{"id":2479,"date":"2019-10-01T18:59:24","date_gmt":"2019-10-01T18:59:24","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2479"},"modified":"2026-02-20T12:47:47","modified_gmt":"2026-02-20T11:47:47","slug":"feminizmi-elektrik-i-evropes-victoria-e-bond","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2479","title":{"rendered":"Feminizmi “elektrik” i Evrop\u00ebs – “Victoria” e Bond!"},"content":{"rendered":"

S. Guraziu – Ars Poetica, 2017 (Koment)<\/em><\/p>\n

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Dy dekada m\u00eb par\u00eb violinistja Vanessa Mae e pati elektrizuar “Stuhin\u00eb” e Vivaldit si askush deri at\u00ebher\u00eb. Sot pothuaj t\u00eb gjitha “vajzat elektrike” t\u00eb Evrop\u00ebs e kan\u00eb Stuhin\u00eb n\u00eb repertoarin e tyre. Vanessa mund t\u00eb mburrej dikur, ishte se \u00e7’na ishte, tani s’\u00ebsht\u00eb m\u00eb e “vetmja”, pas saj panum\u00ebr “Duo”, “Trio” e “Kuartete” vajzash me instrumente elektrike u shfaqen anemban\u00eb Evrop\u00ebs dhe n\u00eb mbar\u00eb bot\u00ebn.<\/p>\n

Muzika klasike t\u00eb shumt\u00ebn e rasteve sikur s’mund t\u00eb imagjinohet pa violin\u00ebn, mir\u00ebpo po ashtu, muzikat klasike sikur s’kan\u00eb vend p\u00ebr “violinat elektrike”. K\u00ebto t\u00eb fundit p\u00ebrdoren kryesisht nga muzikant\u00eb joklasik\u00eb, n\u00eb zhanre t\u00eb ndryshme, si rock, hip-hop, pop, synth-pop, jazz dhe n\u00eb muzikat eksperimentale. Ose, s\u00ebpaku k\u00ebshtu pandehim ne, k\u00ebshtu na e thot\u00eb mendja.<\/p>\n

N\u00eb vitin 2000 u shfaq kuarteti “Bond” (di\u00e7 si bashk\u00ebpunim vajzash australo-britanike), debutimi i tyre ngjalli polemika e reagime t\u00eb \u00e7uditshme e her\u00eb kontradiktore lidhur me “\u00e7’\u00ebsht\u00eb muzika klasike, dhe \u00e7far\u00eb ajo NUK \u00ebsht\u00eb”?!
\nMuzika e tyre qe cil\u00ebsuar “jo mjaftuesh\u00ebm klasike”, mir\u00ebpo pa vonuar suksesi i tyre do t’ishte i pandalsh\u00ebm.
\nPara 6-7 viteve dhe vet\u00eb Andre Rieu i pati ftuar vajzat e buz\u00ebqeshura t\u00eb Bond, dhe s\u00eb bashku e pat\u00ebn ekzekutuar “Victory”. Pothuaj sikur e pat\u00ebn “elektrizuar” gjith\u00eb publikun, jo vet\u00ebm “gjunj\u00ebzimin” e Andre Rieu…<\/p>\n

Sot kat\u00ebrshja e bukurosheve Bond krenohen dhe thon\u00eb “…vajzat tjera jan\u00eb imitim (na imitojn\u00eb neve), ne jemi kuarteti origjinal i harqeve elektrike dhe kuarteti elektrik m\u00eb i shitur n\u00eb historin\u00eb e industris\u00eb muzikore, i kemi shitur mbi 4 milion\u00eb albume n\u00eb mbar\u00eb bot\u00ebn, fansat na duan n\u00eb mi 60 vende t\u00eb bot\u00ebs<\/em>…”!<\/p>\n

Performancat me “harqet elektrike” sikur sjellin freski muzikale, di\u00e7 si \u00ebmb\u00eblsi t\u00eb ritmit dramatik, energji, magjepsje… Tashm\u00eb p\u00ebrve\u00e7 “Bond” t\u00eb konsoliduara dhe krenare defilojn\u00eb lloj-lloj grupesh, kuartete femrash si Asteria (Lond\u00ebr), Spectre (Lond\u00ebr), Palatine (Lond\u00ebr), Sahara (Lond\u00ebr), Asturia (Ukrain\u00eb), Electric Angels (ShBA), Destiny (Bullgari), Fortissimo (Greqi), Stringspace (Australi), Amadeus (Rumani)… thjesht sa p\u00ebr t’i p\u00ebrmendur disa sosh, pasi lista mund t\u00eb zgjatet ndoshta deri n\u00eb “dysheme” : )<\/p>\n

Vanessa Mae – Stuhia, 1997 (nga “4 Stinet” e Antonio Vivaldi)
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