{"id":5608,"date":"2020-03-19T16:42:20","date_gmt":"2020-03-19T15:42:20","guid":{"rendered":"https:\/\/letrat.eu\/?p=5608"},"modified":"2024-04-10T18:36:17","modified_gmt":"2024-04-10T17:36:17","slug":"elenat-e-shalot-disa-piktura-pak-fjale","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=5608","title":{"rendered":"Elenat e Shalot (Disa piktura, pak fjal\u00eb)"},"content":{"rendered":"

[sguraziu – pak fjal\u00eb<\/em>]
\n…s’di n\u00ebse ndokush t’i ket\u00eb num\u00ebruar t\u00eb gjitha “Elenat e Shalot” (ndoshta as muzeumet e institucionet e artit s’e din\u00eb aq “sakt\u00eb” : ) por ka me dhjetra, n\u00eb mos qindra, vizatime, gravura, piktura… pothuaj panum\u00ebr sosh, secila m\u00eb e bukur se tjetra, me subjekt “Elena” e bukur, fisnikja e dashuruar deri n\u00eb vdekje, s\u00eb cil\u00ebs nuk i qe kthyer dashuria – gjithsesi le t’ia fillojm\u00eb me versionin e piktorit Waterhouse, “Zonja e Shalot” \u00ebsht\u00eb nj\u00ebra nga pikturat m\u00eb t\u00eb famshme t\u00eb tij, piktura si sken\u00eb vizuale na e paraqet mbarimin ose fundin e poem\u00ebs s\u00eb poetit Alfred Tennyson, me t\u00eb nj\u00ebjtin titull. Waterhouse ishte nj\u00eb piktor anglez, i njohur p\u00ebr stilin piktural t\u00eb Akademizmit, dhe i cili m\u00eb pas e pati p\u00ebrqafuar stilin dhe filozofin\u00eb e Pre-Rafaelit\u00ebve, pikturat e tij kryesisht kishin si subjekt femrat nga mitologjia e lasht\u00eb greke dhe nga legjendat arturiane.<\/p>\n

Poema “Zonja e Shalot<\/strong>” (1832) \u00ebsht\u00eb nj\u00eb balad\u00eb lirike e shquar p\u00ebr romantizmin mesjetar, simbolika enigmatike e poem\u00ebs i pati frym\u00ebzur sa e sa piktor\u00eb, ve\u00e7an\u00ebrisht Pre-Rafaelit\u00ebt. Poema e Tennyson bazohet n\u00eb legjend\u00ebn arturiane “Elena e Astolat” (si\u00e7 rr\u00ebfehet n\u00eb nj\u00eb vep\u00ebr italiane t\u00eb shek. XIII me titull Donna di Scalotta – Zonja e Skalotit).
\nPoema pra rr\u00ebfen historin\u00eb e romanc\u00ebs s\u00eb Elena Astolat, nj\u00eb e re fisnike e burgosur n\u00eb k\u00ebshtjell\u00ebn e nj\u00eb ishulli af\u00ebr Kamelot (di\u00e7 si “kryeqytet-k\u00ebshtjell\u00eb” madh\u00ebshtore, apo qend\u00ebr e mbret\u00ebris\u00eb arturiane). Elena do vdiste nga dashuria p\u00ebr Lancelotin, n\u00eb legjend\u00ebn arturiane nj\u00ebri nga kalor\u00ebsit e Tryez\u00ebs s\u00eb Rrumbullak\u00ebt, trim dhe kalor\u00ebs fort i zoti, n\u00eb legjend\u00ebn p\u00ebrshkruhet si krahu i djatht\u00eb i mbretit Artur…<\/p>\n

John William Waterhouse (1849-1917) – Zonja e (K\u00ebshtjell\u00ebs) Shalot<\/strong>, 1888
\n\"\"<\/a><\/p>\n

John William Waterhouse (1849-1917) – Zonja e Shalot (Duke shikuar Lancelotin)<\/strong>, 1894<\/p>\n

…Zonja e Shalot, 1894 – majtas: versioni final, dhe djathtas: studim – pata lexuar n\u00eb nj\u00eb vend q\u00eb kritik\u00ebt m\u00eb shum\u00eb i parap\u00eblqejn\u00eb “brushat e lira” n\u00eb studimin (djathtas), sesa versionin e p\u00ebrfunduar (majtas) – hm, padyshim k\u00ebta do ken\u00eb patur m\u00eb shum\u00eb shije e preferenca p\u00ebr “impresionizmin”… pata buz\u00ebqeshur \ud83d\ude42
\npasi impresionizmi dhe ishte nj\u00eb lloj “stili i revoltizmit” – si karakteristik\u00eb e impresionizmit \u00ebsht\u00eb psh. si vijon: p\u00ebr shkak t\u00eb “shkitjes” s\u00eb l\u00ebmuar t\u00eb brushave, dhe t\u00eb ngjyrave hedhur “trash” n\u00eb kanavac\u00eb, pikturat n\u00eb stilin “impresiv” l\u00ebn\u00eb p\u00ebrshtypjen se jan\u00eb punuar shpejt e shpejt (nj\u00ebsoj si dhe studimet e paraskicat q\u00eb i b\u00ebjn\u00eb piktor\u00ebt para se t’ia fillojn\u00eb asaj tabllos\u00eb “p\u00ebrnj\u00ebmend” – sipas meje bie fjala ky studim i Waterhouse lirisht mund t\u00eb klasifikohet si “piktur\u00eb e kryer” impresioniste – po ashtu temat e impresionizmit nuk “rrahin” ndonj\u00eb problematik\u00eb, as nuk m\u00ebtojn\u00eb t\u00eb “lodhen” me ndonj\u00eb mesazh…
\n(sguraziu)<\/em><\/p>\n

\"\"<\/a><\/p>\n

George Edward Robertson (1864-1920) – Zonja e Shalot<\/strong>, 1900<\/p>\n

\"\"<\/a><\/p>\n

John Byam Liston Shaw (1872-1919) – Zonja e Shalot<\/strong>, 1898<\/p>\n

\"\"<\/a><\/p>\n

Sophie Gengembre Anderson (1823-1903) – Zambak-\u00c7upa e Astolat<\/strong>, 1870<\/p>\n

\"\"<\/a><\/p>\n

William Holman Hunt (1827-1910), dhe Edward Robert Hughes (1851-1914) – Zonja e Shalot<\/strong>, 1890-1905<\/p>\n

\"\"<\/a><\/p>\n

John Atkinson Grimshaw (1836-1893) – Zonja e Shalot<\/strong>, ~1875<\/p>\n

\"\"<\/a><\/p>\n

– – –<\/p>\n

Tr\u00ebndafili “Zonja e Shalot” (2010, Austin, Britani e Madhe)<\/h5>\n

…madje ka dhe lule, tr\u00ebndafil, q\u00eb mban emrin “Zonja e Shalot”, emrin e zonj\u00ebs s\u00eb bukur si zambak por e pafat sa i p\u00ebrket dashuris\u00eb, njihej si Elena, princesha-zambak e Astolat – kjo fotoja m’u duk m\u00eb kualitative, e zgjodha… si “prezantim” t\u00eb gjith\u00eb tr\u00ebndafilave “Shalot” (dmth. pasi Interneti mund t’i ket\u00eb me miliarda foto-tr\u00ebndafilash : )
\n(sguraziu)<\/em><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

[sguraziu – pak fjal\u00eb] …s’di n\u00ebse ndokush t’i ket\u00eb num\u00ebruar t\u00eb gjitha “Elenat e Shalot” (ndoshta as muzeumet e institucionet e artit s’e din\u00eb aq “sakt\u00eb” : ) por ka me dhjetra, n\u00eb mos qindra, vizatime, gravura, piktura… pothuaj panum\u00ebr… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-5608","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/5608","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=5608"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/5608\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=5608"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=5608"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=5608"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}