{"id":6816,"date":"2020-10-28T16:42:12","date_gmt":"2020-10-28T15:42:12","guid":{"rendered":"https:\/\/letrat.eu\/?p=6816"},"modified":"2024-04-10T08:05:45","modified_gmt":"2024-04-10T07:05:45","slug":"thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=6816","title":{"rendered":"Thell\u00ebsia sip\u00ebrfaq\u00ebsore (gjermane), dhe sip\u00ebrfaq\u00ebsorja e thell\u00eb (franceze)!"},"content":{"rendered":"<p><em>(sguraziu &#8211; ars poetica, t 2020)<\/em><\/p>\n<p>&#8220;<strong>Bota \u00ebsht\u00eb e ndar\u00eb n\u00eb dy stile estetike: n\u00eb stilin francez dhe at\u00eb gjerman. Ngjyra e kuqe \u00ebsht\u00eb gjermane. Bluja \u00ebsht\u00eb franceze. Burrat jan\u00eb gjerman\u00eb, grat\u00eb jan\u00eb franceze. Japonia \u00ebsht\u00eb franceze, Kina \u00ebsht\u00eb gjermane. Arti gjerman \u00ebsht\u00eb i njohur p\u00ebr karakteristik\u00ebn e t\u00eb q\u00ebnit thell\u00ebsisht sip\u00ebrfaq\u00ebsor, dhe arti francez p\u00ebr&#8230; t\u00eb q\u00ebnit sip\u00ebrfaq\u00ebsisht i thell\u00eb. Un\u00eb jam francez. N\u00ebse s&#8217;je dakord me analiz\u00ebn time, at\u00ebher\u00eb mbase do jesh gjerman<\/strong>.&#8221;<br \/>\n[ <em>Ned Rorem (1923, Kompozitor amerikan) &#8211; fotoja: new york times<\/em> ]<\/p>\n<p>***<\/p>\n<p>\u2026hm, kjo th\u00ebnia sikur m\u00eb shtyri ta vrisja mendjen pak\u00ebz, duket analiz\u00eb aq simpatike (dhe nj\u00ebkoh\u00ebsisht e sakt\u00eb) \u2013 anise autori e kishte fjal\u00ebn p\u00ebr muzikat, p\u00ebr artin muzikor, por mos vall\u00eb vlen dhe p\u00ebr tjerat fusha t\u00eb krijimtaris\u00eb artistike, \u00e7far\u00eb n\u00ebse e nj\u00ebjta mund t\u2019thuhet dhe p\u00ebr artin poetik, p\u00ebr let\u00ebrsin\u00eb n\u00eb p\u00ebrgjith\u00ebsi \u2013 s\u2019kam si t\u2019jem i sigurt as si ta di \u2013 sidoqoft\u00eb pata p\u00ebrshtypjen sikur v\u00ebshtir\u00eb ta pranonim qasjen e till\u00eb analitike, pasi\u2026<\/p>\n<p>&#8230;pik\u00ebs\u00ebpari s\u2019na p\u00eblqen pozicionimi \u201ccontra\u201d shijeve tona (s&#8217;di pse m\u00eb b\u00ebhet kritikolog\u00ebt k\u00ebt\u00eb &#8220;ves&#8221; kan\u00eb), tutje s\u2019na p\u00eblqen prerja e djathrave \u201cgouda\u201d ashtu n\u00eb dysh, shihni psh. mediat shqiptare, buletin\u00ebt e partiak\u00ebve, analist\u00ebt e parti-zanizmit thuase e &#8220;ndajn\u00eb&#8221; ndonj\u00eb rrot\u00eb djathi n\u00eb dysh, s&#8217;ka fare aso &#8220;mesi t\u00eb art\u00eb&#8221;, o do jesh i kuq o i kalt\u00ebr, o &#8220;\u00e7up\u00eb me barbi-kukullat roz\u00eb o \u00e7un sy-kaltrosh bukurosh&#8221;, kuptohet se jugo-veriorja \u00ebsht\u00eb e \u201clidhur\u201d (tekefundit n\u00eb Kuvend b\u00ebhen tok) ama si ato gjilp\u00ebrat e busullave, kudo t\u2019jet\u00eb koka jote p\u00ebr inat do jet\u00eb bishti im \u2013 vese inat\u00e7ore t\u00eb magnetizmit k\u00ebto, imagjino at\u00eb kat\u00ebr-rremborin n\u00eb logon e NATO-s, hiqja p\u00ebr inat Lindjen, privoje ca koh\u00eb nga Per\u00ebndimi\u2026 dhe ja, do kesh Shqip\u00ebrin\u00eb media-politike t\u00eb pasqyruar sakt\u00eb : )<\/p>\n<p>&#8230;tutje do vulosej sikur gjerman\u00ebt e francez\u00ebt na e paskan shpikur dhe p\u00ebrkryer artin, sikur ata na qenkan ajo supremacia universale\u2026 gjoja \u201cmazaja\u201d artistike, e gjith\u00eb bota rrotull na qenkan kot, tutje as shkenc\u00ebrisht as akademikisht s\u2019na p\u00eblqen thjesht\u00ebsimi i till\u00eb \u201cdualistik\u201d sepse, bie fjala feminizmat e macho-izmat do b\u00ebheshin gazi i bot\u00ebs, do ndesheshin mozomokeq, t\u00eb dy taborret (qoft\u00eb krijimtar\u00ebt qoft\u00eb kritik\u00ebt-analitik\u00ebt) do i gjenin 1001 l\u00ebmsha t\u00eb kund\u00ebrshtis\u00eb \u2013 gjithsesi, n\u00ebse ta pranonim at\u00ebher\u00eb garant edhe n\u00eb let\u00ebrsi do i kishim vet\u00ebm 2 stile kryesore, stilin \u201cgjerman\u201d dhe at\u00eb \u201cfrancez\u201d : )<\/p>\n<p><a  href=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze.jpg\" data-rel=\"lightbox-gallery-0\" data-rl_title=\"\" data-rl_caption=\"\" title=\"\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-6817\" src=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze.jpg\" alt=\"\" width=\"1400\" height=\"1000\" srcset=\"https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze.jpg 1400w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze-300x214.jpg 300w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze-1024x731.jpg 1024w, https:\/\/letrat.eu\/wp-content\/uploads\/2020\/10\/thellesia-siperfaqesore-gjermane-dhe-siperfaqesorja-e-thelle-franceze-768x549.jpg 768w\" sizes=\"auto, (max-width: 1400px) 100vw, 1400px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>(sguraziu &#8211; ars poetica, t 2020) &#8220;Bota \u00ebsht\u00eb e ndar\u00eb n\u00eb dy stile estetike: n\u00eb stilin francez dhe at\u00eb gjerman. Ngjyra e kuqe \u00ebsht\u00eb gjermane. Bluja \u00ebsht\u00eb franceze. Burrat jan\u00eb gjerman\u00eb, grat\u00eb jan\u00eb franceze. Japonia \u00ebsht\u00eb franceze, Kina \u00ebsht\u00eb gjermane.&hellip; <a href=\"https:\/\/letrat.eu\/?p=6816\" class=\"more-link\">Lexo <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-6816","post","type-post","status-publish","format-standard","hentry","category-komente"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/6816","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6816"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/6816\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6816"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6816"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6816"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}