{"id":477,"date":"2019-09-20T12:11:39","date_gmt":"2019-09-20T12:11:39","guid":{"rendered":"https:\/\/www.letrat.eu\/?p=477"},"modified":"2026-04-08T23:31:13","modified_gmt":"2026-04-08T22:31:13","slug":"luigji-xiv-mbreti-diell-perkrahesi-i-arteve-dhe-i-shkencave","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=477","title":{"rendered":"Luigji XIV (Mbreti Diell) – P\u00ebrkrah\u00ebsi i Arteve dhe i Shkencave!"},"content":{"rendered":"

S. Guraziu – Ars Poetica, 2013
\n<\/em>[ Fragment nga “Sfinksi \u00ebsht\u00eb korruptuar”, S. G., 2013 ]<\/p>\n

Mbreti francez Luigji XIV, i njohur si Luigji i Madh (Louis le Grand) dhe si Mbreti-Diell (le Roi-Soleil), pati qen\u00eb nj\u00eb p\u00ebrkrah\u00ebs i madh i arteve. Luigji XIV sundoi si Mbret i Franc\u00ebs p\u00ebr m\u00eb shum\u00eb se 70 vjet, nga 1641 deri n\u00eb vdekjen e tij, 1715. Qe b\u00ebr\u00eb nj\u00ebri nga monark\u00ebt m\u00eb t\u00eb fuqish\u00ebm dhe konsolidoi nj\u00eb sistem t\u00eb sundimit absolut monarkik, absolutiz\u00ebm q\u00eb pati zgjatur deri n\u00eb Revolucionin Francez.
\nDuke mos p\u00ebrmendur tjerat aspekte t\u00eb sundimit t\u00eb gjat\u00eb, sfidat, sukseset, zhvillimet, luftrat, ekonomikat, politikat e b\u00ebmat e koh\u00ebs s\u00eb tij, n\u00eb kontekst relevante p\u00ebr ne ishte q\u00eb Luigji XIV njihet nga historia si mrojt\u00ebs dhe p\u00ebrkrah\u00ebs i madh i arteve. Ai e solli “Acad\u00e9mie Fran\u00e7aise” n\u00ebn patronazhin e tij dhe u b\u00eb “Mbrojt\u00ebs” (Protecteur) i saj. Ai kontribuoi q\u00eb let\u00ebrsia klasike franceze t\u00eb lul\u00ebzonte, duke mbrojtur shkrimtar\u00eb t\u00eb till\u00eb si Moli\u00e8re, La Fontaine, Racine etj. veprat e t\u00eb cil\u00ebve kan\u00eb ndikim dhe sot e k\u00ebsaj dite. Ai gjithashtu i patronizonte artet vizuale duke financuar dhe angazhuar artist\u00eb t\u00eb ndrysh\u00ebm, t\u00eb till\u00eb si Rigaud, Le Brun, Mignard, Coysevox etj. N\u00eb muzik\u00eb, me mb\u00ebshtetjen e tij lul\u00ebzuan kompozitor\u00eb dhe muzikant\u00eb t\u00eb ndrysh\u00ebm. Luigjit XIV sikur ia kemi borxh dhe rrug\u00ebn “evolutive” t\u00eb baletit, pasi q\u00eb ai i pati themeluar “Acad\u00e9mie Royale de Danse” dhe “Acad\u00e9mie d’Opera”, dhe eventet q\u00eb organizoheshin pat\u00ebn ndikimin e madh n\u00eb zhvillimin e baletit. Luigjit XIV gjithashtu mund t’i jemi “mir\u00ebnjoh\u00ebs” p\u00ebr trash\u00ebgimin\u00eb artistike dhe t\u00eb interier\u00ebve marramend\u00ebs t\u00eb pallatit spektakolar t\u00eb Versaj\u00ebs.<\/p>\n

Autori Pascal Dupuy, n\u00eb nj\u00eb artikull-analiz\u00eb lidhur me piktur\u00ebn e Jean Garnier, “All\u00e9gorie \u00e0 Louis XIV, protecteur des Arts et des Sciences”, nd\u00ebr t\u00eb tjera shkruan:
\n– – -| “Luigi XIV ishte mbrojt\u00ebs i arteve dhe shkencave, monarku i ri kishte nj\u00eb shije t\u00eb theksuar p\u00ebr artet. Nuk ishte i interesuar aq p\u00ebr studimet klasike (matematik\u00eb, gjuh\u00eb latine, histori…), por ai ishte i interesuar p\u00ebr piktur\u00ebn, arkitektur\u00ebn, muzik\u00ebn dhe sidomos p\u00ebr dansin, vall\u00ebzimin ai praktikoi m\u00eb shum\u00eb se dy or\u00eb n\u00eb dit\u00eb p\u00ebr m\u00eb shum\u00eb se 20 vjet. Q\u00eb nga fillimi i mbret\u00ebrimit t\u00eb tij n\u00eb vitin 1661, Luigi XIV u kushtoi v\u00ebmendje t\u00eb ve\u00e7ant\u00eb arteve – organizoi festivale, shfaqje muzikore dhe vall\u00ebzuese, mblodhi nj\u00eb koleksion t\u00eb gjer\u00eb t\u00eb pikturave – por dhe artist\u00eb. Kjo shije e deklaruar shnd\u00ebrrohej shpejt n\u00eb nj\u00eb organizim institucional, duke i zgjeruar organizmat tashm\u00eb ekzistues t\u00eb cilat s\u00eb shpejti do b\u00ebhen gurthemeli i politik\u00ebs artistike t\u00eb d\u00ebshiruar nga mbreti. Akademia Mbret\u00ebrore e Piktur\u00ebs dhe Skulptur\u00ebs u reformua n\u00eb v. 1663, nd\u00ebrsa Akademia Mbret\u00ebrore e Vall\u00ebzimit u krijua n\u00eb v. 1661, Akademia Franceze n\u00eb Rom\u00eb n\u00eb v. 1666, Akademia e Arkitektur\u00ebs n\u00eb v. 1671, Akademia e Oper\u00ebs n\u00eb v. 1669, Akademia e Muzik\u00ebs n\u00eb v. 1672” |- – –<\/p>\n

Mir\u00ebpo, kuptohet, t\u00eb gjitha k\u00ebto mrekulli arritjesh “royaliste” nuk do t’vinin tek ashtu. As manovrimet e diplomatikat e tij nuk ishin tek ashtu, ai e pati konsoliduar kontrollin politik dhe ashtu e mbante n\u00ebn kontroll tutje sundimin absolut. Edhe patronazhin p\u00ebr artet e p\u00ebrdorte p\u00ebr k\u00ebt\u00eb q\u00ebllim, por ndoshta do ishte e pabaz\u00eb t\u00eb thuhet se arti ishte thjesht nj\u00ebra nga hallkat e zinxhirit t\u00eb taktikave t\u00eb tij absolutiste.
\nNatyrisht, “\u00e7mimi i meritave luigjiane” ishte jasht\u00ebzakonisht i madh, \u00e7mim q\u00eb rrinte mbi kurrizin e p\u00ebrgjakur t\u00eb popullit. Bie fjala, shpenzimet astronomike rreth pallatit t\u00eb Versaj\u00ebs i kthenin n\u00eb “qesharake” shpenzimet zyrtare-ordinere t\u00eb ritualeve oborrtare (t\u00eb cilat s’ishin aspak t\u00eb vogla, p\u00ebrkundrazi). Apo dhe vet\u00ebm “historia” e nd\u00ebrtimit t\u00eb k\u00ebtij pallati sikur do na mjaftonte p\u00ebr t’u rr\u00ebnqethur nga faktet e dhimbshme p\u00ebr nd\u00ebrmarrjet e tilla.
\nNga ana tjet\u00ebr, e “\u00e7’faj” kishte nj\u00eb Luigj i Madh me konceptin e s\u00eb “drejt\u00ebs hyjnore” n\u00eb kok\u00eb (i cili koncept mbron origjin\u00ebn hyjnore t\u00eb sundimit monarkik)? Ashtu ishte i bindur dhe e mbronte bindjen e tij. Ai disa her\u00eb qe pikturuar si Per\u00ebndi, si “Kryezoti i romak\u00ebve”, jan\u00eb t\u00eb njohura pikturat n\u00eb t\u00eb cilat “le Roi-Soleil” qe portretizuar si Per\u00ebndia Jupiter, dhe q\u00eb i cili pra ishte versioni romak i Zeusit t\u00eb Olimpit!
\nSidoqoft\u00eb, dhe si\u00e7 na \u00ebsht\u00eb e njohur nga rrjedha e historis\u00eb, ndryshimet “revolucionare” do t’rrinin larg n\u00eb koh\u00eb, edhe p\u00ebr nj\u00eb shekull t\u00eb t\u00ebr\u00eb m\u00eb tutje.
\nN\u00eb jet\u00ebn private ishte nj\u00eb maniak i papar\u00eb seksual dhe i hedonizmave, nuk ishte aspak besnik ndaj gruas s\u00eb tij, mbret\u00ebresh\u00ebs Maria Tereza. Njihen nj\u00eb num\u00ebr i madh “t\u00eb dashurash”, zyrtare dhe jozyrtare (edhe pse “sakt\u00eb” mbase nuk mund t\u00eb p\u00ebrcaktohet ndonj\u00eb num\u00ebr : ) ! N\u00ebp\u00ebrmjet k\u00ebtyre lidhjesh e qejfesh ai pati shum\u00eb f\u00ebmij\u00eb jasht\u00ebmartesor, p\u00ebrve\u00e7 6 f\u00ebmij\u00ebve me gruan Maria Tereza, i pati dhe rreth 20 f\u00ebmij\u00eb t\u00eb tjer\u00eb. Nj\u00ebra nga dashnoret e tij ishte vet\u00ebm 19 vje\u00e7 kur ajo vdiq gjat\u00eb lindjes s\u00eb f\u00ebmij\u00ebs s\u00eb tyre, por dihet po ashtu q\u00eb shum\u00eb nga dashnoret nuk pat\u00ebn f\u00ebmij\u00eb.<\/p>\n

Pikturat:
\n– Jean Garnier (1632-1705) – All\u00e9gorie \u00e0 Louis XIV, protecteur des Arts et des Sciences.<\/em>
\n– Hyacinthe Rigaud – Louis XIV, 1701<\/em><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

S. Guraziu – Ars Poetica, 2013 [ Fragment nga “Sfinksi \u00ebsht\u00eb korruptuar”, S. G., 2013 ] Mbreti francez Luigji XIV, i njohur si Luigji i Madh (Louis le Grand) dhe si Mbreti-Diell (le Roi-Soleil), pati qen\u00eb nj\u00eb p\u00ebrkrah\u00ebs i madh… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-477","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/477","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=477"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/477\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=477"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=477"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=477"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}