{"id":6633,"date":"2020-09-09T23:15:58","date_gmt":"2020-09-09T22:15:58","guid":{"rendered":"https:\/\/letrat.eu\/?p=6633"},"modified":"2024-09-30T06:52:25","modified_gmt":"2024-09-30T05:52:25","slug":"emile-prisse-davennes-historia-e-artit-egjiptian-1878","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=6633","title":{"rendered":"\u00c9mile Prisse d&#8217;Avennes &#8211; &#8220;Historia e Artit Egjiptian&#8221;, 1878"},"content":{"rendered":"<p>\u00c9mile Prisse d&#8217;Avennes (1807-1879) &#8211; &#8220;Historia e Artit Egjiptian&#8221;, 1878<br \/>\n<em>sguraziu &#8211; ars poetica, prill 2020 &#8211; pak fjal\u00eb&#8230;<\/em><\/p>\n<p>(&#8230;<em>ilustratorit d&#8217;Avennes (ose inxhinierit Idriz Efendiu) padyshim duhet t&#8217;i jemi mir\u00ebnjoh\u00ebs p\u00ebr &#8220;shp\u00ebtimin&#8221; e piramidave<\/em>)<\/p>\n<p>&#8230;arkeolog, egjiptolog, arkitekt dhe shkrimtar francez, n\u00eb v. 1827 d&#8217;Avennes pati shkuar n\u00eb Egjipt dhe qe pun\u00ebsuar si inxhinier nga m\u00ebk\u00ebmb\u00ebsi i Egjiptit me prejardhje shqiptare, Muhamed Ali Pasha &#8211; p\u00ebr shum\u00eb vite do t&#8217;jetonte e punonte atje, e pati p\u00ebrqafuar kultur\u00ebn egjiptiane t\u00ebr\u00ebsisht; e p\u00ebrvet\u00ebsoi emrin Idriz Efendi, e m\u00ebsoi arabishten dhe e praktikoi fen\u00eb islame &#8211; mbase ky adoptim i sinqert\u00eb i kultur\u00ebs dhe na i &#8220;shpjegon&#8221; ilustrimet e mrekullueshme si dhe ngjyrat e ngrohta artistike, &#8220;ngjyrat&#8221; e dashuris\u00eb s\u00eb kulluar t\u00eb nj\u00eb arkeologu&#8230;<\/p>\n<p>&#8230;mir\u00ebpo mendoj se dashuria e tij ndaj pasuris\u00eb arkeologjike e kulturore t\u00eb Egjiptit p\u00ebrforcohet dhe m\u00eb shum\u00eb si fakt, n\u00eb nj\u00ebfar\u00eb m\u00ebnyre ilustratorit d&#8217;Avennes (ose inxhinierit Idriz Efendiu) padyshim duhet t&#8217;i jemi mir\u00ebnjoh\u00ebs p\u00ebr &#8220;shp\u00ebtimin&#8221; e piramidave, ai s&#8217;ishte i vetmi&#8230; por ekspertiza profesionale e tij pakashum\u00eb do ket\u00eb luajtur rolin e vet &#8211; dihet se piramidat pat\u00ebn shp\u00ebtuar fal\u00eb francez\u00ebve, historia thot\u00eb q\u00eb piramida e Keopsit dhe dy piramidat tjera n\u00eb pllaj\u00ebn e Giz\u00ebs p\u00ebr pak sa s&#8217;qen\u00eb rr\u00ebnuar nga Muhamed Ali Pasha.<br \/>\nThesaret e lashta arkitekturale dhe testamentet e historis\u00eb s\u00eb hershme faraonike do t&#8217;shfryt\u00ebzoheshin si pjes\u00eb e planit p\u00ebr ta modernizuar Egjiptin, p\u00ebr ta m\u00ebk\u00ebmbur ekonomin\u00eb.<br \/>\nDihet bie fjala, se &#8220;gjilp\u00ebrat e Kleopatr\u00ebs&#8221; (obelisk\u00ebt e faraon\u00ebve t\u00eb lasht\u00eb) i qen\u00eb dhuruar metropolove per\u00ebndimore (Parisit, Londr\u00ebs, Nju Jorkut), ishin gjeste t\u00eb mir\u00ebnjohjes, gjith\u00e7ka kishte t\u00eb b\u00ebnte me &#8220;miq\u00ebsin\u00eb ekonomike&#8221; e me ndihmat teknike q\u00eb Egjiptit i duheshin nga per\u00ebndimor\u00ebt. Anise, rishtas bie fjala, ca nga obelisk\u00ebt e Rom\u00ebs, romak\u00ebt dikur i pat\u00ebn &#8220;marr\u00eb&#8221; dhe vet\u00eb, pa pyetur kend : )<\/p>\n<p>Sot e v\u00ebshtir\u00eb ta konceptojm\u00eb iden\u00eb e shembjes s\u00eb piramidave, por n\u00eb at\u00eb koh\u00eb sundimtari e kishte seriozisht. Ai thoshte se me gur\u00ebt e tyre do t&#8217;i nd\u00ebrtonte disa diga p\u00ebr t&#8217;i shmangur p\u00ebrmbytjet e Nilit, q\u00eb shkaktonin shum\u00eb d\u00ebme e fatkeq\u00ebsi. E v\u00ebrtet\u00eb q\u00eb Nili p\u00ebrher\u00eb me ato hujet e me &#8220;veset&#8221; e p\u00ebrmbytjes, q\u00eb nga koha e faraon\u00ebve njer\u00ebzia vuanin nga d\u00ebmet e katastrofat. Mbase pashai do t&#8217;kishte t\u00eb &#8220;drejt\u00eb&#8221; (n\u00eb mendimin e tij, bazuar n\u00eb logjik\u00ebn e dobis\u00eb reale ekonomike) sikur t&#8217;na ishte Faraon para 3-4 mij\u00ebvje\u00e7ar\u00ebve t\u00eb koh\u00ebs s\u00eb vet, dhe ta braktiste iden\u00eb e piramidave totalisht. N\u00eb vend t\u00eb kot\u00ebsis\u00eb e t\u00eb sakrificave p\u00ebr nd\u00ebrtimin e ca varrezave grandioze, thjesht do t&#8217;ishte orientuar p\u00ebr nd\u00ebrtimin e digave!<br \/>\nTani sado &#8220;praktike&#8221; t&#8217;i dukej ideja rreth gur\u00ebve t\u00eb piramidave (si material nd\u00ebrtimor p\u00ebr digat, dhe q\u00eb do ta ndihmonin realisht ekonomin\u00eb, krahasuar me ca objekte aty &#8220;kot&#8221; si varreza), megjithat\u00eb ideja p\u00ebr shembjen e tyre s&#8217;pinte uj\u00eb assesi&#8230;<\/p>\n<p>Piramidat at\u00ebbot\u00eb pat\u00ebn &#8220;shp\u00ebtuar&#8221; fal\u00eb vonesave t\u00eb q\u00ebllimshme nga inxhinier\u00ebt francez\u00eb (q\u00eb ishin n\u00eb sh\u00ebrbim t\u00eb sundimtarit). Sipas tyre pashai ishte &#8220;shkurtpam\u00ebs&#8221;, ose s&#8217;ia dilte ta konceptonte dometh\u00ebnien historike e kulturologjike, pasi prishja e piramidave do t&#8217;ishte humbje e madhe sa i p\u00ebrket trash\u00ebgimis\u00eb kulturore e historike bot\u00ebrore.<\/p>\n<p>[ <span style=\"color: #999999;\"><em>ilustrimet: Histoire de l&#8217;art \u00e9gyptien, 1878 &#8211; New York Public Library, digjitalizuar nga rawpixel ltd.<\/em><\/span> ]<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6634\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1.jpg\" alt=\"\" width=\"1696\" height=\"1200\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1.jpg 1696w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1-300x212.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1-1024x725.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1-768x543.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian1-1536x1087.jpg 1536w\" sizes=\"auto, (max-width: 1696px) 100vw, 1696px\" \/>|<\/a> <a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6635\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2.jpg\" alt=\"\" width=\"1696\" height=\"1200\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2.jpg 1696w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2-300x212.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2-1024x725.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2-768x543.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian2-1536x1087.jpg 1536w\" sizes=\"auto, (max-width: 1696px) 100vw, 1696px\" \/><\/a><\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6636\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3.jpg\" alt=\"\" width=\"1696\" height=\"1200\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3.jpg 1696w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3-300x212.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3-1024x725.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3-768x543.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian3-1536x1087.jpg 1536w\" sizes=\"auto, (max-width: 1696px) 100vw, 1696px\" \/><\/a><\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6637\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4.jpg\" alt=\"\" width=\"1696\" height=\"1200\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4.jpg 1696w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4-300x212.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4-1024x725.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4-768x543.jpg 768w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/09\/emile_prisse_d-avennes_-_historia_e_artit_egjiptian4-1536x1087.jpg 1536w\" sizes=\"auto, (max-width: 1696px) 100vw, 1696px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u00c9mile Prisse d&#8217;Avennes (1807-1879) &#8211; &#8220;Historia e Artit Egjiptian&#8221;, 1878 sguraziu &#8211; ars poetica, prill 2020 &#8211; pak fjal\u00eb&#8230; (&#8230;ilustratorit d&#8217;Avennes (ose inxhinierit Idriz Efendiu) padyshim duhet t&#8217;i jemi mir\u00ebnjoh\u00ebs p\u00ebr &#8220;shp\u00ebtimin&#8221; e piramidave) &#8230;arkeolog, egjiptolog, arkitekt dhe shkrimtar francez,&hellip; <a href=\"https:\/\/letrat.eu\/?p=6633\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,10],"tags":[],"class_list":["post-6633","post","type-post","status-publish","format-standard","hentry","category-classic","category-komente"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/6633","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6633"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/6633\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6633"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6633"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6633"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}