“Ndoshta nj\u00eb poezi e caktuar \u201crrjedh\u201d me postmodernizmin, ndoshta lufton kund\u00ebr tij, ndoshta p\u00ebrpiqet ta injoroj\u00eb, ose ndoshta d\u00ebshmon nj\u00eb nd\u00ebrthurje a nj\u00eb p\u00ebrzierje potencialisht kontradiktore t\u00eb k\u00ebtyre pozicioneve<\/em>” – thot\u00eb Christopher Padgett (n\u00eb Radical Politics in Postmodern American Poetry).<\/p>\n *** N\u00eb krijimet e shumta letrare t\u00eb koh\u00ebs son\u00eb, impulset postmoderniste p\u00ebrshkohen e \u201cg\u00ebrshetohen\u201d me filizat e me tharmin e modernizmit. Kjo dhe n\u00ebnkuptohet, figurativisht filizat e postmodernes sikur ishin sythash nga \u201ctrungu\u201d modernist. Me fjal\u00eb t\u00eb tjera, mbase dhe \u00ebsht\u00eb e pamundur ekzistenca e postmodernes jasht\u00eb konceptit \u201cmodernist\u201d. Rishtas, dhe kjo af\u00ebrmendsh!<\/p>\n Pra \u00e7far\u00eb \u00ebsht\u00eb nj\u00eb vep\u00ebr postmoderne e dit\u00ebve tona? Si ta p\u00ebrcaktojm\u00eb bie fjala nj\u00eb poezi si \u201cpostmoderne\u201d? Si ta klasifikojm\u00eb q\u00eb nj\u00eb vep\u00ebr i takuaka artit postmodernist, si ta dallojm\u00eb at\u00eb nga arti modernist, si t\u00eb p\u00ebrcaktohet \u201cpostmodernja\u201d e vepr\u00ebs, qoft\u00eb poezi, piktur\u00eb, skulptur\u00eb apo \u00e7far\u00ebdo t\u00eb jet\u00eb?<\/p>\n As vet\u00eb shkollar\u00ebt s\u2019e kan\u00eb ndonj\u00eb marr\u00ebveshje absolute, ndonj\u00eb ide definitive sa i p\u00ebrket k\u00ebsaj. N\u00eb fakt, q\u00ebkur fjala \u00ebsht\u00eb p\u00ebr materie \u201cteorike-filozofike\u201d (qoft\u00eb n\u00eb qasjen e kulluar teorike, qoft\u00eb dhe n\u00eb kritiko-analiz\u00ebn e \u201cpraktik\u00ebs\u201d s\u00eb artb\u00ebrjes) mes shkollar\u00ebve sikur ka nj\u00eb mosmarr\u00ebveshje t\u00eb konsiderueshme lidhur me k\u00ebt\u00eb tematik\u00eb.<\/p>\n Artist\u00ebt postmodern\u00eb na bombardojn\u00eb me lloj-lloj idesh \u201cvullgare\u201d, n\u00eb em\u00ebr t\u00eb artit e t\u00eb kultur\u00ebs \u2013 derisa s’i kemi rrahur e analizuar konceptet s\u2019mund as t\u00eb \u201cankohemi\u201d, as t\u00eb pajtohemi, as t\u00eb distancohemi. Sepse, kuptohet, ende pa i kuptuar ato, s\u2019na takon t\u00eb hyjm\u00eb n\u00eb hak t\u00eb gj\u00ebrave. Ashtu pritet, parapritet\u2026 dhe bota \u00ebsht\u00eb m\u00ebsuar tashm\u00eb me lloj-lloj artist\u00ebsh e \u201crebel\u00ebsh\u201d, \u00ebsht\u00eb m\u00ebsuar me \u201cbombat ideatike\u201d bie fjala t\u00eb rrym\u00ebs \u201cTurner Prize\u201d, si D. Hirst, A. Kapoor, A. Gormley etj. (sa p\u00ebr ta p\u00ebrmendur ndonj\u00ebrin).<\/p>\n Por shtrohet pyetja, vall\u00eb a do ta kuptojm\u00eb ndonj\u00ebher\u00eb mirefilli postmodernizmin? Pse duhet kullufitur shundi artistik (bie fjala, nese t\u2019ishte fjala per shund), pse duhet heshtur p\u00ebr \u201cpikat\u201d e fabrikuara industrialisht t\u00eb Hirst? Pse askush as \u201cg\u00ebk as m\u00ebk\u201d? Apo meq\u00eb bota ende s\u2019e ka t\u00eb qart\u00eb si funksionojn\u00eb raportet postmoderne-moderniste, at\u00ebher\u00eb duhet heshtur, natyrisht.. s\u2019duhet hyr n\u00eb hak t\u00eb askujt dhe t\u00eb asgj\u00ebje.<\/p>\n E kemi \u201ckuptuar\u201d mir\u00ebfilli \u00e7\u2019\u00ebsht\u00eb Postmodernizmi? Apo ende s\u2019e kemi idene, thjesht hamend\u00ebsojm\u00eb, gjithkush dhe askush (nj\u00ebkoh\u00ebsisht) ka t\u00eb drejt\u00eb ngapak, edhe individi, edhe institucionet, edhe shoq\u00ebria, edhe lokalizmat edhe universalizmat, edhe pjesa edhe t\u00ebr\u00ebsia!<\/p>\n Mos vall\u00eb v\u00ebrtet \u201c\u00ebsht\u00eb aktiv nj\u00eb mutacion vendimtar historik, i cili p\u00ebrfshin artin dhe shkenc\u00ebn, kultur\u00ebn e lart\u00eb dhe t\u00eb ul\u00ebt, parimet mashkullore dhe fem\u00ebrore, pjes\u00ebn dhe t\u00ebr\u00ebsin\u00eb; di\u00e7ka q\u00eb p\u00ebrfshin Individin dhe Shumic\u00ebn\u2026?<\/em>\u201d! – (Ihab Hassan \u2013 \u201cToward a Concept of Postmodernism\u201d, 1987)<\/p>\n Postmodernizmi, ashtu si dhe Modernizmi, i hedh posht\u00eb kufijt\u00eb midis formave t\u00eb larta \/ t\u00eb ul\u00ebta t\u00eb artit, i refuzon dallimet e ngurta t\u00eb zhanreve, theksin e fokuson n\u00eb imitimin, n\u00eb parodizimin, n\u00eb ironizimin, n\u00eb apolitizimin \/ politizimin. Arti dhe mendimi postmodernist i favorizojn\u00eb reflektimin, vet\u00ebdijen, cop\u00ebzimin, nd\u00ebrprerjen, paqart\u00ebsin\u00eb, nj\u00ebkohshm\u00ebrin\u00eb\u2026 me theksin n\u00eb tem\u00ebn e njeriut t\u00eb \u201c\u00e7njer\u00ebzuar\u201d, apo n\u00eb dehumanizimin e tij si subjekt. Postmodernizmi pakashum\u00eb duket se i ndjek t\u00eb nj\u00ebjtat \u201cshtegnaja\u201d si dhe Modernizmi. Dallimi thelb\u00ebsor nga Modernizmi \u00ebsht\u00eb n\u00eb q\u00ebndrimin e kund\u00ebrt t\u00eb Postmodernizmit pik\u00ebrisht ndaj shum\u00eb prej tendencave t\u00eb p\u00ebrbashk\u00ebta (ting\u00ebllon pothuaj si paradoks, por nuk \u00ebsht\u00eb : )<\/p>\n Derisa \u201cModernizmi\u201d, si l\u00ebvizje n\u00eb let\u00ebrsin\u00eb, n\u00eb artet pamore, n\u00eb muzik\u00ebn etj. i hodhi posht\u00eb standardet e vjetra \u201cviktoriane\u201d se si duhej b\u00ebr\u00eb arti, se si duhesh konsumuar dhe m\u00eb e r\u00ebnd\u00ebsishmja ndoshta, \u00e7far\u00eb arti duhej t\u00eb \u201cthoshte\u201d, \u00e7far\u00eb arti p\u00ebrfaq\u00ebsonte. Nga korniza jon\u00eb kohore thuhet se Modernizmi tentonte ta paraqiste pamjen e fragmentuar t\u00eb subjektit njer\u00ebzor dhe t\u00eb historis\u00eb. Shum\u00eb qasje t\u00eb krijimtaris\u00eb moderniste m\u00ebtonin ta mb\u00ebshtesnin iden\u00eb se veprat e artit mund t\u00eb sigurojn\u00eb unitetin, kuptimin, koherenc\u00ebn (t\u00eb cilat gj\u00ebra sikur qen\u00eb bjerrosur apo t\u00ebhuajsuar n\u00eb t\u00eb p\u00ebrditshmen moderne, n\u00eb jet\u00ebn e njeriut modern). Andaj, bie fjala \u201cToka e Shkret\u00eb\u201d e T.S. Eliot duhet kuptuar si nj\u00eb lloj \u201ceulogjie historike (letraristike)\u201d, si paraqitje e atij fragmentimi subjektivist n\u00eb form\u00ebm si di\u00e7 tragjike, si derdhje lotesh, si di\u00e7ka q\u00eb duhet vajtuar si humbje. Arti do ishte si \u201cintermediet\u00ebr\u201d substancial, ngjit\u00ebsi universal q\u00eb ta riparonte \u00e7arjen, arti i modernist\u00ebve sikur m\u00ebtonte ta b\u00ebnte at\u00eb q\u00eb institucionet e tjera t\u00eb shoq\u00ebris\u00eb s\u2019ia dilnin ta b\u00ebnin.<\/p>\n Mir\u00ebpo, tashm\u00eb me qasjen krejt t\u00eb kund\u00ebrt, postmodernizmi nuk e vajton iden\u00eb e cop\u00ebzimit, t\u00eb fragmentarizimit, nuk qahet p\u00ebr bjerrimin e kuptimit, t\u00eb koherenc\u00ebs, fragmentimin s\u2019e sheh si di\u00e7 tragjike, si humbje p\u00ebr t\u00eb cil\u00ebn duhet vajtuar, por pik\u00ebrisht e \u201cfeston\u201d, e p\u00ebrkujton fragmentimin\u2026 monumentalisht.<\/p>\n Shkollar\u00ebt thon\u00eb se \u201cPostmodernizmi\u201d e v\u00ebshtir\u00eb t\u00eb p\u00ebrcaktohet aq \u201csakt\u00eb\u201d, pasi \u00ebsht\u00eb nj\u00eb koncept q\u00eb shfaqet aq gjithansh\u00ebm, n\u00eb nj\u00eb larmi fushash, duke p\u00ebrfshir\u00eb artin, muzik\u00ebn, filmin, let\u00ebrsin\u00eb, komunikimet, mod\u00ebn, teknologjin\u00eb. Ka ithtar\u00eb e ka dhe skeptik\u00eb, ka mb\u00ebshtet\u00ebs e edhe varr\u00ebmih\u00ebs.<\/p>\n Disa njer\u00ebz \u201ce kan\u00eb ngat\u00ebrruar nj\u00eb l\u00ebvizje t\u00eb madhe t\u00eb vet\u00ebdij\u00ebs kolektive (postmodernizmin) me di\u00e7 si nj\u00eb lloj mode kalimtare\u201c, do thoshte Paolo Portoghesi. Bazuar n\u00eb v\u00ebrejtjen e tij Linda Hutcheon do t\u2019sugjeronte se Postmodernizmi ndoshta s\u2019\u00ebsht\u00eb di\u00e7 m\u00eb shum\u00eb sesa \u201creagim politik\u201d dhe si \u201cparodidizim\u201d (n\u00eb fakt s\u2019mund t\u00eb jet\u00eb di\u00e7 tjet\u00ebr, sipas saj). Hutcheon pati shkruar se duke e p\u00ebrdorur parodin\u00eb, format postmoderniste anojn\u00eb t\u00eb orientohen drejt nj\u00eb ligj\u00ebrimi publik i cili me leht\u00ebsi do t\u00eb shmangte estetizmin dhe hermetizmin modernist, si dhe vet\u00eb-margjinalizimin shoq\u00ebror-politik (t\u00eb vetvetes). K\u00ebshtusoj Postmodernizmi pra ndoshta do t\u2019mund t\u00eb konsiderohej si nj\u00eb lloj \u201cparodizimi artistiko-politik\u201d.<\/p>\n \u201c\u2026n\u00eb artin e sot\u00ebm, ajo q\u00eb si p\u00ebrkrah\u00ebsit, si kund\u00ebrshtar\u00ebt e Postmodernizmit d\u00ebshirojn\u00eb ta quajn\u00eb \u201cpostmoderniz\u00ebm\u201d \u2013 qoft\u00eb fjala p\u00ebr video, valle, let\u00ebrsi, piktur\u00eb, muzik\u00eb, arkitektur\u00eb, ose ndonj\u00eb form\u00eb tjet\u00ebr \u2013 duket se \u00ebsht\u00eb art i sh\u00ebnuar kryesisht nga nj\u00eb hulumtim (investigim) i brendsh\u00ebm i natyr\u00ebs, i kufijve dhe i mund\u00ebsive t\u00eb gjuh\u00ebs apo ligj\u00ebrimit t\u00eb artit. N\u00eb sip\u00ebrfaqe, interesi kryesor i Postmodernizmit duket se \u00ebsht\u00eb n\u00eb procedurat e prodhimit dhe n\u00eb parapritjet e veta, si dhe n\u00eb raportin e vet parodizues me artin e s\u00eb kaluar\u00ebs<\/em>.\u201d \u2013 [ Linda Hutcheon \u2013 \u201cPolitika e Postmodernizmit: Parodia dhe Historia\u201d (Cultural Critique, No. 5, Modernity and Modernism, Postmodernity and Postmodernism,1986-1987)]<\/p>\n DIKUSH \u00cbSHT\u00cb DUKE STUDIUAR TRURIN E AJNSHTAJNIT Kur kok\u00ebm\u00ebdhenjt\u00eb Shkruhet m\u00eb shum\u00eb Nj\u00eb albatros fluturon Keni ndenjur ndonj\u00ebher\u00eb \u2013 \u2013 \u2013 VAZHDO I EG\u00cbR Njer\u00ebzit vazhdojn\u00eb \u2013 \u2013 \u2013 S. Guraziu – Ars Poetica, Sht 2019 (…vall\u00eb e kemi “kuptuar” mir\u00ebfilli \u00e7’\u00ebsht\u00eb Postmodernizmi? Apo ende s’e kemi iden\u00eb, thjesht hamend\u00ebsojm\u00eb, gjithkush dhe askush (nj\u00ebkoh\u00ebsisht) ka t\u00eb drejt\u00eb ngapak, edhe individi, edhe institucionet, edhe shoq\u00ebria, edhe lokalizmat edhe universalizmat, edhe… Lexo ![\"\"](\"https:\/\/letrat.eu\/wp-content\/uploads\/2019\/10\/Postmodernizmi-Si-Pjes\u00eb-e-si-T\u00ebr\u00ebsi-si-Politik\u00eb-e-si-Parodi.jpg\")
<\/a><\/p>\n
\nE lexojm\u00eb nj\u00eb poezi t\u00eb dikujt (s\u2019\u00ebsht\u00eb nevoja t\u2019jet\u00eb e \u201cprojektivist\u00ebve\u201d, apo e \u201cdipimagist\u00ebve\u201d), mund t\u2019jet\u00eb cilado poezi e dit\u00ebve tona, dhe si ta dim\u00eb raportin e asaj poezie mes postmodernes \/ modernes, si ta konceptojm\u00eb (k\u00ebt\u00eb raport)?<\/p>\n
\nN\u00eb rrafshin letrar figura t\u00eb shquara si T.S. Eliot, Ezra Pound, Franz Kafka\u2026 konsiderohen themeluesit e modernizmit t\u00eb shek. XX. N\u00eb periudh\u00ebn e ashtuquajtur \u201cModernizmi i lart\u00eb\u201d (1910-30) figurat kryesore t\u00eb let\u00ebrsis\u00eb moderniste n\u00eb m\u00ebnyr\u00eb mjaft radikale do ta p\u00ebrcaktonin se \u00e7far\u00eb krijimesh duhet sjellur n\u00eb jet\u00eb, si duhet t\u00eb jen\u00eb, si t\u00eb duken.<\/p>\n
\nMiles Solstice [ 1989-2017, ShBA ]<\/p>\n
\ne radh\u00ebs t\u00eb vdesin
\na do t\u2019i mbledhin emailat
\ne tyre dhe t\u2019i publikojn\u00eb,
\np\u00ebr ta zbuluar motivimin
\nrreth gjith\u00e7kaje q\u00eb ata
\nkan\u00eb shkruar ndonj\u00ebher\u00eb,
\nq\u00eb t\u00eb ndri\u00e7ohen studiuesit
\ndhe t\u00eb k\u00ebnaqen
\nlexuesit kureshtar\u00eb?<\/p>\n
\nse kurr\u00eb tani
\ne prap\u00eb nuk shkruhet gj\u00eb.
\nDhjet\u00ebmij\u00eb elefant\u00eb
\nluhaten n\u00eb puhiz\u00eb.
\nFijet e mprehta t\u00eb barit
\nkomplotojn\u00eb kund\u00ebr
\nnj\u00eb luleradhiqeje.<\/p>\n
\npes\u00ebqind milje
\npa i tundur krah\u00ebt
\nmigron nga poli n\u00eb pol.
\n\u00c7mimi i nj\u00eb banknote
\nqind-trilion dollar\u00ebshe.<\/p>\n
\npran\u00eb zjarrit n\u00eb kamp,
\nderisa k\u00ebpuc\u00ebt
\nnisin e shkrihen?
\nDhe \u00e7far\u00eb me gisht\u00ebrinjt\u00eb
\nn\u00eb at\u00eb rast?<\/p>\n
\n\u00a9 M. Solstice \u2013 Burimi: Poetry (Shtator 2019), via Poetry Foundation, ShBA<\/span><\/em>
\n\u00a9 p\u00ebr p\u00ebrkthimin S. Guraziu \u2013 Ars Poetica, 2019<\/span><\/em><\/p>\n
\nMiles Solstice [ 1989-2017, ShBA ]<\/p>\n
\nta parashohin fundin
\ne bot\u00ebs.
\nAthua m\u00ebrziten
\nkur s\u2019ia q\u00ebllojn\u00eb?
\nDallimi mes
\nizolimit t\u00ebnd social
\ndhe si dukesh
\nnga kozmosi.
\n\u00c7\u2019thot\u00eb k\u00ebmisha jote?
\nAjo e humbi nj\u00eb sy
\ndhe rishtas e rriti,
\n\u00ebsht\u00eb gjelb-zverdhur.
\nLe t\u2019jet\u00eb i bekuar
\nmbikalimi.
\nShtrati yt vrim\u00eb
\ne madhe sa Jupiteri.
\nNgjitur prap\u00eb n\u00eb an\u00ebn
\nngjit\u00ebse t\u00eb shiritit.
\nS\u2019mund t\u00eb sheh
\n\u00e7far\u00eb nuk ekziston.
\n(duke parafrazuar)
\nKush?
\nDua t\u2019ia filloj nj\u00eb kolegji
\nt\u00eb b\u00ebr\u00eb nga anestezia.<\/p>\n
\n\u00a9 M. Solstice \u2013 Burimi: Poetry (Shtator 2019), via Poetry Foundation, ShBA<\/span><\/em>
\n\u00a9 p\u00ebr p\u00ebrkthimin S. Guraziu \u2013 Ars Poetica, 2019<\/span><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"