211; Filozofin\u00eb (afresku: Shkolla e Athin\u00ebs &#8211; Scuola di Atene), 2 &#8211; Fen\u00eb (Diskutimi i Sakramentit t\u00eb Shenjt\u00eb &#8211; Disputa del S. Sacramento), 3 &#8211; Poezin\u00eb (Parnasi &#8211; Parnaso), 4 &#8211; Ligjin (Virtytet Kardinale Teologjike dhe Ligji &#8211; Virt\u00f9 Cardinali e Teologali e la Legge).<br \/>\nPjes\u00eb e afreskeve t\u00eb dhom\u00ebs jan\u00eb dhe ato t\u00eb tavanit, &#8220;Kupoles&#8221; (Volta).<\/p>\n<p>Projektuar ose ideuar nga nj\u00eb teolog, afresket kishin p\u00ebr q\u00ebllim t\u00eb p\u00ebrfaq\u00ebsojn\u00eb tri kategorit\u00eb m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb shpirtit njer\u00ebzor: V\u00ebrtet\u00ebsin\u00eb, Drejt\u00ebsin\u00eb (Mir\u00ebsin\u00eb) dhe Bukurin\u00eb. Mbinatyrorja e v\u00ebrtet\u00eb (ose Teologjia) \u00ebsht\u00eb p\u00ebrfaq\u00ebsuar n\u00eb afreskun Diskutimi i Sakramentit t\u00eb Shenjt\u00eb, Racionalja (ose Filozofia) n\u00eb afreskun Shkolla e Athin\u00ebs, Drejt\u00ebsia \u00ebsht\u00eb mish\u00ebruar n\u00eb afreskun Virtytet Kardinale Teologjike dhe Ligji, dhe e Bukura (Poezia) n\u00eb afreskun Parnasi, me Apollonin dhe Muzat. Afresket jan\u00eb t\u00eb lidhura me skenat themelore: figurat alegorike t\u00eb Teologjis\u00eb, Filozofis\u00eb, Drejt\u00ebsis\u00eb dhe Poezis\u00eb aludojn\u00eb p\u00ebr faktin e shpirt\u00ebrores, pikturuar n\u00eb muret p\u00ebrkat\u00ebse.<\/p>\n<p>Dhoma \u00ebsht\u00eb em\u00ebruar sipas trupit gjykues m\u00eb t\u00eb lart\u00eb t\u00eb Selis\u00eb s\u00eb Shenjt\u00eb, &#8220;Segnatura Gratiae et Iustitiae&#8221;, kryesuar nga Papa, dhe \u00ebsht\u00eb p\u00ebrdorur p\u00ebr takimet e tij, n\u00eb mes-shekullin XVI. Dhoma fillimisht \u00ebsht\u00eb p\u00ebrdorur prej Pap\u00ebs Julius II (nga v. 1503-1513), n\u00eb cil\u00ebsin\u00eb e bibliotek\u00ebs dhe studios private: programi ikonografik dhe afresket, pikturuar mes viteve 1508 dhe 1511, jan\u00eb t\u00eb lidhura me k\u00ebt\u00eb funksion.<\/p>\n<p>Dhomat e Rafaelit (Stanze di Raffaello) &#8211; &#8220;<strong>Stanza della Segnatura<\/strong>&#8221;<br \/>\n&#8230;djathtas shihet afresku &#8220;<strong>Scuola di Atene<\/strong>&#8221; (Shkolla e Athin\u00ebs), dhe n\u00eb ball\u00eb ose majtas afresku &#8220;<strong>Parnaso<\/strong>&#8221; (Parnasi)<br \/>\n<a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2251 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511.jpg\" alt=\"\" width=\"1527\" height=\"1260\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511.jpg 1527w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511-300x248.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511-768x634.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Afresket-n\u00eb-Segnatura-1509-1511-1024x845.jpg 1024w\" sizes=\"auto, (max-width: 1527px) 100vw, 1527px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p><strong>Rafaeli &#8211; &#8220;Parnasi&#8221;, 1511 (Afresket n\u00eb &#8220;Stanza della Segnatura&#8221;, Vatikan)<\/strong><br \/>\n<em>S. Guraziu &#8211; Ars Poetica, 2013<\/em><\/p>\n<p>&#8220;<strong>Parnasi<\/strong>&#8221; \u00ebsht\u00eb nj\u00eb afresk i punuar nga Rafaeli rreth v. 1511, pas porositjes nga Papa Julius II, n\u00eb t\u00eb ashtuquajturat &#8220;Dhomat e Rafaelit&#8221;.<br \/>\n&#8220;Parnasi&#8221; p\u00ebrfaq\u00ebson Poezin\u00eb &#8211; afresket m\u00ebtonin t\u00eb jen\u00eb si alegori artistike&#8230; ose t\u00eb p\u00ebrfaq\u00ebsojn\u00eb tri kategorit\u00eb m\u00eb t\u00eb r\u00ebnd\u00ebsishme t\u00eb shpirtit njer\u00ebzor: V\u00ebrtet\u00ebsin\u00eb, Drejt\u00ebsin\u00eb (Mir\u00ebsin\u00eb) dhe Bukurin\u00eb.<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2254 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511.jpg\" alt=\"\" width=\"1920\" height=\"1253\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511.jpg 1920w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511-300x196.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511-768x501.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Rafaeli-Parnasi-1511-1024x668.jpg 1024w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p>Afresku &#8220;Parnasi&#8221; p\u00ebrfaq\u00ebson dmth. t\u00eb Bukur\u00ebn shpirt\u00ebrore (Poezin\u00eb), e paraqet malin mitologjik Parnasin ku rrinte Apolloni me Muzat, psh. mitologjia na thot\u00eb se Apolloni s\u00eb bashku me muz\u00ebn e poezis\u00eb epike, Kaliopa, i frym\u00ebzonin poet\u00ebt. Ai shihet n\u00eb qend\u00ebr i rrethuar nga n\u00ebnt\u00eb Muzat, nga n\u00ebnt\u00eb poet\u00eb t\u00eb antik\u00ebs dhe nga n\u00ebnt\u00eb poet\u00eb bashk\u00ebkohor\u00eb.<\/p>\n<p>Majtas ulur shihet poetja Safo, poetja e vetme \ud83d\ude42 e identifikuar qart\u00eb dhe me emrin, n\u00eb m\u00ebnyr\u00eb q\u00eb t&#8217;mos ngat\u00ebrrohet me ndonj\u00ebr\u00ebn nga muzat (thuhet se \u00ebsht\u00eb shtuar m\u00eb von\u00eb n\u00eb afresk). Pak m\u00eb lart mbi Safon shihet Homeri (me mantelin blu t\u00eb err\u00ebt), majtas tij Dante, dhe djathtas tij \u00ebsht\u00eb pikturuar Virgjili.<\/p>\n<p>&nbsp;<\/p>\n<p><em>Referencat<\/em>:<br \/>\n&#8211; Musei Vaticani &#8211; Stato della Citt\u00e0 del Vaticano<\/p>\n","protected":false},"excerpt":{"rendered":"<p>S. Guraziu &#8211; Ars Poetica, 2013 (Arti n\u00eb Pallatin Apostolik n\u00eb Vatikan &#8211; Rafaeli) Rafaeli vdiq i ri, ishte vet\u00ebm 37 vje\u00e7, mir\u00ebpo pavar\u00ebsisht ikjes n\u00eb mosh\u00eb t\u00eb re, si artist konsiderohet se ka l\u00ebn\u00eb mbrapa nj\u00eb pun\u00eb t\u00eb madhe.&hellip; <a href=\"https:\/\/letrat.eu\/?p=2247\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-2247","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2247","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2247"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2247\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2247"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2247"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2247"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}