{"id":8833,"date":"2021-10-29T20:24:22","date_gmt":"2021-10-29T19:24:22","guid":{"rendered":"https:\/\/letrat.eu\/?p=8833"},"modified":"2024-11-03T20:15:43","modified_gmt":"2024-11-03T19:15:43","slug":"liberty-libertas-la-liberte-liria-statuja-e-lirise","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=8833","title":{"rendered":"Libertas, La Liberte, Liberty, Liria (Statuja e Liris\u00eb)"},"content":{"rendered":"

s. guraziu – ars poetica, tetor 2021<\/em><\/p>\n

( Historin\u00eb e kujtojm\u00eb p\u00ebr t’i nxjerr\u00eb leksionet, mbamendja na nevojitet p\u00ebr t’m\u00ebsuar, jo p\u00ebr t’i “gjykuar” d\u00ebshtimet e s\u00eb kaluar\u00ebs. )<\/p>\n

1 – Nanine Vallain (1767-1815) – “Liria<\/strong>” (La Liberte), 1794
\n2 – Frederic A. Bartholdi (1834-1904) – Statuja e Liris\u00eb (Liberty duke e Ndri\u00e7uar Bot\u00ebn)<\/strong>, 1886<\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

Koncepti i Liris\u00eb (artistikisht, si vizualitet) zakonisht p\u00ebrfaq\u00ebsohet si nj\u00eb metafor\u00eb antropomorfike, dmth. me personifikime t\u00eb ndryshme. Psh. si nj\u00eb \u201cfem\u00ebr klasike\u201d e lidhur me virtytet dhe idealet m\u00eb t\u00eb larta. Simbolikisht, si nj\u00eb per\u00ebndesh\u00eb, pasi ashtu-k\u00ebshtu per\u00ebndeshat jan\u00eb t\u00eb lidhura me virtytet m\u00eb t\u00eb kulluara, si\u00e7 jan\u00eb bukuria, dashuria, seksualiteti, am\u00ebsia, kreativiteti, pjelloria etj.<\/p>\n

Andaj pse t\u2019mos jen\u00eb t\u00eb lidhura dhe me Lirin\u00eb, aq e shtrenjt\u00eb liria, pa lirin\u00eb mbase s\u2019mund t\u00eb shijohen mir\u00ebfilli as bukuria, as kreativiteti, as dashuria, as vet\u00eb frym\u00ebmarrja, as jeta, asgj\u00eb. Cilido i burgosur, a qoft\u00eb nj\u00eb zog n\u00eb kafaz, cilido shpirt q\u00eb i \u00ebsht\u00eb pezulluar liria, zor se mund t’ndjehet i \u201cg\u00ebzuar\u201d. Andaj me plot t\u00eb drejt\u00eb romak\u00ebt, e edhe grek\u00ebt, e edhe t\u00eb tjer\u00eb\u2026 do e kishin s\u00ebpaku nga nj\u00eb per\u00ebndesh\u00eb t\u00eb \u201cLiris\u00eb\u201d.<\/p>\n

Tjet\u00ebr q\u00eb as romak\u00ebve as grek\u00ebve s’u pati vajtur mir\u00ebfilli “mendja” e anti-skllav\u00ebris\u00eb, tekefundit e \u00e7monin dhe mbronin Lirin\u00eb e atyre q\u00eb ishin t\u00eb Lir\u00eb, kaq mjaftonte. Ec e merru me lirin\u00eb e t\u00eb gjith\u00ebve, s’kap\u00ebrthehej dot. Konceptet e bot\u00ebs ashtu qen\u00eb brumosur e pjekur, nd\u00ebrgjegjen fare t\u00eb qet\u00eb, flinin zbathur. Mjaftonte t’i luteshin Libertas (pararend\u00ebsit grek\u00eb Eleuteris\u00eb, per\u00ebndesh\u00ebs s\u00eb tyre), dhe do u faleshin gjith\u00eb m\u00ebkatet. Aty-k\u00ebtu gjat\u00eb koh\u00eblinj\u00ebs s\u00eb historis\u00eb moralisht mbase do e ken\u00eb vrar\u00eb mendjen (dmth. si supozim modest, tekefundit poet\u00ebt e koh\u00ebs). Mir\u00ebpo nga aspekti “kulturor e politik” vall\u00eb si do ia b\u00ebnin pa skllev\u00ebrit! E paimagjinueshme…<\/p>\n

S’e gjykon kush lasht\u00ebsin\u00eb, se mos na i r\u00ebnduaka m\u00ebkati greko-romak\u00ebt, nonsens, as q\u00eb b\u00ebhet fjal\u00eb, s’e gjykon kush asnj\u00eb nga popujt e lasht\u00ebsis\u00eb. E shkuara e njer\u00ebzimit prore justifikohet nga vet\u00eb historia. E din\u00eb shkollar\u00ebt, akademik\u00ebt, t\u00eb gjith\u00eb, e kaluara kurr\u00eb nuk “gjykohet”, qoft\u00eb e larg\u00ebt qoft\u00eb relativisht e af\u00ebrt. Secila shkoll\u00eb, \u00e7do universitet i planetit impenjohet q\u00eb historia t\u00eb interpretohet denj\u00ebsisht e objektivisht, pa paragjykime.<\/p>\n

Madje dhe 2 mij\u00ebvje\u00e7ar\u00eb pas romak\u00ebve, vet\u00eb holandez\u00ebt, spanjoll\u00ebt, portugez\u00ebt, britanez\u00ebt etj. pothuaj do ta “zbraznin” afro-kontinentin. Ishte parallogaritur q\u00eb buz\u00ebqeshjet e varfanjak\u00ebve do lul\u00ebzonin andej n\u00eb tokat e “indian\u00ebve”, s\u00eb bashku me ato t\u00eb Apa\u00e7\u00ebve. N\u00eb rregull, ca gj\u00ebra s’pat\u00ebn vajtur dhe aq mbar\u00eb, her\u00eb-her\u00eb filizat do thaheshin e do vyshkeshin. Aty-k\u00ebtu mund t’ken\u00eb “d\u00ebshtuar” parapritjet, asgj\u00eb, t\u00eb shkuara t\u00eb harruara…<\/p>\n

Historin\u00eb e kujtojm\u00eb p\u00ebr t’i nxjerr\u00eb leksionet, mbamendja na nevojitet p\u00ebr t’m\u00ebsuar, jo p\u00ebr t’i “gjykuar” d\u00ebshtimet e s\u00eb kaluar\u00ebs. Do ishte “absurd” t’mos ndjehej e qet\u00eb historia e Rom\u00ebs, e Egjiptit, e Babilonis\u00eb etj. Arenat gladiatoreske t\u00eb Rom\u00ebs sikur qen\u00eb “asht\u00ebzuar” me nj\u00eb shtres\u00eb pluhuri prej kafkash t\u00eb shtypura. E sakt\u00eb, por \u00e7far\u00eb pastaj… asgj\u00eb.<\/p>\n

Meq\u00eb ra fjala, nj\u00ebsoj ndjehet e qet\u00eb dhe historia britanike, vet\u00eb Neptuni (Poseidoni) ia pati dor\u00ebzuar Britanis\u00eb skeptrin e Perandoris\u00eb Oqeanike (ndoshta dhe at\u00eb t\u00eb Atlantid\u00ebs… Platonike, pse jo). Anijet holandeze dhe ato britaneze (n\u00ebn flamujt e mbret\u00ebreshave… deri tek Victoria) s’ndaleshin me vajtje-ardhjet tejoqeanike. Ngjash\u00ebm si mega-tanker\u00ebt e koh\u00ebs son\u00eb, nj\u00ebsoj si anijet gjigante me kontejner\u00ebt e “globalizmit” q\u00eb s’din\u00eb t\u00eb ndalur. Sepse dihet, plantacionet, fushat e paskajshme, kuzhinat e “neo-klasicizmit” amerikan, etj etj. pambuku jo se jo… por komplet, at\u00ebbot\u00eb e gjith\u00eb ekonomia amerikane s’do ia b\u00ebnte as “g\u00ebk”.<\/p>\n

Gjithsesi, Statuja e Liris\u00eb (Liberty), dhurat\u00eb e francez\u00ebve t\u00eb kulturuar p\u00ebr popullin amerikan, \u00ebsht\u00eb nj\u00eb per\u00ebndesh\u00eb romake, \u00ebsht\u00eb figur\u00eb e Libertas, e per\u00ebndesh\u00ebs romake t\u00eb Liris\u00eb. S\u2019di n\u00ebse ka ngelur ndonj\u00eb skulptur\u00eb romake e Libertas, por di q\u00eb portretin e saj romak\u00ebt e p\u00ebrdornin n\u00ebp\u00ebr monedhat. Edhe amerikan\u00ebt sot e p\u00ebrdorin per\u00ebndesh\u00ebn n\u00ebp\u00ebr monedhat e tyre (pa\u00e7ka se per\u00ebndesh\u00eb romake). Meq\u00eb pakashum\u00eb e nj\u00ebjta gj\u00eb \u00ebsht\u00eb, simbolet jan\u00eb simbole, apo jo, qofshin romake a neo-amerikane.<\/p>\n

Dhurata e Libertas, fare leht\u00eb mund t’jet\u00eb (dhe padyshim \u00ebsht\u00eb) dhurata m\u00eb simbolike e t\u00eb gjitha koh\u00ebrave. Sikur mbar\u00eb njer\u00ebzimit ia dhuron shpres\u00ebn, simbolizmin e liris\u00eb, ia fal ndjenjen e krenaris\u00eb. Me statujen sikur qe “vulosur” nj\u00eb faqe ebardh\u00eb e historis\u00eb amerikane. Ndoshta dhe vet\u00eb Amerigoja andej n\u00eb jet\u00eb-p\u00ebrtejmen e vet do ta ket\u00eb festuar (patjet\u00ebr do i ken\u00eb cak\u00ebrruar gotat me Kolumbon). Pas nj\u00eb lufte t\u00eb madhe jugo-veriore skllavopronar\u00ebt kok\u00ebfort\u00eb m\u00eb n\u00eb fund qen\u00eb “civilizuar”, humbja e luft\u00ebs sikur i pati shtr\u00ebnguar t\u00eb mbushen mend : )<\/p>\n

M\u00eb 28 Tetor 1886, \u201cLiberty\u201d i qe dedikuar “Liris\u00eb” – si statuj\u00eb shohim q\u00eb per\u00ebndesha Libertas mban nj\u00eb pishtar n\u00eb dor\u00ebn e djatht\u00eb. Nd\u00ebrsa n\u00eb dor\u00ebn e majt\u00eb mban nj\u00eb tabula ansata me mbishkrimin JULY IV MDCCLXXVI (4 Korrik 1776), dmth. me numra romak\u00eb, data e Shpalljes s\u00eb Pavar\u00ebsis\u00eb s\u00eb SHBA. Emri i plot\u00eb i zonj\u00ebs-statuj\u00eb \u00ebsht\u00eb \u201cStatuja e Liris\u00eb \u2013 Liberty duke e Ndri\u00e7uar Bot\u00ebn\u201d\u2026<\/p>\n

[ m\u00eb posht\u00eb ngjitur pak histori rreth \u201cLiberty\u201d nga Amber C. Snider<\/span> ]<\/p>\n

***
\nAmber C. Snider, n\u00eb nj\u00eb shkrim hedhur n\u00eb linj\u00eb (2019) na rr\u00ebfen shkurt historin\u00eb e statujes \u2013 Statuja e Liris\u00eb \u00ebsht\u00eb nj\u00eb simbol i liris\u00eb, i frym\u00ebzimit dhe i shpres\u00ebs, n\u00eb v. 1865 francezi E. de Laboulaye e propozoi iden\u00eb e nj\u00eb dhurate monumentale nga populli Francez p\u00ebr popullin Amerikan. Laboulaye ishte nj\u00eb aktivist kund\u00ebr skllav\u00ebris\u00eb (president i Shoqat\u00ebs Franceze kund\u00ebr Skllav\u00ebris\u00eb), ai besonte se festimi i demokracis\u00eb s\u00eb Amerik\u00ebs, ashtu menj\u00ebher\u00eb pas Luft\u00ebs Civile, si dhe braktisja e skllav\u00ebris\u00eb, mund t\u2019i forconte dhe idealet demokratike t\u00eb Franc\u00ebs.<\/p>\n

Me dizajnin do merrej skulptori francez F. A. Bartholdi, versioni p\u00ebrfundimtar i dizajnit qe patentuar n\u00eb v. 1879 dhe nd\u00ebrtimi i statujes pati filluar shpejt\u00eb \u2013 shkruan Snider.
\nDizajni i Bartholdit ishte kolosal \u2013 n\u00eb fakt, do ishte skulptura m\u00eb e madhe e koh\u00ebs, m\u00eb e madhe se \u00e7do skulptur\u00eb tjet\u00ebr n\u00eb bot\u00eb. Nd\u00ebrsa A. G. Eiffel, projektuesi i Kull\u00ebs Eifel, do ta projektonte korniz\u00ebn skeletore t\u00eb statuj\u00ebs. Ekspertiza inxhinierike e Eifel ishte thelb\u00ebsore p\u00ebr struktur\u00ebn, pjesa e brendshme e hekurave duhej ta mbante pesh\u00ebn prej 200 tonelatave, e po ashtu duhej t\u2019i p\u00ebrkrahte + 100 tonelatat e mb\u00ebshtjelljes s\u00eb jashtme t\u00eb bakrit.<\/p>\n

Statuja q\u00ebndron af\u00ebrsisht 34 metra e lart\u00eb, por n\u00ebse t\u00eb matej dhe piedestali s\u00eb bashku me maj\u00ebn e pishtarit \u2013 thot\u00eb Snider, lart\u00ebsia e saj e plot\u00eb do na dilte 93 metra. Dora e saj e djatht\u00eb shtrihet lart p\u00ebr ta mbajtur nj\u00eb pishtar veshur me flori 24 karat\u00ebsh, dhe n\u00eb kok\u00eb ka nj\u00eb kuror\u00eb me shtat\u00eb cepa, q\u00eb simbolizojn\u00eb shtat\u00eb kontinentet. N\u00eb k\u00ebmb\u00ebt e saj q\u00ebndrojn\u00eb pranga t\u00eb thyera, t\u00eb cilat p\u00ebrfaq\u00ebsojn\u00eb nj\u00eb grua t\u00eb liruar nga shtypja dhe tirania.<\/p>\n

Nd\u00ebrtimi i statuj\u00ebs s\u2019pati qen\u00eb dhe aq pun\u00eb e leht\u00eb, jo vet\u00ebm p\u00ebr shkak t\u00eb madh\u00ebsis\u00eb, ShBA do ishte p\u00ebrgjegj\u00ebse p\u00ebr nd\u00ebrtimin dhe financimin e piedestalit prej 27 m, nd\u00ebrsa Franca do fokusohej p\u00ebr ekzekutimin e statuj\u00ebs dhe p\u00ebr transportin e saj, ndar\u00eb n\u00eb 350 pjes\u00eb, p\u00ebrtej oqeanit. T\u00eb dy vendet do ballafaqoheshin me probleme financimi, k\u00ebshtu q\u00eb i qen\u00eb drejtuar publikut p\u00ebr ndihm\u00eb, p\u00ebrfundimisht do mblidheshin fonde p\u00ebrmes eventeve artistike, ankandeve, donacioneve etj.<\/p>\n

 <\/p>\n

LIBERTY
\nS. Guraziu, 2009<\/p>\n

S\u2019jam si ti, Statuj\u00eb e Liris\u00eb,
\nme pishtarin e Prometeut
\nn\u00eb duar, me drit\u00ebn e urt\u00ebsin\u00eb,
\nme nj\u00eb univers bosh\u00ebsie
\nq\u00eb s\u2019e njohim as un\u00eb
\ndhe as ti \u2013 Liberty e pafajshme,
\n\u00e7do gj\u00eb e mozaikut p\u00ebrjashta
\nna p\u00ebrket neve, ka di\u00e7
\nq\u00eb pulson brenda, shtytja,
\ninercioni i gjakut, vet\u00eb
\njemi krijuesit e s\u00eb jashtmes,
\ni kemi shpikur statujat,
\nreliket, simbolet,
\nme q\u00ebllim t\u2019ia kujtonim
\nvetes s\u00eb paku t\u00eb jashtmen
\ne Liris\u00eb, por \u00e7far\u00eb e plot\u00ebson
\nbrend\u00ebsin\u00eb, me \u00e7far\u00eb
\nta mbushim bosh\u00ebsin\u00eb
\nt\u00ebnde, nj\u00eb boshll\u00ebk Piramide,
\nmos vall\u00eb me r\u00ebr\u00eb germash
\ndhe kurthe \u2013 apo thjesht
\n\u00ebsht\u00eb besim, i nj\u00ebsuar
\nme grahmat e flak\u00ebs,
\noksigjen q\u00eb \u201cdigjet\u201d
\ni frym\u00ebmarrjes, beso pra
\ndhe ti Liberty\u2026 n\u00eb Lirin\u00eb,
\nkurr\u00eb s\u2019do t\u2019i kesh frik\u00eb pastaj
\ntreqind kalor\u00ebsit e nd\u00ebrgjegjes,
\nt\u2019i godasin portat, bedenat
\nq\u00eb rr\u00ebnohen me vet\u00eb gur\u00ebt
\ne vet, katapultet ngjeshur
\nme t\u00eb nj\u00ebjtit gur\u00eb, s\u2019do
\ni kesh frik\u00eb as kapu\u00e7on\u00ebt
\nnet\u00ebve me stuhi, t\u00eb mistersh\u00ebm
\nsi vdekja, si nata me pelerin\u00ebn
\ne zez\u00eb q\u00eb e mb\u00ebshtjell
\nbosh\u00ebsin\u00eb, t\u00eb padukshmen
\ne trisht\u00eb, tek trokasin
\nn\u00eb portat e kalbura
\nt\u00eb pallatit t\u00ebnd\u2026 t\u00eb \u00ebndrrave.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

s. guraziu – ars poetica, tetor 2021 ( Historin\u00eb e kujtojm\u00eb p\u00ebr t’i nxjerr\u00eb leksionet, mbamendja na nevojitet p\u00ebr t’m\u00ebsuar, jo p\u00ebr t’i “gjykuar” d\u00ebshtimet e s\u00eb kaluar\u00ebs. ) 1 – Nanine Vallain (1767-1815) – “Liria” (La Liberte), 1794 2… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"class_list":["post-8833","post","type-post","status-publish","format-standard","hentry","category-classic"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/8833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8833"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/8833\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}