{"id":9848,"date":"2018-09-05T10:42:56","date_gmt":"2018-09-05T09:42:56","guid":{"rendered":"https:\/\/letrat.eu\/?p=9848"},"modified":"2024-05-17T11:47:45","modified_gmt":"2024-05-17T10:47:45","slug":"german-equivalent-to-hollywood-during-weimar-republic","status":"publish","type":"post","link":"https:\/\/letrat.eu\/?p=9848","title":{"rendered":"“Ekuivalenti” i dikursh\u00ebm gjerman, i Hollivudit amerikan !"},"content":{"rendered":"

(s. guraziu – ars poetica, sht 2018)<\/em><\/p>\n

Gjat\u00eb vet\u00ebm 14 viteve q\u00eb p\u00ebrfshijn\u00eb periudh\u00ebn e Republik\u00ebs Vaimar (1919-1933), industria gjermane e filmit do e kishte nj\u00eb zhvillim t\u00eb papar\u00eb, n\u00eb thelb ishte “ekuivalenti gjerman i Hollivudit”, \u00e7do vit prodhoheshin mesatarisht 250 filma, p\u00ebr 14 vite dol\u00ebn gjithsej 3500 filma me metrazh t\u00eb plot\u00eb – thuhej n\u00eb tekstin e “Monovisions”.<\/p>\n

Imagjino, 250 filma \u00e7do vit, vit pas viti, thuase 1 dit\u00eb e gjysm\u00eb… dhe hooop 1 film fringo n\u00eb treg : ) S’e kemi fjal\u00ebn p\u00ebr gjith\u00eb Evrop\u00ebn, s’e p\u00ebrmend\u00ebm fare as Franc\u00ebn, as Italin\u00eb, as Britanin\u00eb. Kam p\u00ebrshtypjen m\u00eb shum\u00eb se 250 filma s’i prodhon as Hollivudi i koh\u00ebs son\u00eb (dmth. 50 shtete s\u00eb bashku t\u00eb Amerik\u00ebs moderne). Tekefundit nuk prodhohen m\u00eb shum\u00eb se 250 sosh q\u00eb ia vlen sadopak… mbase – apo ku di un\u00eb, s’\u00ebsht\u00eb se i konsultova statistikat dhe se gjoja tani na qenkam fort i sigurt. Ok, n\u00ebse eventualisht ta shtonim dhe Bollivudin h\u00ebp\u00ebrh\u00eb ashtu do na b\u00ebheshin dhe 2500 filma, mir\u00ebpo sa p\u00ebr krahasimin ton\u00eb t\u00eb “vock\u00ebl”… pse t’mos e l\u00ebm\u00eb Bollivudin rehat : ) <\/p>\n

Kjo periudh\u00eb e filmografis\u00eb vaimariane, kjo “epok\u00eb e art\u00eb” e kinemas\u00eb gjermane shquhej dhe p\u00ebr zhvillimet teknologjike n\u00eb realizimin e filmave, si dhe p\u00ebr eksperimentimin skenografik dhe t\u00eb ndri\u00e7imit. Studio Babelsberg qe b\u00ebr\u00eb studioja m\u00eb e madhe filmike n\u00eb Evrop\u00eb, nga e cila u prodhuan shumica e filmave t\u00eb kinematografis\u00eb gjermane. Vet\u00ebm n\u00eb Berlin ishin aktive rreth 230 kompani filmike. Fakti q\u00eb filmat ishin “pa z\u00eb” dhe meq\u00eb gjuha s’ishte faktor, kjo e mund\u00ebsonte angazhimin dhe t\u00eb aktor\u00ebve t\u00eb huaj, qoft\u00eb dhe p\u00ebr rolet kryesore – cekej dhe ky detaj n\u00eb “Monovisions”.<\/p>\n

Nd\u00ebrsa dihet q\u00eb Republika e Vaimar (pas Luft\u00ebs I Bot\u00ebrore) ishte p\u00ebrpjekja e par\u00eb e Gjermanis\u00eb p\u00ebr demokraci t\u00eb mir\u00ebfillt\u00eb, dhe se do p\u00ebrballej me shum\u00eb sfidash serioze. Kryesisht si p\u00ebrballje e r\u00ebnd\u00eb ishte pagesa e kostos gjigante (d\u00ebmshp\u00ebrblimi i luft\u00ebs) q\u00eb rrodhi nga Traktati i Versaj\u00ebs, por dhe inflacioni n\u00eb rritje t\u00eb vazhdueshme, ng\u00ebr\u00e7i ekonomik, papun\u00ebsia e lart\u00eb etj. P\u00ebrfundimisht Republika do p\u00ebrmbysej nga Partia Naziste… nga “mustaku” dhe sharmi politik i Fuhrerit.<\/p>\n

[ disa nga infot dhe fotot: monovisions – (majtas) – aktorja austriake Gerda Maurus (1903-1968) nj\u00eb yll i ekranit t\u00eb “shurdh\u00ebr”, i pati magjepsur shum\u00eb nga burrat e industris\u00eb filmike at\u00ebbot\u00eb, duke p\u00ebrfshir\u00eb drejtorin Fritz Lang, dhe ministrin nazist Josef Goebbels – (djathtas) – Erna Morena (1885-1962), aktorja gjermane e pati nj\u00eb karrier\u00eb t\u00eb shk\u00eblqyer n\u00eb kineman\u00eb “pa z\u00eb”, n\u00eb vitet 1910-1925 ]<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

(s. guraziu – ars poetica, sht 2018) Gjat\u00eb vet\u00ebm 14 viteve q\u00eb p\u00ebrfshijn\u00eb periudh\u00ebn e Republik\u00ebs Vaimar (1919-1933), industria gjermane e filmit do e kishte nj\u00eb zhvillim t\u00eb papar\u00eb, n\u00eb thelb ishte “ekuivalenti gjerman i Hollivudit”, \u00e7do vit prodhoheshin mesatarisht… Lexo →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[11],"tags":[],"class_list":["post-9848","post","type-post","status-publish","format-standard","hentry","category-lingua"],"_links":{"self":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/9848","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=9848"}],"version-history":[{"count":0,"href":"https:\/\/letrat.eu\/index.php?rest_route=\/wp\/v2\/posts\/9848\/revisions"}],"wp:attachment":[{"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=9848"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=9848"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/letrat.eu\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=9848"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}