{"id":2630,"date":"2019-10-02T19:06:49","date_gmt":"2019-10-02T19:06:49","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2630"},"modified":"2024-04-16T22:23:40","modified_gmt":"2024-04-16T21:23:40","slug":"orientalizmi-tradicional-klasik-dhe-orientalizmi-digjital-modern","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2630","title":{"rendered":"Orientalizmi Tradicional (Klasik) dhe Orientalizmi Digjital (Modern)"},"content":{"rendered":"<p>(<em>sguraziu &#8211; ars poetica, maj 2019 &#8211; koment<\/em>)<\/p>\n<p>&#8230;se arti digjital, apo se ekspresioni me mjetet digjitale do ta &#8220;arrij\u00eb&#8221; artin tradicional \u00ebsht\u00eb vet\u00ebm \u00e7\u00ebshtje kohe &#8211; pata shkruar para pothuaj 2 dekadave (n\u00eb nj\u00eb artikull enkas lidhur me &#8220;artin digjital&#8221;, publikuar at\u00ebbot\u00eb n\u00eb revist\u00ebn &#8220;Sheshi&#8221; t\u00eb Prishtin\u00ebs, 2004) &#8211; gjithsesi, duke l\u00ebn\u00eb anash tani sa do t&#8217;avancohen veglat digjitale tutje (gjat\u00eb&#8230; le t&#8217;themi 4-5 dekadave q\u00eb vijn\u00eb), desha t\u00eb b\u00ebj\u00eb nj\u00eb lloj &#8220;paralelizimi teknik&#8221; mes &#8220;tradicionalizmit dhe digjitalizmit&#8221;, duke i pran\u00ebsjellur nj\u00eb piktur\u00eb t\u00eb ndonj\u00eb mjeshtri t\u00eb orientalizmit klasik (n\u00eb k\u00ebt\u00eb rast t\u00eb artistit hungarez, Gyula Tornai) dhe nj\u00eb piktur\u00eb t\u00eb &#8220;orientalizmit digjital&#8221; nga Sasha Beliaev (&#8220;Method Studios&#8221;, Vancouver).<\/p>\n<p>Sasha Beliaev &#8211; <strong>Oborri i Ilderimit<\/strong>, 2015<br \/>\n[ Art Digjital &#8211; Veglat p\u00ebrdorur: brushat pikselative t\u00eb Photoshop ]<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2631 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1.jpg\" alt=\"\" width=\"1600\" height=\"1487\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1.jpg 1600w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1-300x279.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1-768x714.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern1-1024x952.jpg 1024w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/p>\n<p>Gyula Tornai (1861-1928) &#8211; <strong>Muzikant\u00ebt L\u00ebviz\u00ebs (Mobil), Tanger<\/strong>, 1891<br \/>\n[ Art Tradicional &#8211; Veglat p\u00ebrdorur: brushat tradicionale e boj\u00ebrat ]<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-2632 size-full\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2.jpg\" alt=\"\" width=\"1600\" height=\"1012\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2.jpg 1600w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2-300x190.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2-768x486.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Orientalizmi-Tradicional-Klasik-dhe-Orientalizmi-Digjital-Modern2-1024x648.jpg 1024w\" sizes=\"auto, (max-width: 1600px) 100vw, 1600px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(sguraziu &#8211; ars poetica, maj 2019 &#8211; koment) &#8230;se arti digjital, apo se ekspresioni me mjetet digjitale do ta &#8220;arrij\u00eb&#8221; artin tradicional \u00ebsht\u00eb vet\u00ebm \u00e7\u00ebshtje kohe &#8211; pata shkruar para pothuaj 2 dekadave (n\u00eb nj\u00eb artikull enkas lidhur me &#8220;artin&hellip; <a href=\"https:\/\/letrat.eu\/?p=2630\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17,13],"tags":[],"class_list":["post-2630","post","type-post","status-publish","format-standard","hentry","category-digital","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2630"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2630\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}