{"id":2982,"date":"2019-10-08T12:46:14","date_gmt":"2019-10-08T12:46:14","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=2982"},"modified":"2025-09-19T00:54:36","modified_gmt":"2025-09-18T23:54:36","slug":"anri-sala-dammi-i-colori-2003","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=2982","title":{"rendered":"Anri Sala – “Dammi i Colori”, 2003"},"content":{"rendered":"

Anri Sala – “Dammi i Colori<\/strong>“, 2003 (Video, 16 min.)
\n[ Nocioni i Shpres\u00ebs n\u00eb vend t\u00eb Utopis\u00eb – “ngjyrat e Tiran\u00ebs” ishin nevoj\u00eb, m\u00eb shum\u00eb akt “politik” sesa artistik ]<\/p>\n

(sguraziu – ars poetica, 2019 – pak fjal\u00eb<\/em>)
\nvideoja 16-minut\u00ebshe e artistit shqiptar Anri Sala, “Dammi i Colori” (p\u00ebrkthehet di\u00e7 si “M’i jep ngjyrat”) qe bler\u00eb nga Tate Museums UK n\u00eb v. 2003, m\u00eb von\u00eb, n\u00eb v. 2009, Tate Uk i pati ftuar artistin Anri Sala dhe politikanin Edi Rama n\u00eb eventin “Arkitektura & Arti – Nd\u00ebrlidhja dhe Bashk\u00ebpunimi” p\u00ebr t\u00eb diskutuar rreth urbanizmit artistik, rreth qytetit si “kanavac” e si ekspozit\u00eb, rreth artit publik n\u00eb form\u00ebn e vet m\u00eb t\u00eb drejtp\u00ebrdrejt\u00eb…<\/p>\n

Edi Rama pati sqaruar rreth konceptit t\u00eb vet t\u00eb “ngjyrave t\u00eb Tiran\u00ebs”, sipas tij… hap\u00ebsira publike e Tiran\u00ebs, urbanizmi sikur ishin uzurpuar nga nevojat bazike t\u00eb mbijetes\u00ebs, hap\u00ebsira urbane e Tiran\u00ebs “dhunohej” nga l\u00ebvizjet demografike, nga dyndja e madhe e popullsis\u00eb rurale n\u00eb kryeqytet, nga kushtet e r\u00ebnda ekonomike, nga nd\u00ebrtimet e pakontrolluara “ad hoc” (kur ballkonet ktheheshin n\u00eb dhoma, n\u00eb radio-stacione etj., kur pallatet 10-kat\u00ebshe n\u00eb m\u00ebngjes gdhinin 11-kat\u00ebshe etj.), nga mungesa e mjeteve, fondeve publike, nga “\u00e7arja” (mosbesimi) mes qytetar\u00ebve dhe aparatit politik, nga amullia e tranzicionit “ekonomik” gjoja prej nj\u00eb sistemi politik n\u00eb tjetrin por vet\u00ebm “teorikisht”, realisht pa asnj\u00eb mund\u00ebsi ekonomike… k\u00ebshtu q\u00eb nd\u00ebrmarrja e “ngjyrimit t\u00eb Tiran\u00ebs”, sipas Ram\u00ebs ishte di\u00e7 si “nevoj\u00eb” dhe m\u00eb shum\u00eb akt “politik” sesa artistik, ngjyrat pat\u00ebn ndihmuar p\u00ebr ta rifreskuar sadopak vet\u00ebdijen e “topitur” qytetare sa u p\u00ebrket hap\u00ebsirave urbane, p\u00ebr t’i dh\u00ebn\u00eb ngjyr\u00eb vet\u00eb shpres\u00ebs… dhe “ngjyrimi” i Tiran\u00ebs at\u00ebbot\u00eb nuk ishte projekt i mund\u00ebsuar nga fuqia “sht\u00ebpiake” ekonomike, nga buxheti i qytetit, por nga mjetet e EU si ndihm\u00eb simbolike – videoja qe shfaqur n\u00eb v. 2003, n\u00eb Bienalen e Venecia, si pjes\u00eb e ekspozit\u00ebs Utopia Station, e cila merrej me tem\u00ebn sesi shoq\u00ebrit\u00eb e ndryshme e konsiderojn\u00eb konceptin e utopis\u00eb…<\/p>\n

“Si nj\u00eb video-projekt q\u00eb merret me piktur\u00ebn, Dammi i Colori i referohet p\u00ebrvojave t\u00eb m\u00ebparshme t\u00eb Anri Sal\u00ebs si piktor, dhe Edi Ram\u00ebs si piktor, nd\u00ebrsa videoja rezonon dhe midis dy mediumeve t\u00eb ndryshme artistike. Rama kishte punuar si piktor para se t\u00eb b\u00ebhej politikan, dhe Anri Sala ishte marr\u00eb me afreske (murale) m\u00eb her\u00ebt n\u00eb karrier\u00ebn e tij. Sala e p\u00ebrdor filmin p\u00ebr t\u00eb reflektuar rreth marr\u00ebdh\u00ebnieve midis artit, politik\u00ebs dhe jet\u00ebs urbane… ” – (Iris Balija, 2014, Burimi: Tate Museums, UK)<\/p>\n

“Doja t\u00eb shfaqja imazhe nga nj\u00eb vend ku t\u00eb folurit p\u00ebr utopi \u00ebsht\u00eb realisht e pamundur, dhe p\u00ebr k\u00ebt\u00eb arsye utopike. Zgjodha nocionin e shpres\u00ebs n\u00eb vend t\u00eb utopis\u00eb. U p\u00ebrq\u00ebndrova n\u00eb iden\u00eb e sjelljes s\u00eb shpres\u00ebs n\u00eb nj\u00eb vend ku nuk ka shpres\u00eb… B\u00ebhet fjal\u00eb p\u00ebr trajtimin e realitetit ku mungon luksi i koh\u00ebs dhe parave \u201d. – Anri Sala, 2006<\/p>\n

[ materialet dhe referencat: tate museums, uk<\/em> ]<\/p>\n

\"\"<\/a>
\n <\/p>\n","protected":false},"excerpt":{"rendered":"

Anri Sala – “Dammi i Colori“, 2003 (Video, 16 min.) [ Nocioni i Shpres\u00ebs n\u00eb vend t\u00eb Utopis\u00eb – “ngjyrat e Tiran\u00ebs” ishin nevoj\u00eb, m\u00eb shum\u00eb akt “politik” sesa artistik ] (sguraziu – ars poetica, 2019 – pak fjal\u00eb) videoja… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[14],"tags":[],"class_list":["post-2982","post","type-post","status-publish","format-standard","hentry","category-modern"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2982"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/2982\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2982"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}