{"id":2503,"date":"2019-10-01T19:53:49","date_gmt":"2019-10-01T19:53:49","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2503"},"modified":"2024-04-16T23:14:20","modified_gmt":"2024-04-16T22:14:20","slug":"shpirti-si-cantus-zogjsh-rrugetimi-kabaistik","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2503","title":{"rendered":"Shpirti si “cantus” zogjsh – Rrug\u00ebtimi kabaistik!"},"content":{"rendered":"

S. Guraziu – Ars Poetica, Sh 2016<\/em> (P\u00ebrsiatje – refleksione, nd\u00ebrlidhje tekstuale me poetiken e “Drama e Zogjve” t\u00eb Aleksand\u00ebr Pe\u00e7i<\/strong>)<\/p>\n

\u00cbsht\u00eb di\u00e7 si privilegj n\u00ebse p\u00ebr nj\u00eb kompozim t\u00eb caktuar muzikor ndjehemi t\u00eb kapur “p\u00ebr dore” nga vet\u00eb kompozitori, tashm\u00eb n\u00ebp\u00ebrmjet ndihm\u00ebs autoriale, n\u00ebp\u00ebrmjet introduksionit, n\u00ebp\u00ebrmjet guid\u00ebs profesionale… dhe q\u00eb na udh\u00ebheq p\u00ebrgjat\u00eb shtegut t\u00eb p\u00ebrjetimit.
\nPasi q\u00eb, kuptohet, gjuh\u00ebn e zogjve n\u00eb pyll, para se ta kuptojn\u00eb t\u00eb tjer\u00ebt, aty p\u00ebr aty e kuptojn\u00eb vet\u00eb zogjt\u00eb Di\u00e7 e natyrshme dhe af\u00ebrmendsh, gjuh\u00ebn e zogjve m\u00eb s\u00eb miri e kuptojn\u00eb zogjt\u00eb. Pra, sa p\u00ebr zogjt\u00eb, kur \u00ebsht\u00eb fjala p\u00ebr komunikimin poetik-muzikal, atyre s’iu duhen fare “guidat”.<\/p>\n

N\u00eb rastin tim, introja e z. Pe\u00e7i, p\u00ebr “Sonata Nr. 1 p\u00ebr piano – Drama e Zogjve” m\u00eb b\u00ebri t\u00eb vet\u00ebdijsh\u00ebm q\u00eb pa “guid\u00ebn”, vet\u00ebm duke “lexuar” me vesh\u00ebt… p\u00ebr disa nuanca do ngelesha m\u00eb i varf\u00ebr. Sigurisht, nuk ma mohon kush pafaj\u00ebsin\u00eb, por desha t\u00eb them q\u00eb pa “guid\u00ebn” sikur shum\u00e7ka do m\u00eb shmangej e humbej diku prapa vesh\u00ebve, as pa qen\u00eb i vet\u00ebdijsh\u00ebm. Sepse edhe tingujt “fluturojn\u00eb” e na ikin. Ose na anashkalojn\u00eb, ndoshta sepse disa gj\u00ebra vijn\u00eb n\u00eb jet\u00eb sipas ligjeve t\u00eb caktuara, sipas parakushteve t\u00eb caktuara t\u00eb cilat pritet nga ne t’i kemi b\u00ebr\u00eb gati.<\/p>\n

[ Zhurma si “muzik\u00eb”, dhe muzika si “zhurm\u00eb”<\/strong> ]<\/p>\n

Var\u00ebsisht nga sa i kuptojm\u00eb disa segmente “brenda” muzik\u00ebs (apo sa nuk i kuptojm\u00eb), k\u00ebt\u00eb mang\u00ebsi zakonisht e konsiderojm\u00eb si jop\u00ebrgatituri, si deficit personal, si mosinteres, si mosp\u00ebrputhje shijesh etj. etj. Rrall\u00eb, tep\u00ebr rrall\u00eb i “akuzojm\u00eb” vet\u00eb muzikat. Zakonisht i flasim vetes dhe i sjellim n\u00eb mendje shijet tona, gj\u00ebrat q\u00eb na p\u00eblqejn\u00eb, ndonj\u00ebher\u00eb ato q\u00eb s’na p\u00eblqejn\u00eb, mendojm\u00eb p\u00ebr “disponimin”, p\u00ebr muzikalitetin e vesh\u00ebve e t\u00eb zemrave… Por duke i l\u00ebn\u00eb muzikat “rehat”, duke e marr\u00eb gjith\u00eb “fajin” p\u00ebr vete sa u p\u00ebrket shijeve, preferencave etj.<\/p>\n

Muzikat na vijn\u00eb t\u00eb k\u00ebndshme, i p\u00ebrjetojm\u00eb si di\u00e7 e k\u00ebndshme, nuk i definojm\u00eb kurr\u00eb si “zhurm\u00eb”. Por athua vall\u00eb pse nuk i p\u00ebrjetojm\u00eb si “zhurm\u00eb”?
\nMos ndoshta sepse t\u00eb k\u00ebndshme – dhe kaq na mjafton. Apo ndoshta thjesht sepse na e ofrojn\u00eb nj\u00ebfar\u00eblloj “qart\u00ebsie”. Ndoshta pavet\u00ebdijsh\u00ebm, muzikat gjithmon\u00eb i marrim, i p\u00ebrjetojm\u00eb si qart\u00ebsi tingujsh.<\/p>\n

Nga ana tjet\u00ebr, jo gjith\u00e7ka q\u00eb d\u00ebgjojm\u00eb, ashtu tek vibrojn\u00eb membranat e vesh\u00ebve tan\u00eb, medoemos \u00ebsht\u00eb, ose duhet t\u00eb jet\u00eb “qart\u00ebsi”, dmth. s’do jet\u00eb as muzik\u00eb. N\u00ebse jo, at\u00ebher\u00eb pse jo? Mos vall\u00eb t\u00eb jet\u00eb kompleksiteti ai q\u00eb shkakton “paqart\u00ebsin\u00eb”, dhe tutje gj\u00ebrat na vijn\u00eb si “zhurm\u00eb”? Apo thjesht \u00ebsht\u00eb joharmonia e tingujve? Apo ndoshta di\u00e7 e tret\u00eb, di\u00e7 e kat\u00ebrt… apo t\u00eb gjitha s\u00eb bashku, apo ndoshta dhe fare di\u00e7 tjet\u00ebr? Un\u00eb vet\u00eb nuk e kam iden\u00eb.<\/p>\n

Sa p\u00ebr vete, q\u00eb nga kur di p\u00ebr veten, d\u00ebgjoj vet\u00ebm gj\u00ebra q\u00eb m\u00eb p\u00eblqejn\u00eb. Meq\u00eb ra fjala, mund t’m\u00eb duken t\u00eb k\u00ebndshme dhe ato “hoooi-aaaa-hoooot\u00eb” e apa\u00e7\u00ebve tek hedhin valle ashtu t\u00eb p\u00ebrhumbur a n\u00eb “trans”, rreth e rrotull zjarrit. Se \u00e7’kan\u00eb di\u00e7 t\u00eb ngroht\u00eb, di\u00e7 mistike… p\u00ebrher\u00eb m\u00eb ngjallet buz\u00ebqeshja kur i d\u00ebgjoj. Them buz\u00ebqeshje sepse nuk i kuptoj, e megjithat\u00eb sikur e kan\u00eb nj\u00eb lloj “qart\u00ebsie”, sikur e ndiej nj\u00ebfar\u00eb qart\u00ebsie, anise dmth. pa kuptuar asgj\u00eb. Pra thjesht sa p\u00ebr ta p\u00ebrmendur ndonj\u00eb shembull bazik.<\/p>\n

Por shmangem dhe rri sa m\u00eb larg zhurmave, prap\u00eb meq\u00eb ra fjala, ta z\u00ebm\u00eb t\u00eb aso grupeve ekstreme si “heavy metal” e t\u00eb ngjashme.
\nVall\u00eb e si nuk qenka “zhurm\u00eb” nj\u00eb p\u00ebrzierje e tingujve t\u00eb eg\u00ebr metali, e quajtur “thrash”, “death metal”, “grindcore” (p\u00ebr disa gj\u00ebra shqipja sikur \u00ebsht\u00eb aq e “prapangelur” : ) Si mund t\u00eb shkohet aq larg sa t\u00eb pohojn\u00eb se “zhurmat” e tilla qenkan ose na paskan stil unik? At\u00ebher\u00eb sikur detyrohemi te pyesim vall\u00eb \u00e7’na qenka vet\u00eb “stili” pra? Tutje, si mund t\u00eb jen\u00eb k\u00ebng\u00eb kur tekstet e tyre flasin p\u00ebrher\u00eb p\u00ebr vras\u00ebs serik\u00eb, pastaj p\u00ebr vras\u00ebs n\u00eb mas\u00eb, p\u00ebr dhunime, p\u00ebr gj\u00ebra jasht\u00ebzakonisht banale… dhe ku gjith\u00e7ka p\u00ebrshkohet me humorin m\u00eb t\u00eb s\u00ebmur\u00eb q\u00eb ekziston mbi rruzullin?!<\/p>\n

Por ja q\u00eb, sipas fansave zhurma e tyre \u00ebsht\u00eb muzik\u00eb e p\u00ebrtej muzik\u00ebs. N\u00ebse zhurma e tyre \u00ebsht\u00eb muzik\u00eb p\u00ebr fansat, at\u00ebher\u00eb pse vall\u00eb nuk \u00ebsht\u00eb dhe p\u00ebr mua?! Pak\u00ebz e \u00e7uditshme, i kuptoj tekstet dhe muzikat e “metalist\u00ebve” pothuaj plot\u00ebsisht, e megjithat\u00eb m\u00eb vijn\u00eb ose i p\u00ebrjetoj si zhurm\u00eb! Apa\u00e7\u00ebt nuk i kuptoj asfare, e megjithat\u00eb ma ngjallin buz\u00ebqeshjen dhe mund t\u00eb k\u00ebnaqem me k\u00ebng\u00ebtimin e tyre!<\/p>\n

[ Ndihma p\u00ebr ta “kuptuar” zhurm\u00ebn<\/strong>… ]<\/p>\n

Le t’largohemi p\u00ebr pak… larg muzikave. Le t’i harrojm\u00eb zogjt\u00eb e pyllit e cic\u00ebrimat e \u00ebmbla, le t’i l\u00ebm\u00eb anash ariet e melodit\u00eb, t\u00eb gjitha gj\u00ebrat e k\u00ebndshme muzikale. Le t\u00eb flasim p\u00ebr vrazhd\u00ebsin\u00eb e ndonj\u00eb di\u00e7kaje q\u00eb e regjistrojn\u00eb vesh\u00ebt tan\u00eb.<\/p>\n

Ndonj\u00eb mok\u00ebr mulliri, ashtu me monotonin\u00eb e vet, fare leht\u00eb do t’na v\u00ebnte n\u00eb gjum\u00eb si ninulat e \u00ebmbla, meq\u00eb n\u00eb vazhdim\u00ebsin\u00eb e saj ritmika sikur fillon e \u00ebmb\u00eblsohet p\u00ebr veshin. Tjet\u00ebr, n\u00ebse t’i pyesnim bretkocat, sa u p\u00ebrket koncerteve t\u00eb bujshme mo\u00e7alike – sipas tyre, ato fare nuk b\u00ebjn\u00eb “zhurm\u00eb”. Po t’i pyesnim gjinkallat e fush\u00ebs, ndoshta nj\u00ebjt\u00eb do t’na p\u00ebrgjigjeshin. As bretkocat as gjinkallat s’do ta pranonin q\u00eb k\u00ebng\u00ebtimi i tyre, le q\u00eb \u00ebsht\u00eb bezdisje, kakofoni e pashije, por dhe zhurm\u00eb. Ne audienca, p\u00ebr fat t\u00eb keq s’kemi si ta definojm\u00eb ndryshe pasionin e tyre koncertal… p\u00ebrve\u00e7 si zhurm\u00eb. Hm, duke b\u00ebr\u00eb k\u00ebshtu, mos vall\u00eb dhe hyjm\u00eb n\u00eb “hak” t\u00eb lloj-lloj krijesave, si muzikante t\u00eb pakontestueshme q\u00eb na qenkan? Mir\u00ebpo, s’kemi si ta dim\u00eb.<\/p>\n

Se faktori i relativitetit ka r\u00ebnd\u00ebsi, kjo q\u00ebndron, por sa m\u00eb shum\u00eb “paqart\u00ebsi”, ndoshta pik\u00ebrisht at\u00ebher\u00eb kemi prirjen t’i p\u00ebrjetojm\u00eb si “zhurm\u00eb”. Mir\u00eb, n\u00eb rregull, por \u00e7’na qenka vet\u00eb zhurma? Si t’i definojm\u00eb pra zhurmat, qoft\u00eb dhe teknikisht, me gjuh\u00ebn m\u00eb t\u00eb “ftoht\u00eb”.<\/p>\n

Fjalori prestigjioz “merriam-webster” sa i p\u00ebrket “zhurm\u00ebs” p\u00ebr bot\u00ebn anglishtfol\u00ebse i ofron sqarimet si vijon<\/em>:<\/p>\n

1) di\u00e7 e z\u00ebshme, e hutuar (p\u00ebrhumbur), ose thirrje e pakuptimt\u00eb dhe pa ndjenj\u00eb, klithm\u00eb
\n2) a – z\u00ebri; sidomos i till\u00eb q\u00eb i mungon cil\u00ebsia e pranueshme muzikore apo q\u00eb \u00ebsht\u00eb duksh\u00ebm i pak\u00ebndsh\u00ebm – b – \u00e7do tingull q\u00eb \u00ebsht\u00eb i pad\u00ebshiruar ose q\u00eb nd\u00ebrhyn n\u00eb d\u00ebgjimin e dikujt p\u00ebr di\u00e7ka – c – sinjal i pad\u00ebshiruar ose nj\u00eb \u00e7rregullim shqet\u00ebsues (si di\u00e7 statike ose si nj\u00eb variant i tensionit) i nj\u00eb pajisjeje elektronike apo instrumenti (psh. radio ose televizioni) – d – rrezatim elektromagnetik (si val\u00eb drite apo si radio-val\u00eb t\u00eb lehta) q\u00eb \u00ebsht\u00eb i p\u00ebrb\u00ebr\u00eb nga disa frekuenca dhe q\u00eb p\u00ebrfshin ndryshimet e rastit n\u00eb frekuenc\u00ebn ose n\u00eb amplituden – e – info, t\u00eb dh\u00ebnat e par\u00ebnd\u00ebsishme ose t\u00eb pakuptimta, apo emitim q\u00eb ndodh\u00eb s\u00eb bashku me informacionin e d\u00ebshiruar
\n3) t\u00eb folurit e zakonsh\u00ebm: thashetheme; n\u00eb ve\u00e7anti: shpifjet, p\u00ebrgojimet
\n4) di\u00e7 q\u00eb t\u00ebrheq v\u00ebmendjen
\n5) di\u00e7 e folur ose e shprehur
\n6) nj\u00eb stil i muzik\u00ebs rock q\u00eb \u00ebsht\u00eb shum\u00eb i z\u00ebsh\u00ebm, shpesh i vrazhd\u00eb, dhe zakonisht e p\u00ebrdor zhurm\u00ebn elektronike (si prapaveprim)<\/p>\n

Nd\u00ebrsa fjalori shpjegues i shqipes s\u00eb sotme “zhurm\u00ebn” na e sqaron si vijon<\/em>:<\/p>\n

1) Z\u00ebra e tinguj t\u00eb \u00e7rregullt e t\u00eb p\u00ebrzier, zakonisht kur p\u00ebrplasen a f\u00ebrkohen sende nj\u00ebri me tjetrin, kur punon nj\u00eb makin\u00eb ose nj\u00eb mjet tjet\u00ebr, kur p\u00eblcet di\u00e7ka, kur l\u00ebviz, shtypet a thyhet ndonj\u00eb gj\u00eb etj.; krism\u00eb, rrap\u00ebllim\u00eb. Zhurm\u00eb shurdhuese. Zhurm\u00eb e leht\u00eb (e mbytur). Zhurm\u00eb hapash. Zhurma e er\u00ebs. Zhurma e aeroplanit (e traktorit, e makin\u00ebs, e rrotave t\u00eb trenit). Zhurmat e pyllit. Zhurma e ujit (e p\u00ebrroit, e detit). Zhurma e lopatave. Zhurma e arm\u00ebve. B\u00ebn zhurm\u00eb. Ra (u shemb, u p\u00ebrplas) me zhurm\u00eb. Hyri (u ngjit) pa zhurm\u00eb. Pushoi (u pre) zhurma. Nuk d\u00ebgjohej asnj\u00eb zhurm\u00eb.
\n2) Britma e thirrje njer\u00ebzish q\u00eb grinden ose q\u00eb flasin nj\u00ebkoh\u00ebsisht, z\u00ebra t\u00eb ndrysh\u00ebm t\u00eb p\u00ebrzier e t\u00eb \u00e7rregullt q\u00eb t\u00eb vrasin veshin, potere. Zhurma e nx\u00ebn\u00ebsve n\u00eb klas\u00eb. Zhurma e dasmor\u00ebve. Ka shum\u00eb zhurm\u00eb. Mos b\u00ebni zhurm\u00eb! Pa zhurm\u00eb!
\n3) spec. Tinguj t\u00eb \u00e7rregullt q\u00eb l\u00ebshohen nga aparate t\u00eb posa\u00e7me p\u00ebr t\u00eb penguar d\u00ebgjimin e radios etj.; ting\u00ebllim i \u00e7rregullt e jo i qart\u00eb i z\u00ebrit q\u00eb del nga nj\u00eb radio a nga nj\u00eb aparat tjet\u00ebr. Zhurma e aparatit radiomarr\u00ebs. Zhurmat e zhurmuesit. Zhurma e radios (e stacionit).
\n4) mjek. Tingull q\u00eb nuk shfaqet me tone t\u00eb qarta. Ka zhurm\u00eb n\u00eb zem\u00ebr.
\n5) keq. Diskutim i madh e i fryr\u00eb, q\u00eb b\u00ebhet q\u00ebllimisht n\u00eb shtyp etj. rreth nj\u00eb njeriu, nj\u00eb vepre a nj\u00eb \u00e7\u00ebshtjeje p\u00ebr t\u00eb t\u00ebrhequr v\u00ebmendjen e njer\u00ebzve, p\u00ebr t\u00eb mashtruar, p\u00ebr t’u dukur etj.; buj\u00eb. Zhurm\u00eb demagogjike. Zhurma e propagand\u00ebs borgjeze (revizioniste). Prirje p\u00ebr buj\u00eb e p\u00ebr zhurm\u00eb. Pa zhurm\u00eb e pa buj\u00eb. B\u00ebn shum\u00eb zhurm\u00eb. E shpall\u00ebn me zhurm\u00eb.<\/p>\n

[ Turbullirat dhe pafaj\u00ebsia e audienc\u00ebs<\/strong> ]<\/p>\n

Sidoqoft\u00eb, kuptohet duke mbetur mir\u00ebnjoh\u00ebs p\u00ebr ndihm\u00ebn e fjalor\u00ebve, ndoshta zhurmat s’jan\u00eb asgj\u00eb tjet\u00ebr por di\u00e7 si “turbullira” tingujsh. Them turbullira… sepse si t\u00eb tilla s’na flasin gj\u00eb. Turbullirat s’kan\u00eb transparenc\u00eb (p\u00ebrndryshe dhe s’do quheshin ashtu – na e thot\u00eb logjika). Megjithat\u00eb koncertalja e bretkocave \u00ebsht\u00eb zero n\u00eb krahasim me ndonj\u00eb shembull m\u00eb ekstrem, ta z\u00ebm\u00eb me “muzik\u00ebn” avion\u00ebve. K\u00ebtu, e kisha n\u00eb mendje zbutjen e “decibelazhit”, teorikisht – aq sa gjith\u00e7ka t\u00eb ishte e durueshme p\u00ebr vesh\u00ebt tan\u00eb. N\u00ebse jo tani turbullir\u00eb e tmerrshme, padyshim do ishte nj\u00eb “turbullir\u00eb” e jasht\u00ebzakonshme. S’marrim “vesh” gj\u00eb nga muzika motorike, absolutisht. Mbase vesh\u00ebt tan\u00eb jan\u00eb tep\u00ebr t\u00eb vegj\u00ebl p\u00ebr t\u00eb procesuar turbullira aq t\u00eb dendura.<\/p>\n

P\u00ebr hir t\u00eb shembullit, le t’supozojm\u00eb se vesh\u00ebt tan\u00eb e kan\u00eb fuqin\u00eb e till\u00eb analitike – n\u00ebse t\u00eb hidhej n\u00eb kart\u00eb secili instrument i “orkestr\u00ebs” motorike, secili dh\u00ebmb\u00ebzor, secila flet\u00eb turbine, pra duke e shtrir\u00eb p\u00ebr s\u00eb gjeri e p\u00ebr s\u00eb gjati gjith\u00eb gam\u00ebn e val\u00ebve sonike, padyshim do ta kishim t\u00eb qart\u00eb edhe “muzik\u00ebn” e tyre marramend\u00ebse.<\/p>\n

Shkurt, \u00e7far\u00eb po doja t\u00eb them \u00ebsht\u00eb: ndoshta sa m\u00eb shum\u00eb qart\u00ebsi, dhe vet\u00eb “zhurma” (cilado zhurm\u00eb) do na kthehej n\u00eb muzik\u00eb. N\u00ebse nuk e kapim kthjellt\u00ebsin\u00eb, n\u00ebse nuk e p\u00ebrjetojm\u00eb transparenc\u00ebn sikur shum\u00eb gj\u00ebra ikin e treten diku, pa\u00e7ka se nuk e kemi iden\u00eb. Pa qart\u00ebsin\u00eb e “zhurm\u00ebs” shum\u00e7ka e harmonis\u00eb tingullore do na shmangej diku prapa vesh\u00ebve tan\u00eb, pa qen\u00eb fare t\u00eb vet\u00ebdijsh\u00ebm.<\/p>\n

Pse i rendita gjith\u00eb k\u00ebto?
\nSepse, lidhur me “pafaj\u00ebsin\u00eb”, m’u kujtua pafaj\u00ebsia e audienc\u00ebs londoneze lidhur me dramat shekspiriane, e p\u00ebrshkruar shkurtazi nga kritiku i mir\u00ebnjohur letrar, Northrop Frye.<\/p>\n

Pa “guid\u00ebn” e z. Pe\u00e7i sikur do m’ishte shmangur pjesa d\u00ebrrmuese e materies poetike. Ngjash\u00ebm si\u00e7 humbisnin sipri kokave t\u00eb audienc\u00ebs londoneze metaforat shekspiriane. Pun\u00ebtor\u00ebt, shtresat e varf\u00ebra q\u00eb s’kishin patur fatin apo mund\u00ebsin\u00eb p\u00ebr studime, i p\u00ebrcillnin shfaqjet po ashtu (me bileta m\u00eb t\u00eb lira, shpesh dhe falas). Dhe atyre, duke mos e patur fuqin\u00eb “analitike” e p\u00ebrgatiturin\u00eb p\u00ebr t’i kapur finesat shekspiriane, padyshim shum\u00e7ka iu p\u00ebrvidhej mbi kokat, pa i kuptuar. Ndersa, kuptohet, ata k\u00ebnaqeshin dhe me aq sa “kapnin”. Shfaqjet teatrale t\u00eb asaj kohe, e sidomos perlat dramaturgjike t\u00eb Shekspirit, ishin mjaft t\u00eb ngjeshura me surpriza p\u00ebr secil\u00ebn audienc\u00eb. Edhe p\u00ebr vizitor\u00ebt e till\u00eb pra kishte gj\u00ebrash t\u00eb panjohura, elementesh ky\u00e7 q\u00eb humbisnin diku n\u00eb “er\u00eb”, por dhe kishte mjaft kthesash interesante, buj\u00eb e t\u00eb papritura, segmente arg\u00ebtuese, tension e mahnitje.<\/p>\n

[ Piktura: Angelica Kauffman (1741-1807) – Alegoria e Muzik\u00ebs dhe e Poezis\u00eb<\/strong>, 1782 ]<\/p>\n

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Angelica Kauffman (1741-1807) – Alegoria e Muzik\u00ebs dhe e Poezis\u00eb, 1782<\/p>\n","protected":false},"excerpt":{"rendered":"

S. Guraziu – Ars Poetica, Sh 2016 (P\u00ebrsiatje – refleksione, nd\u00ebrlidhje tekstuale me poetiken e “Drama e Zogjve” t\u00eb Aleksand\u00ebr Pe\u00e7i) \u00cbsht\u00eb di\u00e7 si privilegj n\u00ebse p\u00ebr nj\u00eb kompozim t\u00eb caktuar muzikor ndjehemi t\u00eb kapur “p\u00ebr dore” nga vet\u00eb kompozitori,… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,10],"tags":[],"class_list":["post-2503","post","type-post","status-publish","format-standard","hentry","category-classic","category-komente"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2503","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2503"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2503\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2503"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2503"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2503"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}